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AI art "新山聡美(おはよう。朝よ、おきて)" featuring #Bed, #MILF, #Apron, #Wedding ring, #Housewife, #Sound! Euphonium, #Satomi Niiyama, #Low ponytail and #Tsubaki.3

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新山聡美(おはよう。朝よ、おきて)

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3

#Bed #MILF #Apron #Wedding ring #Housewife #Sound! Euphonium #Satomi Niiyama #Low ponytail

Published on Oct 11, 2026

北

北宇治高校仙台分校

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, low ponytail, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, if the ring finger of the left hand is depicted, place a wedding ring only on the ring finger of the left hand. Please depict a first-person perspective moment in a bright and clean home bedroom, where a woman standing next to the bed is leaning over and speaking gently to a person lying in the bed. Use a vertical 2:3 composition and place the woman largely from the center to slightly above the screen. Make the positional relationship between the bed and the woman clear, expressing this as a scene where she is actually approaching the bed in the bedroom, rather than a simple character standing portrait. Place the camera at the pillow side of the bed, aligning the camera's line of sight with the longitudinal center line of the bed. The camera should be in a perspective looking from the pillow side toward the foot of the bed. Clearly represent the bed as a typical single bed with depth in the vertical direction, with the direction from the pillow to the foot extending toward the back of the screen. Treat this camera position as a first-person perspective located near the head of the person lying in the bed. Do not depict the lying person themselves within the screen; use the camera only as that person's perspective. Do not add descriptions of the lying person's head, face, torso, arms, or legs, and do not change it to a third-person perspective where a person is seen lying on their side on the bed. Always align the longitudinal direction of the bed with the line of sight, and do not use a composition where the person is positioned sideways relative to the bed. Use LoRA for character modeling to depict her as a married woman in her 30s who is neat and elegant. The LoRA should handle only the facial features, hair, and physical character modeling; use the specifications of this prompt for clothing, accessories, posture, and expression. The woman is standing on the floor next to the bed. Both of her feet must remain on the floor until the end; do not place either foot on the bed's mattress, duvet, or sheets. Do not use a composition where the woman herself is standing on the bed or has her knees or legs on the bed. The woman is approaching the bed from the outside; her lower body is outside the bed, and only her upper body is leaning forward toward the bed. The woman should lean her upper body forward significantly from the waist, as if peering down at the person lying in the bed. However, instead of moving her entire body onto the bed, maintain a posture where she is standing on the floor while only her upper body reaches over toward the bed. Ensure a natural posture where the waist, thighs, knees, and both feet are outside the bed, and only the upper body is close to the space above the bed. One of the woman's hands is placed on the bed sheets, lightly supporting her body with the palm or fingertips. The other hand is held near the side of her face or mouth, in a soft gesture as if whispering a secret to someone close. Clearly show that "only one hand is touching the bed," and avoid a posture where both hands are on the bed as if on all fours. The woman's gaze is directed at the camera, gently looking at the partner lying in the bed. Her expression should be a calm smile, a natural expression conveying friendliness and kindness. Do not make the face too close to the camera for an extreme close-up; use a composition where her head to the waist area and the line of her body leaning forward toward the bed are visible. For clothing, use a neat and elegant indoor outfit that suits a bright bedroom. A white or light-colored long-sleeved top layered with a subdued jumper skirt or apron dress in pale yellow to cream yellow, with a modest ribbon detail near the waist. Avoid flashy decorations or revealing clothing, making it an elegant and clean outfit appropriate for a married woman in her 30s. From the bottom to the center of the screen, place the bed's white sheets and soft duvet prominently. The sheets should have natural wrinkles and folds, and it should be clear that the woman's hand is touching them. The bed should be arranged extending from the foreground to the background, unifying the longitudinal direction of the bed with the depth of the screen. In the background, there is a large window with deep green curtains, and soft natural daylight is streaming into the room. The same indoor light should naturally hit the woman's face, hair, clothes, arms, hands, and the bed sheets so that the person does not look detached from the background. Create the atmosphere of a bright, calm, and domestic bedroom. The camera is looking up at the woman from a low position, but avoid extreme wide angles or unnatural human body distortions. The distance to the woman is relatively close, showing her face and upper body largely while keeping the positional relationship between the bed and the woman clear. Do not make it a normal standing portrait showing her entire body from the front; prioritize the relationship where a woman standing on the floor next to the bed is leaning her upper body toward the bed and peering over. Overall, depict this as a natural and warm bedroom scene from the perspective of a person lying in bed, with an elegant woman standing beside the bed leaning over gently to speak to them. Specifically, clarify that the woman is standing on the floor outside the bed, both feet are on the floor, only her upper body is leaning toward the bed, the bed extends straight longitudinally, and the lying person themselves is not depicted.

新山聡美(おはよう。朝よ、おきて)

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