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Serizawa Asahi, The Idolmaster
Show Parameters
- Size
- 1024 x 1024
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5.5
- Negative
- nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly
Model & LoRA used
Similar Images
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ぬ
masterpiece, best quality, 8k,
1girl, serizawa asahi, very cute face, hyper detailed face, visual band style, standing at walkway, night,
ぬきお
ぬ
masterpiece, best quality, 8k,
1girl, serizawa asahi, very cute face, hyper detailed face, visual band style, standing at walkway, night,
ぬきお
nv
A medium shot from a side view captures a (cute:1.5) (girl:1.4) standing alone in a serene park at night. She has a (calm:1.4) expression, with (detailed eyes:1.5) and meticulously detailed hair. She is dressed in vibrant (pop clothing:1.5) and has (medium breasts:1.3). The setting is an outdoor park under a dark night sky, where the characters' presence is highlighted by (realistic lighting:1.2) and volumetric lighting that creates a soft glow. The background features park greenery and distant lights, rendered with a shallow depth of field to emphasize the subject. The overall mood is peaceful and atmospheric, with an ultra-detailed finish and a very aesthetic, high-resolution anime illustration style.
Nicolás Vega
1girl, young woman, cute face, big eyes, rosy cheeks, short brown hair, small hair clip, white shirt, light blue skirt, standing on sidewalk, city street, evening, warm street lights, delicate face, line art, kawaii aesthetic, 32k uhd, multilayer, (Depth of field, cinematic angle, cinematic lighting:1.2), (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (detailed background), newest, intricate, low ponytail, pose, solo
F. Sora
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