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AI art "Mario, Sonic and Crash" featuring #Mario, #Sonic the Hedgehog, #Crash Bandicoot, #Mario (series), #Tsubaki.3, #PixAI Nasu and #PixAI Recipe
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Mario, Sonic and Crash

The legenday mascots of NES, Mega Drive, and PlayStation 1.

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Nasu's Tokyo Journey
#Mario#Sonic the Hedgehog#Crash Bandicoot#Mario (series)#Tsubaki.3#PixAI Recipe
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character: mario, crash_bandicoot, sonic_the_hedgehog, copyright: mario_(series), sonic_(series), crash_bandicoot_(series) 3boys, retro artstyle, 1990s (style), traditional media (artwork), cel shading, wide shot, low angle, indoors, 1990s bedroom, sitting on floor, patterned rug, carpet, famicom, sega mega drive, playstation (console), retro gaming, video game console, game controller, wired controller, cord, cartridge, playing video games, friendly rivalry, enthusiastic, short brown hair, mustache, blue eyes, red headwear, peaked cap, red shirt, long sleeves, blue overalls, yellow buttons, white gloves, brown boots, holding controller, looking away, focused, spiky hair, blue hair, green eyes, jacket, blue jacket, white gloves, red footwear, sneakers, smirk, looking at another, leaning back, arm support, messy hair, orange hair, green eyes, open mouth, grinning, denim jeans, red footwear, arms up, cheering, excited A low-angle wide shot captures three energetic boys gathered closely together on the carpeted floor of a sunlit 1990s bedroom, completely absorbed in competing on classic home video game hardware. On the left, a sturdy boy with short brown hair, blue eyes, and a neat mustache leans forward over his folded knees; he wears a bright red peaked cap, a red long-sleeved shirt beneath blue denim overalls fastened by yellow buttons, and white cotton gloves. Both of his gloved hands grip a rectangular cream-and-red gamepad, his thumbs rapidly working the buttons as his gaze remains locked in intense concentration on an illuminated cathode-ray tube screen just off-frame. In the center, a slender boy with sweeping, spiky cobalt-blue hair and sharp green eyes reclines backward with his right palm flat on the patterned rug for support while drawing his knees upward; he is dressed in a vibrant royal-blue jacket, cuffed white gloves, and bright red running shoes fastened with thick white horizontal straps. He holds a rounded black three-button controller aloft in his left hand, flashing a smug, lopsided smirk as his eyes flick sideways to tease his companion in overalls. To the right, a wild boy with unruly, spiky reddish-orange hair and bright green eyes sits back on his heels with his mouth open in an ecstatic, toothy shout of victory; he sports relaxed blue denim pants, scuffed red canvas sneakers, and fingerless gloves, pumping both fists into the air while a light-gray ergonomic controller dangles from his fingers. Between them on the low-pile carpet sit three distinct home consoles: a compact red-and-white 8-bit cartridge console, a sleek matte-black 16-bit console featuring a circular gold accent ring, and a flat light-gray 32-bit disc-based system with a circular lid. Ribbed, coiled controller cables snake across the floorboards and rug, with one black wire pulled taut by a leaning knee and another draping loosely over a scattered stack of colorful plastic game cartridges. The scene is illuminated by warm afternoon sunbeams streaming through slatted horizontal blinds onto the wood-paneled back wall, countered by the cool phosphorescent flicker of the television casting soft cyan highlights across their faces and the glossy console casings. The palette celebrates rich, saturated primary hues—cherry red, royal blue, warm yellow, and energetic orange—defined by bold black line art, crisp cel-shaded shadows, and delicate film grain characteristic of classic hand-painted anime production cel art. Nostalgic exuberance.
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Original Prompt
mario (series), sonic (series), crash bandicoot (series), mario, sonic the hedgehog, crash bandicoot, 3boys, famicom, sega mega drive, playstation 1, 1990s (style), retro artstyle
Mode
flash
Size
1408 x 1408
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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no humans, empty room, room interior, tatami flooring, tatami mats, japanese room, famicom, famicom controller, television, crt television, retro game console, console on floor, low table, zaisu, shoji, sliding door, window, daylight, no characters, still life, wide shot, from above, dutch angle, high angle, from behind sofa A slightly tilted high-angle view looking down across a small Japanese room from just above a low wooden table, the camera canted a few degrees so the tatami seams run diagonally out of the frame. The room is completely empty of people: the only occupants are objects. In the center-left of the floor a cream-and-red Famicom console sits directly on the tatami, its two controllers resting on the mats beside it, thin grey cables looping across the woven green-gold surfaces — the cords lie in loose S-curves, lifting a few millimeters where they cross the raised borders of the mats. To the right, a boxy CRT television on a low wooden stand faces slightly away from the lens; its screen is dark glass holding one soft, skewed window reflection that is dimmer and softer than the real window behind the camera. The table in the foreground holds a single ceramic teacup, its rim catching a pale highlight, and a folded cloth. In the midground, shoji screens with papered panes line the left wall, one panel slid open a hand's width onto a brighter corridor; a hanging scroll and a low shelf sit against the back wall. Cold daylight from the shoji rakes across the tatami from the upper left, laying long parallelogram window-pane shadows that stretch and break at each mat border, and the right side of the room falls into a soft shaded green-blue. The palette is restrained: straw green and gold tatami, warm cream and crimson accents on the console, dark charcoal television, white paper. Faint dust motes drift in the sunbeam. Quiet, nostalgic.
