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AI art "からあげを買ってきなさい" featuring #long hair, #Blonde hair and #Accepted the offer
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からあげを買ってきなさい

Contest Entry
An Offer You Can't Refuse.#Accepted the offer
#long hair#Blonde hair
p6

PENTA68k

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1girl, elf ears, blonde hair, center parted bangs, straight long hair, blue eyes, small breasts, black fedora hat, red ribbon band, black tailored jacket, black vest, white shirt, crimson necktie, gold buttons, black slacks, black leather shoes, gold pocket watch chain, star shaped gold brooch, sitting deeply on leather sofa, legs crossed, one elbow on sofa armrest, one hand supporting cheek, holding wine glass, confident expression, looking at viewer, boss pose, luxurious 1920s mafia hideout, crimson curtains, leather sofa, heavy wooden furniture, chandelier, shelves lined with liquor bottles, table with stacks of banknotes, burly bodyguards in black suits, dim warm lighting, decadent and luxurious atmosphere, best quality, masterpiece, cyanambi, (((masterpiece:2.0))), (((ultra detailed:2.0))), delicate skin texture, delicate hair texture, beautiful detailed eyes, intricate hair details, high quality shading
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Original Prompt
革張りのソファに深く腰掛け、脚を組んでいる。片肘をソファの肘掛けに置き、片手で頬杖をついている。もう片方の手にはワイングラスを持ち、余裕のある表情でこちらを見ている。堂々としたボスのポーズ。 黒い fedora ハット、赤いリボンの帯、黒いテーラードジャケット、黒いベスト、白いシャツ、深紅のネクタイ、金色のボタン、黒いスラックス、黒い革靴、金色の懐中時計チェーン、星形の金色のブローチ 1920年代風の豪華なマフィアの隠れ家。深紅のカーテン、革張りのソファ、重厚な木製家具、シャンデリア、酒瓶が並ぶ棚、札束が置かれたテーブル、黒いスーツ姿の屈強な護衛たち、薄暗い暖色照明、退廃的で高級感のある雰囲気。
Size
720 x 928
Sampling Steps
8
Sampling Method
DDIM
CFG Scale
3
Negative
bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, censored, artist name, signature, watermark
Face Fix

Model & LoRA used

1 private models used

bespoke - AI Model cover image

SDXL

bespoke
2.88k
best quality - AI Model cover image

User LoRA

best quality
1.44k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
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