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AI art "下班" featuring #Black hair, #Bag, #Girl and #Tsubaki.3
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下班

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#Black hair#Bag#Girl
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qingli2style, refined anime illustration, delicate clean lineart, soft detailed shading, smooth skin rendering, glossy detailed hair, detailed expressive eyes, soft natural colors, japanese game cg style, qingli, a beautiful anime girl, long black hair, purple eyes, straight hair, high quality, highly detailed., height 157cm, narrow shoulders, mature physique, average breasts slightly large, natural body proportions, black smooth long straight hair, hair length reaching waist to upper buttocks, hair strands smooth, with a sense of weight, naturally falling, purple eyes, half-open eyes, walking on a river embankment path at evening, body naturally walking forward, one foot stepping forward, the other foot naturally remaining behind, one hand lightly hooking the strap of a shoulder bag, the other hand naturally hanging by the side, upper body naturally relaxed, head slightly turned toward the camera, full body composition, completely captured in frame from crown of head to soles of shoes, character occupies most of the frame area, eye-level slightly low camera angle, frontal slightly 2/3 side view perspective, natural perspective, cream white short cropped thin knit top, round neck, short sleeves, clothing naturally fitting, revealing a small amount of waist, dark blue high-waisted denim A-line mini skirt, clean waistline, brown thin strap shoulder bag, dark gray short socks, dark brown loafers, half-open purple eyes looking at the camera, lips naturally closed, flat expression, relaxed look, evening river embankment path, distant grassland and city buildings, sky with soft twilight colors, natural evening lighting, gentle breeze blowing parts of hair and skirt hem, background has natural depth of field, high-exquisite Japanese official CG, detailed eyes, detailed hair, detailed clothing, detailed legs and shoes, natural human anatomy, high quality light and shadow
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Original Prompt
身高157cm， 窄肩， 成熟體態， 普乳略大， 自然身材比例， 黑色柔順長直髮， 髮長及腰至臀上， 髮絲柔順、有重量感、自然垂落， 紫瞳， 半睜眼， 走在傍晚的河堤步道上， 身體自然向前行走， 一隻腳向前踏出， 另一隻腳自然留在後方， 一隻手輕輕勾著肩背包的背帶， 另一隻手自然垂在身側， 上半身自然放鬆， 頭部微微轉向鏡頭， 全身構圖， 從頭頂到鞋底完整收入畫面， 人物佔據畫面大部分區域， 平視略低機位， 正面偏2/3側面視角， 自然透視， 奶油白色短版薄針織上衣， 圓領， 短袖， 衣身自然貼合， 露出少量腰部， 深藍色高腰牛仔A字短裙， 簡潔腰線， 棕色細肩背包， 深灰色短襪， 深棕色樂福鞋， 半睜著紫色眼睛看向鏡頭， 嘴唇自然閉合， 表情平淡， 神情放鬆， 傍晚河堤步道， 遠處草地與城市建築， 天空帶有柔和的黃昏色彩， 自然傍晚光線， 微風吹動部分髮絲與裙襬， 背景具有自然景深， 高精緻日系官方CG， 細緻眼睛， 細緻頭髮， 細緻服裝， 細緻腿部與鞋子， 自然人體結構， 高品質光影
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

2 private models used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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