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AI art "Claire Redfield In A Forest"
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Claire Redfield In A Forest

#Breasts#Denim#Midriff#Cleavage#Ponytail#Navel#Resident Evil#Gun#long hair#Big Boobs#brown hair#Jeans#Crop top#Bracelet#Belt#Handgun#green eyes#Collarbone#Parted bangs#Holster#Necklace#Bare shoulders#Looking at viewer#Jewelry#Pants#Girl#Holding#Claire Redfield#Closed mouth#Resident Evil 2#Tsubaki.3
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character: claire_redfield, copyright: resident_evil, resident_evil_2 claire redfield, resident evil, resident evil 2, 1girl, solo, horror theme, horror forest, forest, sensual touching, long hair, blue eyes, holding, brown hair, jewelry, navel, ponytail, weapon, pants, belt, midriff, holding weapon, necklace, crop top, gun, tank top, holding gun, handgun, watch, holster,
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Original Prompt
claire redfield, resident evil, resident evil 2, 1girl, solo, horror theme, horror forest, forest, sensual touching, long hair, blue eyes, holding, brown hair, jewelry, navel, ponytail, weapon, pants, belt, midriff, holding weapon, necklace, crop top, gun, tank top, holding gun, handgun, watch, holster,
Mode
flash
Size
1104 x 1824

Model & LoRA used

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Avatar image of Joshua Froat
character: jill_valentine, copyright: resident_evil 1girl, solo, jill valentine, mature female, milf, adult woman, brown hair, shoulder-length hair, blue eyes, long eyelashes, fingerless black gloves, at a gun range, indoor shooting range, target practice, aiming, holding handgun, both hands on grip, extended arms, shooting stance, isosceles stance, from behind, over-shoulder composition, three-quarter back view, from below, dutch angle, looking down sight, focused expression, half-closed eyes, lips parted, indoor range booth, shooting lane, paper targets downrange, lane divider panel, hanging target carrier, overhead baffles, spent brass, concrete floor, gun smoke haze, warm overhead lighting, teal and amber palette The camera sits low and behind her right shoulder, tilted a few degrees off level, so her back and hip fill the near foreground and the shooting lane recedes past her extended arms toward the targets downrange; the lane divider panel cuts the right edge of frame and her left shoulder overlaps its near post. She stands in an isosceles stance, weight settled evenly but hips shifted a touch onto her rear foot, both arms locked out straight, both gloved hands wrapped around the pistol grip with her support hand's thumb forward under the slide, index finger straight along the frame outside the trigger guard. Her chin dips to the rear sight, both eyes open and narrowed down the sight line at the paper target hanging on its carrier thirty meters out, and the target shows a tight cluster of holes punched through the upper chest ring. The lane's overhead baffles and hanging carrier wires draw hard converging lines to the target, and the concrete floor holds a scatter of spent brass catching the light. Warm overhead lamps run down the ceiling line of the range and pool on her shoulders, arms and the lane floor, while the far end of the range falls into cooler shadow with a thin haze of lingering gun smoke hanging at head height and catching the lamp glow. Her brown shoulder-length hair is tucked back behind her right ear and swings slightly forward past her cheek at the recoil-anticipation moment, her jaw set. Palette: warm amber lamps and skin, deep teal shadow down the far lanes, black of her gloves and the pistol, off-white paper targets as the only bright accents. Quiet, steel-nerved focus.
Joshua Froat

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