Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

ミニチュア工事現場のお弁当ディオラマ

巨大なお弁当を舞台にしたミニチュアの建設現場、その独創的な世界観にすっかり魅了されてしまいました。エビの天ぷらを運ぶクレーンや、米粒の上で作業する小さなシェフたちの姿を眺めていると、なんだか心がワクワクします。気に入っていただけたら、いいねとフォローをお願いします!コメントであなたの感想も聞かせてくださいね。

#Minigirl#Food#Hard hat#Bento#Shrimp tempura#Ambiguous Gender#Construction site
More to See

Comments

Vertical composition, a bright and comical color illustration merging modern Japanese anime/manga expression, miniature dioramas, and food illustration. The theme of the work is "Giant Bento Construction Site." The setting is a home dining table with soft morning sunlight streaming in. In the center of the wooden table sits a giant, black, rectangular bento box. However, in this world, the food is not being cooked, but assembled like a construction project. Around the bento box, tiny chefs and workers about 15 centimeters tall are transporting giant ingredients using construction machinery. The protagonist is a 25-year-old adult woman serving as the bento construction site manager. She has a small and active build, short reddish-brown hair, and bright, determined eyes. Her expression is serious, but with a slightly comical atmosphere. Her clothing consists of a yellow construction helmet, a white chef's jacket, an orange safety vest, navy blue work trousers, and sturdy safety boots. She has small cooking utensils and tools hanging from her waist. The woman is standing on a small temporary scaffolding installed on the edge of the bento box. In one hand she holds a red guiding flag, and in the other, a work schedule. She has her arm outstretched, giving instructions to a crane operator. Her expression is energetic, with her mouth open as she calls out orders. Ensure the protagonist's face and full body are clearly visible. In front of the woman, a small yellow construction crane is lifting a giant fried shrimp (ebi fry). The fried shrimp is several times the height of the tiny workers, featuring a crispy golden-brown batter and a large red tail. The crane's wire is connected to a specialized lifting tool wrapped around the center of the fried shrimp. The fried shrimp is being carefully transported toward the center of the bento box. Inside the bento box, a giant terrain made of white rice spreads out. On the rice, there are roads made of black nori seaweed, with small work vehicles driving on them. Tamagoyaki (rolled omelet) are stacked like giant yellow construction blocks. Broccoli stand like small forests, with workers adjusting their placement at the roots. Red cherry tomatoes look like giant spherical tanks and are being transported by forklifts. Wieners are lined up as red cylindrical materials. The tiny workers wear outfits that combine white chef hats and construction helmets. One worker is pushing a giant piece of tamagoyaki, another is surveying under the broccoli, and another is transporting individual grains of rice with a shovel. However, the workers in the background should be small and simplified, centering the focus on the protagonist woman and the giant fried shrimp. The camera uses a high-angle bird's-eye view, looking down from a 45-degree angle from above the dining table. Isometric-style three-dimensional diorama expression. The bento box is placed largely in the center of the screen. The protagonist woman is placed on the scaffolding in the left foreground, drawn at a size where her face and full body are visible. The giant fried shrimp is placed in the upper center of the screen, clearly depicting it hanging from the crane. Inside the bento box, provide multiple areas showing different stages of the work process. On the left, rice leveling is underway; on the right, side dishes are being installed; and in the center, the fried shrimp is being brought in. At the edges of the screen, place ordinary household items such as