PixAI Membership

📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details
AI art "一期一振 - ミソハギ" featuring #Touken Ranbu and #Ichigo Hitofuri
Generate New ArtworkGenerate for FreeGenerate for Free

一期一振 - ミソハギ

#Touken Ranbu#Ichigo Hitofuri
Avatar image of みずは
avatar-frame

みずは

More to See

Comments

character: ichigo_hitofuri A square 1:1 wide scene beside a Japanese wetland in late summer. The pink-purple flowering spikes of misohagi rise from the damp bank in the near-left foreground. Farther along the same curving shore, Ichigo Hitofuri stands beside a separate rooted clump, his single full figure about one third of the image height in the right middle distance. The camera is low beside the path and looks diagonally over the bank toward him and the still water. His whole head and both feet are visible; substantial breathing space remains around the flowering shore, the path and the water. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, realistic adult male proportions, about 8 heads tall, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth. He is standing with one foot slightly forward on a narrow stone-edged earth path, his weight settled over the back foot. His upper body inclines toward the rooted misohagi beside him. The head is lowered toward its flowering tip, and the slope of his shoulders and unhurried reach convey compassion and a lingering, thoughtful attachment. His expression is conveyed by the whole posture at this distance rather than by enlarged facial details. He wears an unlined, pale smoke-blue cotton summer kimono over an ivory inner collar. The wearer's left front panel overlaps the right front panel at the kimono collar. The outer collar is a narrow, flat folded layer with a visible strip of ivory beneath it. The kimono crosses the chest continuously to a woven dark-indigo obi at his natural waist; the obi secures the outer front panels and is tied behind his back. Below the obi the panels remain overlapped almost to his ankles. Broad sleeves end in open rectangular cuffs with a muted inner facing. Their fabric hangs vertically from his shoulders, then gathers across the bent right elbow. White split-toe tabi and dark woven sandals are visible against the firm stones of the path; a slight opening at the forward hem allows his stance to read. Matte cotton absorbs the low light, while the tightly woven obi retains a little definition along its edge. His right arm reaches diagonally down and outward from the shoulder. The right fingers loosely support one flower-bearing upper stem of the clump beside his own hip; the flowers grow upward from that stem, which continues into the planted roots at the same depth as his sandals. His left arm rests beside his body, with a relaxed hand near the obi. The water lies beyond the planted bank, not beneath his feet. The misohagi, Lythrum anceps, has slender upright stems, narrow opposite green leaves and many tiny six-petaled magenta-purple flowers gathered toward the upper stems. Individual blooms are around one centimeter across, far narrower than the width of his palm beside them; the entire rooted clump stands roughly fifty to one hundred centimeters high and reaches from the bank toward his waist. The much larger-looking stems in the near-left foreground belong to different rooted plants close to the camera, not to the flowering tip he is supporting. A continuous strip of wet soil and stones joins their roots visually to the separate clump by his feet. A slender ribbon of quiet water curves behind him, edged by reeds and low grasses. The worn earthen bank runs from the lower-left foreground into the middle distance, then meets the narrow path under his sandals. Farther across the water, only a low, dark line of trees remains, giving the place a spacious silence. Late-afternoon sunlight enters softly from the upper right, touching the petals and the shoulder of his kimono. Cool water reflection fills the shadowed side of the bank more weakly. Flower clusters cast short shadows on their own leaves; his sandals and hem cast consistent shadows across the path. Thin humid air softens only the far tree line, while the near flowers and the figure remain distinguishable. single coherent lighting setup. masterpiece, best quality, detailed environment,watercolor sketch,delicate lineart,intricate details,detailed line rendering,clean linework,detailed eyes,contrasting accents,bright colors,puka_hiyo_style
Show Parameters
Original Prompt
A square 1:1 wide scene beside a Japanese wetland in late summer. The pink-purple flowering spikes of misohagi rise from the damp bank in the near-left foreground. Farther along the same curving shore, Ichigo Hitofuri stands beside a separate rooted clump, his single full figure about one third of the image height in the right middle distance. The camera is low beside the path and looks diagonally over the bank toward him and the still water. His whole head and both feet are visible; substantial breathing space remains around the flowering shore, the path and the water. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, realistic adult male proportions, about 8 heads tall, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth. He is standing with one foot slightly forward on a narrow stone-edged earth path, his weight settled over the back foot. His upper body inclines toward the rooted misohagi beside him. The head is lowered toward its flowering tip, and the slope of his shoulders and unhurried reach convey compassion and a lingering, thoughtful attachment. His expression is conveyed by the whole posture at this distance rather than by enlarged facial details. He wears an unlined, pale smoke-blue cotton summer kimono over an ivory inner collar. The wearer's left front panel overlaps the right front panel at the kimono collar. The outer collar is a narrow, flat folded layer with a visible strip of ivory beneath it. The kimono crosses the chest continuously to a woven dark-indigo obi at his natural waist; the obi secures the outer front panels and is tied behind his back. Below the obi the panels remain overlapped almost to his ankles. Broad sleeves end in open rectangular cuffs with a muted inner facing. Their fabric hangs vertically from his shoulders, then gathers across the bent right elbow. White split-toe tabi and dark woven sandals are visible against the firm stones of the path; a slight opening at the forward hem allows his stance to read. Matte cotton absorbs the low light, while the tightly woven obi retains a little definition along its edge. His right arm reaches diagonally down and outward from the shoulder. The right fingers loosely support one flower-bearing upper stem of the clump beside his own hip; the flowers grow upward from that stem, which continues into the planted roots at the same depth as his sandals. His left arm rests beside his body, with a relaxed hand near the obi. The water lies beyond the planted bank, not beneath his feet. The misohagi, Lythrum anceps, has slender upright stems, narrow opposite green leaves and many tiny six-petaled magenta-purple flowers gathered toward the upper stems. Individual blooms are around one centimeter across, far narrower than the width of his palm beside them; the entire rooted clump stands roughly fifty to one hundred centimeters high and reaches from the bank toward his waist. The much larger-looking stems in the near-left foreground belong to different rooted plants close to the camera, not to the flowering tip he is supporting. A continuous strip of wet soil and stones joins their roots visually to the separate clump by his feet. A slender ribbon of quiet water curves behind him, edged by reeds and low grasses. The worn earthen bank runs from the lower-left foreground into the middle distance, then meets the narrow path under his sandals. Farther across the water, only a low, dark line of trees remains, giving the place a spacious silence. Late-afternoon sunlight enters softly from the upper right, touching the petals and the shoulder of his kimono. Cool water reflection fills the shadowed side of the bank more weakly. Flower clusters cast short shadows on their own leaves; his sandals and hem cast consistent shadows across the path. Thin humid air softens only the far tree line, while the near flowers and the figure remain distinguishable. single coherent lighting setup. masterpiece, best quality, detailed environment,watercolor sketch,delicate lineart,intricate details,detailed line rendering,clean linework,detailed eyes,contrasting accents,bright colors,puka_hiyo_style,
Mode
pro
Style
Cool Softlight
Quality Tag
﹝Prompts﹞
Size
992 x 992
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Cool Softlight
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.63k
Style: watercolor sketch - AI Model cover image

User LoRA

Style: watercolor sketch
840
pukahiyo - AI Model cover image

User LoRA

pukahiyo
543

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
1#Attack on Titan#Mikasa Ackerman
HomeModelsMio.2Profile