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김도훈

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김도훈

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aegyo sal, Korean webtoon style, crisp face focus, soft gradient lips, delicate blush, Chest Booster EX, Huge Chest, Big Chest, Ample Chest, Miyabi from Zenless Zone Zero, who has become a beautiful married woman in her late 40s, is walking toward the viewer with a blushing face.
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젠레스 존 제로의 40대 후반의 나이든 아름다운 미시 유부녀가 된 미야비가 얼굴을 붉히며 걸어오고 있다.
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Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.72k
Korean art style - AI Model cover image

User LoRA

Korean art style
4.19k
Chest Booster EX - AI Model cover image

User LoRA

Chest Booster EX
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Avatar image of 사람지나가는
character: oh_jiyu, jiyu, 20 years old, long dark blue hair with swept bangs, half updo with a black hair bow at the back of the head, intense red eyes, pale skin, big breasts. Anime style illustration of an original character. She walks alone down a hallway. Three-quarter view of her body, she turns only her head toward the camera, looking at the viewer. Cowboy shot, from her knees to the top of her head. Black sailor dress, red sailor ribbon. A red animal collar on her neck. A white cat-ear headband. Dark navy blue hair. She stands on the floor, mid-walk. Dark red eyes. Vacant lifeless eyes, unfocused, little light in the pupils. Blank face, closed mouth, a hint of annoyance, looking at the viewer. Her face is in shadow, dim, the light does not hit her face. A dark medieval inn hallway, wood walls, dim candlelight, out of focus. She is the focus. delicate lineart, creamy shading, ultra glossy hair, dark navy hair, pale skin, kawaii, tsubaki2_softcute_lora_style_by_serith, masterpiece, best quality, delicate lineart, thick paint texture, creamy shading, ultra glossy hair, iridescent hair highlights, translucent bangs, soft blush, pale skin.
사람지나가는

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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2#Attack on Titan#Mikasa Ackerman
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