chopsticks, a teacup, a dishcloth, and condiment containers. Depict these daily items as giant background objects to emphasize the smallness of the workers. In the background are dining chairs and houseplants by the window. However, the background should be softly blurred to focus attention on the construction site on the table. The colors center on bright yellow, orange, white, green, red, and the brown of wood. A vivid and appetizing color scheme that utilizes the natural colors of the ingredients. The light source is the morning sun coming from the window at the top right. Soft, short shadows fall on the table, emphasizing the three-dimensionality of the food. Depict fine irregularities in the fried shrimp batter, soft cross-sections in the tamagoyaki, and a slight gloss on the grains of rice. The art style is a fusion of modern Japanese anime/manga, miniature dioramas, and cooking manga. Characters are in a friendly anime style with slightly deformed proportions. Maintain a facial structure and physique that identifies the protagonist as an adult woman. Outline lines are clear, using delicate lines for details. Coloring is based on bright cell-shading, adding soft textures to the food. Despite being small, the construction machinery should have detailed depictions of crane wires, hydraulic cylinders, wheels, and control levers. Contrast the delicious texture of the food with the rugged mechanical structure of the construction site. Overall, a surreal and fun world depicting ordinary bento-making as a large-scale construction project. Humor is created through the combination of the tiny workers working seriously and the giant ingredients. A lively and enjoyable anime/manga-style color illustration with many small details to discover. No text, logos, or watermarks.
Show Parameters
Original Prompt
縦長構図、現代日本のアニメ・漫画表現とミニチュアジオラマ、料理イラストを融合した、明るくコミカルなカラーイラスト。 作品のテーマは「巨大弁当建設現場」。 舞台は、朝の柔らかな日差しが差し込む一般家庭のダイニングテーブル。 木製のテーブルの中央には、巨大な黒い長方形の弁当箱が置かれている。 ただし、この世界では料理を作るのではなく、建設工事のように組み立てている。 弁当箱の周囲では、身長15センチほどの小さな料理人や作業員たちが、建設機械を使って巨大な食材を運んでいる。 主人公は25歳の成人女性の弁当建設現場監督。 小柄で活動的な体格、短い赤茶色の髪、明るく意志の強い目元。 表情は真剣だが、少しコミカルな雰囲気。 服装は黄色い工事用ヘルメット、白い料理人用ジャケット、オレンジ色の安全ベスト、紺色の作業ズボン、頑丈な安全靴。 腰には小さな調理器具や工具を下げている。 女性は弁当箱の縁に設置された小さな作業用足場の上に立っている。 片手には赤い誘導旗、もう片方の手には作業工程表を持っている。 女性は大きく腕を伸ばし、クレーンの操縦士に指示を出している。 口を開いて元気よく号令をかけている表情。 主人公の顔と全身がはっきり視認できるようにする。 女性の目の前では、小型の黄色い建設用クレーンが巨大なエビフライを吊り上げている。 エビフライは小さな作業員たちの身長の数倍もあり、サクサクした黄金色の衣と大きな赤い尻尾を持っている。 クレーンのワイヤーはエビフライの中央に巻かれた専用の吊り具につながっている。 エビフライは弁当箱の中央へ慎重に運ばれている。 弁当箱の内部には、白いご飯で作られた巨大な地形が広がっている。 ご飯の上には黒い海苔で作られた道路があり、小さな作業車両が走っている。 卵焼きは巨大な黄色い建築ブロックのように積み重ねられている。 ブロッコリーは小さな森のように立ち並び、その根元では作業員たちが配置を調整している。 赤いミニトマトは巨大な球形タンクのように見え、フォークリフトで運搬されている。 ウインナーは赤い円筒形の資材として並べられている。 小さな作業員たちは、白い料理人の帽子と工事用ヘルメットを組み合わせた衣装を着ている。 ある作業員は巨大な卵焼きを押し、別の作業員はブロッコリーの下で測量している。 さらに別の作業員は、米粒を一粒ずつスコップで運んでいる。 ただし、背景の作業員たちは小さく簡略化し、主人公の女性と巨大なエビフライを中心にする。 カメラはダイニングテーブルを斜め上45度から見下ろす俯瞰構図。 アイソメトリック風の立体的なジオラマ表現。 画面中央に弁当箱を大きく配置する。 主人公の女性は画面左手前の足場に配置し、顔と全身が見える大きさで描く。 巨大なエビフライは画面中央上部に配置し、クレーンから吊り下げられている様子を明確に描く。 弁当箱の内部には、作業工程の異なる複数のエリアを設ける。 左側ではご飯の整地作業、右側ではおかずの設置作業、中央ではエビフライの搬入作業が行われている。 画面の端には、普通の家庭用の箸、湯飲み、布巾、調味料の容器などを配置する。 これらの日用品を巨大な背景物として描き、作業員たちの小ささを強調する。 背景にはダイニングチェアと窓辺の観葉植物。 ただし、背景は柔らかくぼかし、テーブル上の建設現場に視線を集中させる。 色彩は明るい黄色、橙色、白、緑、赤、木材の茶色を中心とする。 食材の自然な色を活かした、鮮やかで食欲をそそる配色。 光源は画面右上の窓から差し込む朝の日差し。 テーブルの上には柔らかく短い影が落ち、食材の立体感を強調する。 エビフライの衣には細かな凹凸、卵焼きには柔らかな断面、米粒にはわずかな光沢を描く。 画風は現代日本のアニメ・漫画、ミニチュアジオラマ、料理漫画を融合した表現。 人物は親しみやすいアニメ調で、ややデフォルメしたプロポーション。 主人公は成人女性とわかる顔立ちと体格を維持する。 輪郭線は明快で、細部には繊細な線を使用する。 彩色は明るいセルシェーディングを基本とし、食材には柔らかな質感を加える。 建設機械は小型ながら、クレーンのワイヤー、油圧シリンダー、車輪、操作レバーなどを細かく描写する。 料理の美味しそうな質感と、建設現場の無骨な機械構造を対比させる。 全体として、普通のお弁当作りを大規模な建設プロジェクトとして描いた、シュールで楽しい世界。 小さな作業員たちが真剣に働いている様子と、巨大な食材の組み合わせによってユーモアを生み出す。 見れば見るほど細かな発見がある、賑やかで楽しいアニメ・漫画風カラーイラスト。 文字、ロゴ、透かしは入れない。
Mode
pro
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

