Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…
View details
何故か広告見れません。助けてください…
Show Parameters
- Original Prompt
- An 8-bit low-resolution retro horror RPG pixel art game screenshot. The character is "Sanbanme" (Number 3), the third child from the psychological horror game "Mama ni Aitai" (I Want to Meet Mom). A young, slender girl with short, dark, starry-night hair filled with tiny cosmic speckles, styled in a neat, rounded bob haircut with side-swept bangs framing her face. She has sharp, crimson-red anime eyes and pale skin. Her expression is cold, serious, and slightly grumpy, with half-lidded eyes, subtly furrowed eyebrows, and a small, straight mouth. She wears a simple, loose, muted gray-green hospital-style kimono. She is holding a white rectangular sign with the dark red number "3" written prominently on it, gripping it with both hands in front of her chest. Upper-body portrait shot, facing forward with a slight head tilt, character centered inside a vertical rectangular portrait frame. Coarse pixel grid, visible dithering, grainy texture, limited color palette, retro 8-bit RPG graphics, subtle horror atmosphere, nostalgic and melancholic mood, simple light gray background. Authentic retro horror game screenshot aesthetic, consistent character design with the other numbered siblings.
- Mode
- lite
- Size
- 768 x 1280
Model & LoRA used
Similar Images
Show more
High-quality anime illustration of the Third Child from the Japanese horror game "MAMA NI AITAI". A pale-skinned girl with long, dark black hair reaching past her shoulders, with long bangs covering much of her forehead and partially obscuring one eye, tied into two long side ponytails with simple black ribbons. She has a quiet, serious, slightly gloomy expression with calm but tired reddish eyes and a subtle frown. She is wearing a simple muted blue-gray Japanese kimono-style outfit. She holds a large white rectangular card with both hands in front of her chest, featuring a single large, clearly readable, dark reddish-red number "3" in the center. Vertical portrait, front-facing upper-body composition from the head to the waist, centered and looking toward the viewer. Beautiful Japanese anime illustration, detailed hair strands, expressive red eyes, delicate linework, soft but clear cel shading, dark glossy hair, muted blue-gray colors, pale background, subtle grainy texture, melancholic atmosphere.
何故か広告見れません。助けてください…
High-quality anime illustration of the Third Child from the Japanese horror game "MAMA NI AITAI". She has pale skin, short black hair, reddish eyes, delicate facial features, and a muted blue-gray kimono-style outfit. Her black hair is tied into two small sections on the left and right sides of her head with simple hair ties, creating a neat twin side-ponytail appearance while keeping her original bangs and short hairstyle recognizable. Both tied sections are clearly visible. She holds a white rectangular card with a large, clearly visible red number "3" printed on it in front of her chest with both hands. Upper-body portrait, facing slightly toward the viewer. Thin sketch-like linework, muted colors, subtle grainy texture, simple shading, pale background, and a melancholic atmosphere.
何故か広告見れません。助けてください…
An 8-bit low-resolution retro horror RPG pixel art game screenshot. Yonjime (Number 4), the fourth child from the psychological horror game "Mama ni Aitai" (I Want to Meet Mom). A young, slender girl with short, dark, starry-night hair filled with tiny cosmic speckles, a slightly messy bob haircut with layered bangs, and one visible crimson-red anime eye with a tired, melancholic expression. She has pale skin and wears a simple, loose, muted gray-green hospital-style kimono. Her expression is quiet, lonely, and slightly displeased, with her small mouth slightly open and no smile. She is holding a white rectangular sign with the dark red number "4" written prominently on it. Upper-body portrait shot, facing forward, character centered in a vertical composition. Coarse pixel grid, visible dithering, limited color palette, grainy retro game graphics, subtle horror atmosphere, nostalgic and unsettling mood, simple light gray background, authentic 8-bit RPG character sprite aesthetic.
何故か広告見れません。助けてください…
An 8-bit, low-resolution retro horror RPG pixel-art portrait of Character Number 1 from “Mama ni Aitai” (“I Want to Meet Mom”). The character has long, deep black hair with a subtle star-speckled texture, styled with a heavy, sweeping fringe that covers one eye, with the remaining hair falling in long, slightly messy strands around the face and over the shoulders, tied into a low side ponytail toward the back with loose strands extending outward. The character has very pale skin, one visible reddish-crimson eye, delicate eyelashes, and a small, gentle smile; the expression is calm, slightly mysterious, and subtly playful. They wear a loose, muted pale blue-gray kimono-style outfit with an overlapping collar and simple fabric folds, holding a white rectangular sign in front of their chest with a large, clearly visible dark red number “1”. Art style: authentic 8-bit retro horror RPG pixel art, coarse visible pixels, limited muted colors, subtle dithering, grainy texture, and a plain light-gray background, upper-body portrait composition.
何故か広告見れません。助けてください…
Explore more
Recommended Users
You might like
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
1
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).｡*♡ 🍁 ☕
(mai)
Comments