Show Parameters
- Original Prompt
- Female version of Edward Elric, golden blonde hair styled in a thick long braid, piercing amber eyes, youthful feminine facial features, confident smirk, arms crossed, slight head tilt, red alchemy cloak of heavy wool, black tactical vest with utility pouches, crisp white undershirt, dark tailored trousers, worn brown leather boots, Amestris military research facility, industrial alchemy laboratory, oversized brass piping networks, intricate chalk-drawn transmutation circles etched into grey flagstone floors, low angle medium shot, dynamic perspective, slightly off-center composition, leading lines following architectural brass pipes, high-contrast cinematic lighting rig, cool blue ambient atmospheric haze, warm orange alchemy sparks floating in air, saturated reds, deep blacks, polished brass gold, cool slate grey, crisp cel-shaded fabric, matte metallic surfaces, smooth digital painting, determined rebellious psychological undertone, high-quality anime key visual, anime film still, ultra-clean refined stylized shading, smooth painterly gradients, flawless linework, detailed leather textures, intricate gold clockwork gears, vibrant cel shading, studio quality rendering, 35mm anamorphic lens, f/2.8, Kodachrome anime aesthetic, Studio Ghibli meets Ufotable lighting, cinematic depth of field, sharp focus on character, soft blur on industrial background, volumetric lighting, particles of floating dust and magic, polished digital art style.
- Size
- 1280 x 720
- Sampling Steps
- 20
- Sampling Method
- Euler a
- CFG Scale
- 4.5
- Negative
- worst quality, low quality, bad anatomy, bad feet, bad hands,
Model & LoRA used
No model info available
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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