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- Original Prompt
- 夕暮れの海。 佐世保から命からがら脱出した数隻の輸送船と、それを護衛する満身創痍の艦娘たち。 洋上から振り返る彼女たちの目に映ったのは、黒煙に包まれ、異形の巣窟へと変貌していく佐世保の街だった。 かつて多くの艦娘を育て、送り出してくれた美しい港は、もうどこにもない。 「……私たちは、負けたのね」 包帯だらけの姿で甲板に横たわる神通が、力なく空を見上げた。 最強の戦艦を失い、拠点を失った。残されたのは、ボロボロになった身体と、護り切ったわずかな人々の命だけ。 しかし、逃げ延びた市民たちから、艦娘たちへ向けて、震えるような感謝の声が上がっていた。 「ありがとう」「生きていてくれてありがとう」 絶望の泥を舐め、それでも生き残った艦娘たちの瞳には、微かな、しかし絶対に消えない復讐の火が灯っていた。いつか必ず、あの故郷を、そして食い潰された仲間の仇を討つという誓いと共に。,jitsuu, long hair, brown hair, brown eyes, hair intakes, jintsuu (kancolle),
- Size
- 1024 x 1024
- Sampling Steps
- 8
- Sampling Method
- DDIM
- CFG Scale
- 3
- Negative
- bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, censored, artist name, signature, watermark
Model & LoRA used
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kantai_collection, a "ship-girl" personification of a United States aircraft carrier from the mobile game "Kantai Collection" is crying after receiving a devastating attack that has critically damaged her, placing her in a "heavily damaged" state. Flames engulf her rigging and the surrounding water, and thick black smoke billows from the wreckage. A missile is visible in the background, streaking through the air towards her. She stands amidst a turbulent sea, with waves crashing around her. Her expression is one of extreme pain and despair, tears streaming down her face, and her eyes are wide with shock and sorrow. Her uniform is torn and scorched, and her hair is disheveled by the blast. The image is detailed and dramatic, capturing a moment of intense action and emotional distress, set against a backdrop of a vast, open ocean.
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
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Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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