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no humans, space, spaceship, space shuttle, retro-futurism, atompunk, from behind, wide shot, cinematic angle, low earth orbit, earth, planet, curvature of the earth, deep space, starry sky, space station, wheel space station, satellite, solar panels, chrome hull, mirror reflection, specular highlight, sunlight, rim lighting, atmospheric glow, clouds, night side, glowing city lights, vintage science fiction, 1950s (style), pulp magazine (style), gouache (medium), rich colors, film grain. A wide cinematic composition viewed from behind and slightly below the stern of a retro-futuristic atompunk space shuttle gliding smoothly through low Earth orbit. The shuttle features aerodynamic, tapered 1950s rocketry lines, swept dorsal and lateral stabilizing fins, and a rear propulsion block with polished circular engine nozzles. Its mirror-like, chrome-plated hull reflects the convex curvature of the planet below and the starfield above, catching brilliant direct sunlight that carves an intense, razor-sharp rim light along its upper spine and leading wing edges, setting it in stark contrast against the deep pitch-black of space. The curved blue limb of Earth spans and fills the lower third of the frame, wrapped in a translucent cyan atmospheric fringe, showing vibrant azure oceans overlaid with swirling, opaque white cloud patterns on the sunlit hemisphere. Across the sweeping terminator line into the planet's dark side, intricate networks of golden and amber city lights glow warmly against the shadowed surface. In the deep midground, a spinning wheel-shaped orbital station and several small satellites with golden rectangular solar panels drift quietly, each catching the solar rays and glinting like sharp chrome jewels against the void. Cold, brilliant stars sparkle in pin-sharp clusters across the upper expanse. The city lights appear strictly beyond the twilight boundary on the shadowed Earth, while the curved polished hull warps the bright blue horizon into a clean specular arc. Rendered in the vintage style of a 1958 mid-century pulp science fiction illustration, featuring opaque gouache brush textures, rich saturated pigments, bold tonal contrast, and a fine, subtle film grain across the composition, lonely grandeur and quiet wonder.
Show Parameters
Mode
flash
Size
1536 x 1024

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.30k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

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Avatar image of トッシー
character: yf-19, copyright: macross, macross_plus 1 fighter, aircraft, yf-19, fighter mode, space, outer space, planet horizon, colony ship, city-dome, glowing lights, nebula, stars, glowing thrusters, wide shot, from above, cinematic composition, 16:9, retro anime style, 1990s anime, painted background, serene epic mood A wide cinematic view from above, looking down at a colossal colony ship that dominates the midground. The ship is a massive city-dome, its curved glass surface shimmering with the dense, glittering amber and white lights of a sprawling metropolis within. Below the ship, the deep blue and white arc of an Earth-like planet curves across the horizon, separating the glowing city-dome from the void. In the upper foreground, a single YF-19 variable fighter in fighter mode is captured in a slow, banking glide; its sleek, dark-green metallic airframe is rendered small and fragile against the immense scale of the colony fleet. The fighter's rear thrusters emit a soft, steady orange glow, casting a faint light onto the trailing edges of its wings in the vacuum. The background is a deep black void of space, filled with distant, sharp stars and the soft, painted swirls of a purple and teal nebula. The lighting is high-contrast, with the primary light source being the brilliant glow of the city-dome below, which catches the underbelly of the fighter with a gold shimmer. The rendering features the distinct hard edges and cel-shading of 1990s mecha animation, set against a lush, hand-painted matte space background. Serene epic mood.
トッシー
#The Skies Are Mine
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Avatar image of トッシー
character: vf-25, copyright: macross, macross_frontier 2mechanical, no_humans, wide shot, cinematic angle, low angle, from below, night, night sky, variable fighter, mecha, sci-fi, fighter jet, transformable mecha, panel lines, detailed mechanical parts, bulky dark blue-gray fighter, firing gunpod, gatling gun, muzzle flash, amber tracer rounds, bullet trails, sleek gray-green fighter, forward-swept wings, climbing, banking, afterburner, engine exhaust, thruster glow, searchlight, city lights, futuristic city, island cluster colony, aerial view, rim lighting, long exposure light streaks, anime screencap A wide cinematic shot angled from below captures a ferocious low-altitude night dogfight cutting across an expansive dark indigo sky. In the midground left, a heavy, angular variable fighter with a bulky dark blue-gray stealth fuselage cuts forward at maximum thrust, its underslung gatling gunpod roaring in continuous fire. Stroboscopic orange muzzle flash violently illuminates its beveled armor plating, recessed mechanical joints, and cockpit canopy, launching a dense, arcing curtain of amber tracer rounds that curve downward toward the ground like a hail of fire. Beside it on the right, a second variable aerospace fighter with a slender, needle-nosed airframe in matte gray-green military livery banks aggressively into a steep, high-G vertical climb. Its twin vectoring rocket nozzles blaze with incandescent blue-violet afterburner plumes that stretch into luminous, long-exposure light trails across the night. Distinct luminous shock diamonds pulse inside the translucent exhaust trails while thin ribbons of condensation vapor rip from the climbing fighter's forward-swept wingtips. Sharp, cool rim lighting chisels every raised panel line, hinge, and thruster port along both fuselages against the pitch-black sky. Far below the battle, the sprawling interior floor of the colony cylinder glitters like an open jewel box, dense with millions of pinprick golden, cyan, and white city lights softened by a faint atmospheric haze, while multiple towering searchlight beams slice upward through the dark in stark, crisscrossing volumetric pillars. Ferocious, desperate urgency.
トッシー
#The Skies Are Mine

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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