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AI art "一期一振 - 木の日" featuring #Touken Ranbu and #Ichigo Hitofuri
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一期一振 - 木の日

#Touken Ranbu#Ichigo Hitofuri
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character: ichigo_hitofuri A square 1:1 intimate composition of Ichigo Hitofuri enjoying woodworking in a traditional European-inspired craft workshop. He is using a wooden hand plane on a long oak board secured to a workbench. A thin, continuous shaving curls upward from the plane, while the freshly exposed surface of the timber reveals a beautiful pattern of warm golden-brown grain. The focus is his spontaneous pleasure at seeing the grain and the graceful curl of wood. His lifted eyebrows and open smile reveal genuine delight in the material and in the work itself. The composition is cropped from the top of his head to his lower ribs, with his working hands and the plane visible across the bottom of the frame. The camera is positioned in front of him and slightly toward his right side, a little above his face level and angled gently downward. His face occupies the upper-right region, while the plane, oak board and curled shaving occupy the lower-left and center. The working surface and his expression are both clearly visible. The wooden board recedes diagonally from the lower-left foreground toward the upper-left background, establishing the direction of the plane without distorting the proportions of his hands. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, compact nostrils, narrow philtrum, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25). His eyebrows are distinctly raised. Both mouth corners lift into a spontaneous open smile, with a small glimpse of the upper teeth. His gaze is directed toward the thin curl of oak emerging from the plane. The expression combines discovery and the simple happiness of making something by hand. His shoulders remain naturally proportioned, and his upper body leans forward with the balanced engagement of an experienced craftsperson. The pleasure in his face is supported by the confident placement of his arms and the steady contact of the tool with the board. He wears a muted olive-brown linen work tunic with a narrow standing collar. The collar is opened slightly at the throat, revealing an ivory linen inner shirt with a folded neckline. The tunic has an offset front opening secured by small covered buttons, and narrow darker facings follow the collar and front edge. A deep brown leather work apron covers his chest and continues below the lower crop. Its upper edge is curved, with a reinforced stitched border and a single small brass adjustment buckle on the strap near his left shoulder. The leather lies firmly over the linen, creating a visible distinction between the soft garment and the heavier protective layer. The full-length sleeves are rolled to just below the elbows. Each rolled cuff forms a thick, layered band of linen, with the pale inner surface visible against the darker exterior. Fine diagonal creases run from his elbows toward the wrists as his hands maintain their grip on the plane. The linen has a dry woven texture, while the apron has a more compact, slightly worn surface with restrained highlights along its curved edges. His right hand firmly grasps the rear handle of a traditional wooden hand plane. His left hand holds the rounded front knob, guiding the body of the tool along the timber. His fingers follow the natural shape of the two handles, leaving the upper surface and the shaving outlet distinguishable. The plane rests directly against the horizontal oak board. Its dark polished wooden body has a rectangular profile, a metal cutting iron seated in the center, a rounded front knob and a curved rear handle. The sole remains in full contact with the board. A narrow strip of wood curls upward from the cutting opening in a continuous loose spiral. The shaving is extremely thin, pale golden on its inner surface, with a slightly darker edge following the grain. It rises above the plane without becoming an exaggerated ribbon or covering his face. The oak board is broad and flat, approximately the width of his forearm. Its warm honey-brown color carries long, gently undulating grain lines, with occasional darker growth patterns. The freshly planed strip has a clean, smooth surface beside the rougher surrounding wood. The far end of the board is held against a fixed wooden bench stop on the workbench. The heavy workbench supports both the timber and the downward pressure of the plane. Scattered short shavings rest naturally on the bench around the main board. The setting is an imagined old European-inspired woodworking studio. Only a limited section of the workshop is visible behind him. A small timber-framed window stands to the left, with a pale stone wall around it. A short wooden tool rack holds a few chisels and a wooden mallet. The workbench has a thick plank top, rounded worn edges and sturdy timber joinery. The workshop details remain secondary to his face, hands, plane and oak board. The visible tools suggest a functioning craft space rather than a decorative collection. Warm afternoon daylight enters through the window from the upper left. It passes across the curled wood shaving, revealing the thinness of the material and its softly illuminated inner surface. The same light follows the freshly exposed grain on the board and reaches the left side of his face. A weaker reflection from the pale stone window surround keeps the opposite side of his face readable. The golden and lime-green components of his visible irises retain their defined colors under the warm illumination. The linen tunic absorbs light softly. Small highlights follow the worn leather edges, while the metal cutting iron catches a narrow, controlled reflection. The wood grain remains visible through variations in warm brown rather than excessive gloss. Soft contact shadows beneath the plane, at the board stop, inside the curled shaving and around his gripping fingers share the same light direction. The overall atmosphere is warm, intimate and lively. His clearly delighted expression and the graceful physical structure of the curling wood shaving make the discovery of natural beauty the center of the image. single coherent lighting setup, detailed illustration. masterpiece, best quality
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Original Prompt