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character: sonic_the_hedgehog 1boy, solo, anthropomorphic, hedgehog, blue quills, animal ears, green eyes, detailed eyes, white gloves, arms crossed, smirk, raised eyebrow, lopsided smile, confident, upper body, portrait, from below, low angle, looking at viewer, sunset, dusk, orange sky, pink sky, golden hour, rim light, backlighting, bokeh, depth of field, wind, clean lines, cel shading Viewed from a slightly low camera angle in a heroic waist-up portrait, an anthropomorphic blue hedgehog stands with arms crossed firmly across his chest, his torso turned slightly three-quarters while his gaze fixes directly onto the viewer. His hands, clad in clean white gloves with rolled cuffs, rest neatly over opposite forearms. A cocky, playful expression animates his face: one brow is arched in a bold, questioning rise above large, sharply focused emerald green eyes with bright specular catchlights, while his mouth pulls into an asymmetric, confident trademark smirk across his peach-toned muzzle. Massive cobalt blue quills sweep backward from his head, their pointed tips rustling and separating in a brisk lateral crosswind that tugs at the edges of his silhouette. In the background, an expansive twilight sky melts from radiant golden-orange along the low horizon into soft rose and dusky pink, dotted with distant, out-of-focus light orbs in gentle circular bokeh. Low-angled sunlight from behind casts an intense, crisp golden rim light along the upper curves of his spikes, ears, and gloved shoulders, cleanly separating the cobalt silhouette from the warm evening sky while soft ambient fill keeps the details of his expression bright and legible. Rendered in a clean, modern anime illustration style with razor-sharp contours, dynamic lighting contrast, and smooth vector-like finishes. Energetic, effortlessly stylish.
Decarlos Harrison
#Sonic the Hedgehog#Sonic the Hedgehog
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Avatar image of 雨音
no humans, empty room, room interior, tatami flooring, tatami mats, japanese room, famicom, famicom controller, television, crt television, retro game console, console on floor, low table, zaisu, shoji, sliding door, window, daylight, no characters, still life, wide shot, from above, dutch angle, high angle, from behind sofa A slightly tilted high-angle view looking down across a small Japanese room from just above a low wooden table, the camera canted a few degrees so the tatami seams run diagonally out of the frame. The room is completely empty of people: the only occupants are objects. In the center-left of the floor a cream-and-red Famicom console sits directly on the tatami, its two controllers resting on the mats beside it, thin grey cables looping across the woven green-gold surfaces — the cords lie in loose S-curves, lifting a few millimeters where they cross the raised borders of the mats. To the right, a boxy CRT television on a low wooden stand faces slightly away from the lens; its screen is dark glass holding one soft, skewed window reflection that is dimmer and softer than the real window behind the camera. The table in the foreground holds a single ceramic teacup, its rim catching a pale highlight, and a folded cloth. In the midground, shoji screens with papered panes line the left wall, one panel slid open a hand's width onto a brighter corridor; a hanging scroll and a low shelf sit against the back wall. Cold daylight from the shoji rakes across the tatami from the upper left, laying long parallelogram window-pane shadows that stretch and break at each mat border, and the right side of the room falls into a soft shaded green-blue. The palette is restrained: straw green and gold tatami, warm cream and crimson accents on the console, dark charcoal television, white paper. Faint dust motes drift in the sunbeam. Quiet, nostalgic.
雨音
AI artwork
Avatar image of 雨音
no humans, empty room, room interior, tatami flooring, tatami mats, japanese room, famicom, famicom controller, television, crt television, retro game console, console on floor, low table, zaisu, shoji, sliding door, window, daylight, no characters, still life, wide shot, from above, dutch angle, high angle, from behind sofa A slightly tilted high-angle view looking down across a small Japanese room from just above a low wooden table, the camera canted a few degrees so the tatami seams run diagonally out of the frame. The room is completely empty of people: the only occupants are objects. In the center-left of the floor a cream-and-red Famicom console sits directly on the tatami, its two controllers resting on the mats beside it, thin grey cables looping across the woven green-gold surfaces — the cords lie in loose S-curves, lifting a few millimeters where they cross the raised borders of the mats. To the right, a boxy CRT television on a low wooden stand faces slightly away from the lens; its screen is dark glass holding one soft, skewed window reflection that is dimmer and softer than the real window behind the camera. The table in the foreground holds a single ceramic teacup, its rim catching a pale highlight, and a folded cloth. In the midground, shoji screens with papered panes line the left wall, one panel slid open a hand's width onto a brighter corridor; a hanging scroll and a low shelf sit against the back wall. Cold daylight from the shoji rakes across the tatami from the upper left, laying long parallelogram window-pane shadows that stretch and break at each mat border, and the right side of the room falls into a soft shaded green-blue. The palette is restrained: straw green and gold tatami, warm cream and crimson accents on the console, dark charcoal television, white paper. Faint dust motes drift in the sunbeam. Quiet, nostalgic.
雨音

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