Similar Images

Show more
AI artwork
Avatar image of Waifu_diffusion
1girl, solo, from above, high angle, looking up, looking at viewer, open mouth, smile, blush, kimono, floral print, long sleeves, obi, updo, kanzashi, hair ornament, kneeling, seiza, leaning forward, low table, tatami, shoji, washitsu, family room, interior, jubako, lacquer boxes, osechi, traditional food, chopsticks, festive, new year, january, winter, morning light, anime illustration, crayon-like texture style, line-free, soft color blocks, visible texture, atmospheric lighting From above, looking down at a three-quarters angle into a warm, sunlit Japanese family room, a young woman kneels in seiza upon an indigo zabuton cushion on woven tatami mats, leaning eagerly forward over a low wooden table. She wears a festive crimson silk kimono patterned with cream plum blossoms and pine needles, tied firmly at the waist with an ornate gold and white obi sash. Her dark hair is swept into a celebratory bun accented by a delicate floral kanzashi hairpin. She tilts her face upward toward the lens with crinkled smiling eyes, rosy cheeks, and an excited open-mouthed grin. Her right hand delicately lifts the lid of a tiered black lacquer jubako box to unveil its contents, while her left hand presses flat against the smooth table grain to steady her forward lean. Inside the stacked, glossy black boxes with cinnabar-red compartments sits an array of traditional osechi ryori: golden rolled datemaki omelets, glossy black kuromame beans garnished with gold leaf, simmered red prawns, patterned pink-and-white kamaboko slices, and crisp lotus root, accompanied by a pair of paper-wrapped festive chopsticks laid beside the boxes. In the midground, winter morning daylight filters through square-paned shoji sliding screen doors, casting soft rectangular highlights and pale, gentle shadows across the floorboards. The high-gloss cinnabar interior of the lifted lid catches the diffused window light, bouncing a faint warm amber glow across the glazed surface of the prawns below. Rendered as an anime illustration in a crayon-like texture style, defined by line-free illustrations with soft color blocks, visible tactile grain, and warm atmospheric lighting. Festive warmth.
Waifu_diffusion
AI artwork
Avatar image of eclip12
artist: nagare750, copyright: original 1boy, solo, food focus, centered composition, slightly from above, (looking_at_food:1.9), katsu curry, curry rice, plate, katsu, rice, soft-boiled egg, fukujinzuke, spoon, juice, wooden table, table, menu, maneki-neko, air conditioner, coat, shirt, light smile, smile, open mouth, teeth, sweat, sweatdrop, indoor, bright and wholesome mood Viewed from slightly above in a centered tabletop composition with a crisp focus on the meal, a generous ceramic plate of katsu curry dominates the foreground upon a warm wooden table. Slices of golden, crispy panko-breaded katsu cutlet sit atop deep brown, glossy curry gravy, served alongside a mound of fluffy white rice, vibrant red fukujinzuke pickles, and a soft-boiled egg halved to reveal a runny, glowing orange yolk. A polished metal spoon rests on the wood surface beside the plate. To the side stands a chilled glass of amber juice beaded with condensation, a standing laminated restaurant menu, and a small ceramic maneki-neko figurine with its paw raised. Seated directly across the table, the boy leans forward with a coat draped over his collared shirt, his hands resting lightly near the edges of the tabletop. He wears a happy light smile with his mouth open wide enough to show his clean upper teeth in mouthwatering anticipation, a single translucent sweatdrop resting on his temple from the dish's warmth, his eyes (looking down at the food:1.9). On the wall in the soft midground behind him, a white wall-mounted air conditioner unit directs a subtle breeze away from the table. Warm interior lighting strikes the glossy surface of the curry and reflects off the silverware, while fine plumes of white steam curl upward from the freshly served rice and hot cutlet. Rendered as an anime illustration, crayon-like texture style, line-free illustrations with soft color blocks and visible texture. atmospheric lighting, bright and wholesome mood.
eclip12

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