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なぜ一人増える...

#long hair#Blonde hair#Doppel
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1girl, standing near a luxurious balcony railing, holding a champagne glass in one hand, upper body slightly twisted, looking back over her shoulder, elegant and composed posture, black long dress, backless design, thin shoulder straps, black long gloves, black ribbon hair ornament, blue gemstone earrings, thin gold necklace, black high heels, balcony overlooking a gorgeous European-style city at night, canal below, stone bridges, old streets lit by street lamps, cathedral with spires, castle on a hill, distant mountains, full moon, starry sky, moonlight through clouds, decorative iron railing on balcony, lanterns, candles, flowers, potted plants, small table with champagne glass, contrast between warm golden city lights and deep blue night sky, countless lights reflecting on water, fantastical luxurious nightscape, blonde hair, center-parted bangs, straight long hair, elf ears, small breasts, blue eyes, tky_chatgpt_anime_boost, cyanambi, (((masterpiece:2.0))), (((ultra detailed:2.0))), delicate skin texture, delicate hair texture, beautiful detailed eyes, intricate hair details, high quality shading, looking at viewer, from behind
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Original Prompt
豪華なバルコニーの手すりのそばに立ち、片手にシャンパングラスを持っている。上半身を少しひねり、肩越しにこちらを振り返っている。優雅で落ち着いた立ち姿。 黒いロングドレス、背中が大きく開いたデザイン、細い肩紐、黒いロンググローブ、黒いリボンの髪飾り、青い宝石のイヤリング、金色の細いネックレス、黒いハイヒール 夜の豪華なヨーロッパ風都市を一望できるバルコニー。眼下に広がる運河、石造りの橋、街灯に照らされた古い街並み、尖塔のある大聖堂、丘の上の城、遠くの山々、満月、星空、雲間から差す月明かり。バルコニーには装飾的な鉄製の手すり、ランタン、キャンドル、花、観葉植物、シャンパングラスを置いた小さなテーブル。街の暖かな金色の光と夜空の深い青色の対比。水面に反射する無数の光、幻想的で豪華な夜景。
Size
1280 x 768
Sampling Steps
8
Sampling Method
DDIM
CFG Scale
3
Negative
bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, censored, artist name, signature, watermark

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1 private models used

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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