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AI art "Hiyuki Feet - Wuthering Waves"
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Hiyuki Feet - Wuthering Waves

#Breasts#Barefoot#Feet#Japanese clothes#Kimono#Foot Focus#Big Boobs#Looking at viewer#Girl#Wuthering Waves#Hiyuki
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private โ€” only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Avatar image of ๊งโœฟ ๐‘ฎ๐’๐’๐’… ๐‘ณ๐’Š๐’‡๐’† โœฟ๊ง‚
character: hiyuki_(wuthering_waves) sole focus, extreme close-up on soles, soles in extreme foreground, bare feet, barefoot, soles visible, foot focus, from below, from feet, looking at viewer, over shoulder, looking back, lying on side, on bed, pillow, head on pillow, knees bent, legs apart, toes curled, one foot toes curled, other foot toes spread, spread toes, red toenails, red nail polish, greek foot, second toe longest, slender feet, delicate ankles, fair skin, matte skin, dry skin, long white hair, grey-white hair, high ponytail, sidelocks, red eyes, hair ribbon, off-shoulder white kimono, red accents, patterned fabric, bare shoulders, mature female, wide hips, seductive gaze, half-closed eyes, parted lips, 1girl, solo, high detail skin, detailed fabric, strong foreshortening, bright indoor lighting, daylight room, seductive, soft The camera sits low at the foot of the bed, tilted up along the length of her body, so the two soles fill the near foreground as huge soft shapes and the rest of her recedes into foreshortened depth behind them. Both heels press down into the pale mattress, sinking a shallow dimple into the linen, and the near foot turns its sole almost square to the lens: her toes are curled tight, the pads furrowed and the red polish catching light on the crimped nails, the arch a clean taut curve, the second toe standing longest above the curled row โ€” a Greek foot read clearly even folded. The far foot lies a little deeper in the frame with its toes fanned wide, each toe separated by a dark sliver of shadow, the same red lacquer on every nail, and its ankle rolls outward so the tendon ridge shows under the matte, dry, fair skin โ€” no sheen anywhere, the surface powder-soft and even, every crease and the faint cross-hatching of the sole drawn crisp. Between and behind the feet her legs bend at the knees and fall apart, thighs foreshortened into broad shapes, the fabric of her white-and-red outfit pulled taut over full mature hips in fine woven detail โ€” red patterned bands and embroidered motifs running over white cloth, the seam strain and small fold shadows rendered thread by thread. Her torso twists to one side, one shoulder bared where the off-shoulder collar has slipped, and her head rests sideways on a soft pillow, white-grey hair spilling across it in loose strands, the high ponytail and long sidelocks falling over the pillow edge, one ribbon and hair ornament catching the light near her temple. She looks back at the lens over her shoulder: chin turned, red eyes half-lidded and steady, lips slightly parted, one brow faintly lifted โ€” a slow, knowing seduction rather than a smile. Bright daylight floods in from a window high on the left, so the tops of her soles and the ridge of her shoulder take a warm even glow, while soft cool shadow pools in the gaps between her toes, under the arch of the near foot, and beneath her hip where the mattress gives way; the light is diffuse and shadowless-edged, a bright airy room with a hint of pale wall and sheer curtain blurred far behind. Palette held to white, warm fair skin, and red โ€” red nails, red pattern in the cloth, red eyes โ€” nothing else intruding. Intimate, languid.
๊งโœฟ ๐‘ฎ๐’๐’๐’… ๐‘ณ๐’Š๐’‡๐’† โœฟ๊ง‚

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