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AI art "照れている初音ミク" featuring #Hatsune Miku, #Vocaloid and #Tsubaki.3
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照れている初音ミク

#Hatsune Miku#Vocaloid#Tsubaki.3
も

もみじとまひろはラブラブです

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character: hatsune_miku 1girl, solo, upper body, close-up, bust shot, front view, facing viewer, aqua hair, very long hair, twin tails, aqua eyes, large expressive eyes, hair between eyes, black square hair ornaments with red trim, headset, sleeveless shirt, grey collared shirt, bare shoulders, aqua necktie, tie clip, black detached sleeves with aqua trim, scratching back of head, one hand behind head, bent elbow, sheepish, embarrassed, awkward smile, lopsided grin, blush, sweatdrop, nervous expression, simple background, light blue wall, indoor, cast shadow, glass-like anime style, glossy, highlight-heavy, bright colors, sparkle Frontal upper-body view at eye level. A slender girl with vibrant aqua twintails faces directly toward the viewer in a close-up bust framing, striking an overtly sheepish and apologetic pose. Her right arm is raised with the elbow angled outward, her fingers nestled into the hair at the nape of her neck as she scratches the back of her head in flustered embarrassment, while her left shoulder dips slightly in an asymmetric hunch. Her expression is delightfully awkward: one eyebrow arches in self-conscious surprise while the other knits down, her oversized aqua eyes glisten with wide, glassy irises aimed straight at the viewer, and her lips stretch into a crooked, sheepish closed-mouth wince. Bright coral-pink blush warms her cheeks beneath a prominent comic-style sweat drop at her temple. She wears her classic sleeveless silver-gray collared top, fitted with a vivid cyan necktie fastened by a dark metallic clip, with black futuristic rectangular hair clips edging her voluminous pigtails and a sleek headset resting over her ears. Where her fingertips dig into the aqua strands behind her crown, small tresses part and compress under her knuckles. The entire background is occupied by a smooth, solid light blue painted wall. Bright, crisp key lighting illuminates her from slightly above the camera axis, causing brilliant specular highlights to gleam like polished glass across her hair ribbons, eyes, and silk tie, while casting a soft, clear silhouette shadow of her raised arm and twintails onto the light blue wall behind her. Clean, vibrant palette dominated by crisp turquoise, silver, and soft sky-blue tones, defined by bouncy clean linework and an ultra-glossy finish. Embarrassed, charming.
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Original Prompt
初音ミク　上半身アップ　正面を向いている　いつもの衣装　バツの悪い顔をしている　片手で頭のうしろを掻いている　バックは水色の壁
Mode
flash
Style
Glassy Anime
Size
768 x 1280
Style: Glassy Anime
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.30k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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