Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Wearing Her Eyes

form a From a really good science fiction short story! Hope you can read it too! Clip: Translation: Wearing Her Eyes (by:Liu Cixin) 是一个好像刚毕业的小姑娘, She seems to be a newly graduated little girl. "在肥大的太空服中,她显得很娇小" In the huge space suit, she looks petite. "她面前有一支失重中的铅笔飘在空中。" In front of her, there’s a pencil floating in the air with zero gravity.

More to See

Comments

A medium shot from a low-angle perspective captures a young girl floating upside down within the metallic interior of a space station. The girl has short black hair and black eyes, wearing a bulky, oversized white outdoor spacesuit and a clear glass space helmet. She maintains a calm and serene expression, gazing toward the viewer while drifting in zero gravity. Positioned directly in front of her, a single pencil floats weightlessly, pointing straight toward the camera lens. The background consists of the space station's interior, featuring polished metal walls, recessed lighting, and various technical panels and conduits. The visual style is a high-quality anime illustration with clean lines, a sterile futuristic atmosphere, and soft ambient lighting reflecting off the metallic surfaces.
Show Parameters
Original Prompt
背景是空间站的室内 年轻的短发女孩穿着宽大的室外太空服,黑色的头发、眼睛,带着太空头盔 她倒着飘在空间站内,面前飘着一只失重的铅笔正对着镜头,表情平静
Mode
lite
Size
768 x 1280

Model & LoRA used

Similar Images

Show more
AI artwork
Avatar image of 神羽一光-休伯利安號上的變態艦長&變態御主-Pan Hongming(Google帳號1)
character: ling_xiaoyu. In a medium shot from a 3/4 view, Pan Ziyu (Xiaoyu), a 25-year-old Japanese woman with long black hair featuring purplish-red tips and brown eyes, is depicted inside the International Space Station. She is wearing a white professional astronaut spacesuit, specially tailored to accommodate her J-cup breasts and an extremely large, full-term triple pregnancy belly with a prominently protruding navel. She is floating in zero gravity, gesturing with her hands while engaged in a professional discussion with other astronauts about their work and experiments. The background is the detailed interior of the space station, filled with scientific equipment, metallic modules, and floating cables, with the curve of the Earth visible through a nearby portal window. The lighting is the sterile, cool white of the station's interior, contrasted by the brilliant blue glow of the planet below, creating a clean, high-tech, and futuristic atmosphere.
神羽一光-休伯利安號上的變態艦長&變態御主-Pan Hongming(Google帳號1)
AI artwork
Avatar image of 神羽一光-休伯利安號上的變態艦長&變態御主-Pan Hongming(Google帳號1)
character: ling_xiaoyu. In a medium shot from a 3/4 view, Pan Ziyu (Xiaoyu), a 25-year-old Japanese woman with long black hair featuring purplish-red tips and brown eyes, is depicted inside the International Space Station. She is wearing a white professional astronaut spacesuit, specially tailored to accommodate her J-cup breasts and an extremely large, full-term triple pregnancy belly with a prominently protruding navel. She is floating in zero gravity, gesturing with her hands while engaged in a professional discussion with other astronauts about their work and experiments. The background is the detailed interior of the space station, filled with scientific equipment, metallic modules, and floating cables, with the curve of the Earth visible through a nearby portal window. The lighting is the sterile, cool white of the station's interior, contrasted by the brilliant blue glow of the planet below, creating a clean, high-tech, and futuristic atmosphere.
神羽一光-休伯利安號上的變態艦長&變態御主-Pan Hongming(Google帳號1)

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