A square 1:1 intimate composition of Ichigo Hitofuri enjoying woodworking in a traditional European-inspired craft workshop. He is using a wooden hand plane on a long oak board secured to a workbench. A thin, continuous shaving curls upward from the plane, while the freshly exposed surface of the timber reveals a beautiful pattern of warm golden-brown grain. The focus is his spontaneous pleasure at seeing the grain and the graceful curl of wood. His lifted eyebrows and open smile reveal genuine delight in the material and in the work itself. The composition is cropped from the top of his head to his lower ribs, with his working hands and the plane visible across the bottom of the frame. The camera is positioned in front of him and slightly toward his right side, a little above his face level and angled gently downward. His face occupies the upper-right region, while the plane, oak board and curled shaving occupy the lower-left and center. The working surface and his expression are both clearly visible. The wooden board recedes diagonally from the lower-left foreground toward the upper-left background, establishing the direction of the plane without distorting the proportions of his hands. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, compact nostrils, narrow philtrum, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25). His eyebrows are distinctly raised. Both mouth corners lift into a spontaneous open smile, with a small glimpse of the upper teeth. His gaze is directed toward the thin curl of oak emerging from the plane. The expression combines discovery and the simple happiness of making something by hand. His shoulders remain naturally proportioned, and his upper body leans forward with the balanced engagement of an experienced craftsperson. The pleasure in his face is supported by the confident placement of his arms and the steady contact of the tool with the board. He wears a muted olive-brown linen work tunic with a narrow standing collar. The collar is opened slightly at the throat, revealing an ivory linen inner shirt with a folded neckline. The tunic has an offset front opening secured by small covered buttons, and narrow darker facings follow the collar and front edge. A deep brown leather work apron covers his chest and continues below the lower crop. Its upper edge is curved, with a reinforced stitched border and a single small brass adjustment buckle on the strap near his left shoulder. The leather lies firmly over the linen, creating a visible distinction between the soft garment and the heavier protective layer. The full-length sleeves are rolled to just below the elbows. Each rolled cuff forms a thick, layered band of linen, with the pale inner surface visible against the darker exterior. Fine diagonal creases run from his elbows toward the wrists as his hands maintain their grip on the plane. The linen has a dry woven texture, while the apron has a more compact, slightly worn surface with restrained highlights along its curved edges. His right hand firmly grasps the rear handle of a traditional wooden hand plane. His left hand holds the rounded front knob, guiding the body of the tool along the timber. His fingers follow the natural shape of the two handles, leaving the upper surface and the shaving outlet distinguishable. The plane rests directly against the horizontal oak board. Its dark polished wooden body has a rectangular profile, a metal cutting iron seated in the center, a rounded front knob and a curved rear handle. The sole remains in full contact with the board. A narrow strip of wood curls upward from the cutting opening in a continuous loose spiral. The shaving is extremely thin, pale golden on its inner surface, with a slightly darker edge following the grain. It rises above the plane without becoming an exaggerated ribbon or covering his face. The oak board is broad and flat, approximately the width of his forearm. Its warm honey-brown color carries long, gently undulating grain lines, with occasional darker growth patterns. The freshly planed strip has a clean, smooth surface beside the rougher surrounding wood. The far end of the board is held against a fixed wooden bench stop on the workbench. The heavy workbench supports both the timber and the downward pressure of the plane. Scattered short shavings rest naturally on the bench around the main board. The setting is an imagined old European-inspired woodworking studio. Only a limited section of the workshop is visible behind him. A small timber-framed window stands to the left, with a pale stone wall around it. A short wooden tool rack holds a few chisels and a wooden mallet. The workbench has a thick plank top, rounded worn edges and sturdy timber joinery. The workshop details remain secondary to his face, hands, plane and oak board. The visible tools suggest a functioning craft space rather than a decorative collection. Warm afternoon daylight enters through the window from the upper left. It passes across the curled wood shaving, revealing the thinness of the material and its softly illuminated inner surface. The same light follows the freshly exposed grain on the board and reaches the left side of his face. A weaker reflection from the pale stone window surround keeps the opposite side of his face readable. The golden and lime-green components of his visible irises retain their defined colors under the warm illumination. The linen tunic absorbs light softly. Small highlights follow the worn leather edges, while the metal cutting iron catches a narrow, controlled reflection. The wood grain remains visible through variations in warm brown rather than excessive gloss. Soft contact shadows beneath the plane, at the board stop, inside the curled shaving and around his gripping fingers share the same light direction. The overall atmosphere is warm, intimate and lively. His clearly delighted expression and the graceful physical structure of the curling wood shaving make the discovery of natural beauty the center of the image. single coherent lighting setup, detailed illustration. masterpiece, best quality
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pro
Style
Watercolor Glow
Quality Tag
﹝Prompts﹞
Size
992 x 992
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lowres, worst quality, low quality, bad anatomy, explicit
Style: Watercolor Glow
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