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AI artwork featuring #Uma Musume Pretty Derby and #Dream Journey
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Dream Journey, Uma Musume Pretty Derby

#Uma Musume Pretty Derby#Dream Journey
天

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character: dream_journey_(umamusume), copyright: umamusume 1girl, solo, pov, from below, standing, naked, red lingerie, red panties, red bra, glasses, long hair, white hair, brown hair, multicolored hair, animal ears, horse ears, horse tail, defined abs, toned stomach, plump thighs, thick thighs, wide hips, seductive smile, half-closed eyes, blush, seductive_smile, heavy_breathing, looking at viewer, room, indoor, seductive_pose, bedroom A POV shot from a slightly low angle, looking up at a woman standing in a dimly lit bedroom. She is stripped to red lingerie—a delicate lace bra and matching panties—that contrasts sharply against her pale skin. Her lower body is voluptuous, with heavy, plump thighs and wide hips that press against the thin fabric of the red panties. Her stomach is lean and toned, showing the subtle, defined ridges of athletic abs. She wears black-rimmed glasses, her blue eyes peering through the lenses with a heavy-lidded, bewitching gaze. Her multicolored white and brown hair flows down her shoulders, and her horse ears twitch with a slight tilt. She is leaning forward toward the viewer, one hand gripping the edge of her red bra to pull it slightly away from her skin, while her other hand rests on her curved hip. The warm, amber light from a bedside lamp casts long, soft shadows across the room, highlighting the curve of her waist and the sheen of her skin. The air is thick with tension; the only light source is the lamp, leaving the corners of the room in deep shadow. Seductive and inviting.
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Original Prompt
（ウマ娘：ドリームジャーニー（メガネ））　全裸　程よく割れた腹筋　部屋　下半身ムチムチ　主観　エロい誘惑　立っている　妖艶なエロい顔　赤下着　
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flash
Size
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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character: dream_journey_(umamusume), Masterpiece, 8K, Top Quality, (cowboy shot), 1 Girl, Anime, Very Comfortable Face, 1Girl, (Dream Journey (umamusume)), (high-neck leotard), taimanin (series), small breasts, super plump thighs, ultimate physical beauty, (leotard, frills, necktie, impossible clothes, impossible bodysuit, mini skirt, black tights, taimanin_suit:1.4), HOTEL room, a luxurious hotel room at night with a huge window overlooking a glowing city skyline, warm amber lamps, plush king-size bed, sheer curtains drifting, catching city light reflections, cool blue-purple city glow meeting warm golden indoor lighting, moody, Artist: 乌鸦KArasuu, masterpiece, artistic
猫山はち丸
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Avatar image of uru
character: neo_universe_(umamusume). In a medium shot from a slightly elevated angle, Neo Asari is lying on a bed in a dimly lit hotel bedroom. She has a deeply flushed, blushing face and an embarrassed expression, her purple eyes wide with vulnerability. Her arms are limp and splayed out to her sides, resting against the sheets. She is dressed only in a bra, and her skin glistens with a fine layer of moisture. The surrounding bed is messy with rumpled linens and scattered pillows. The atmosphere is warm and humid, with soft, ambient lighting that casts gentle glows and deep shadows, evoking a mood of intimate fatigue. The color palette consists of warm ambers and muted tones, emphasizing the sultry and humid air of the room.
uru
AI artwork
s
character: akitsu_teio_(umamusume), copyright: umamusume 1girl, solo, horse girl, horse ears, horse tail, long hair, brown hair, very long hair, blunt bangs, brown eyes, red eyes, hair ornament, large breasts, blush, full-face blush, sweat, sweat on skin, sweat drops, navel, bare midriff, armpits, armpit focus, arm up, arm behind head, presenting armpit, embarrassed, jitome, half-closed eyes, looking away, head turned aside, japanese clothes, sarashi, chest sarashi, white cotton wrap, fundoshi, white loincloth, bare shoulders, bare arms, from below, cowboy shot, dutch angle, close-up on torso and face The camera sits low and slightly off-axis, tilted a few degrees so the vertical of her raised arm runs diagonally across the frame: a cowboy shot from below, cutting her at mid-thigh, the low eye-line pushing her hips toward the lens and her raised elbow toward the top edge. One girl stands alone in a bare, close, wooden-floored interior — a plain plank room with shoji panels behind her, their paper glowing pale, no other furniture, no other figure. Her weight rests entirely on her left leg, hip cocked out to that side, right knee bent and turned inward so the stance reads as a flinch; her right arm is folded up and back, forearm behind her head, elbow lifted high and pointing away from the camera, which opens the whole right side of her torso — the underside of her upper arm, the hollow of the armpit with a visible crease, and the long clean sweep from ribs to hip. Her left hand hangs low and half-curled near her thigh, fingers loosely pressed to the fundoshi's side knot as though she might tug it straight and has not yet decided to. Her head is turned away to her left and tilted down, chin tucked toward her shoulder so we see her in near-profile: the blunt-cut bangs hanging straight over her brow, the long brown ponytail falling forward over her far shoulder and out of sight behind her neck, the horse ears above swiveled back and slightly flattened, one of them angled toward the camera. Her eyes are half-lidded, pupils slid to the far corner, deliberately not meeting the lens; her mouth is a small pressed line, one brow pulled up and the other furrowed, and a hot even blush spreads from both cheeks across the bridge of her nose and up to the tips of her ears. She wears no kimono and no jacket: the outfit is only the white cotton sarashi wound tight around her chest from just under the bust to the ribs, its layered edges stepping diagonally across her sternum, the top edge compressed by the swell of her large breasts so the fabric pulls taut and dips at the center; below it her bare midriff, navel a small deep shadow in the flat plane of her stomach, and then the white fundoshi, its cloth twisted into a knot at her left hip with one tail of it hanging free. Her shoulders, arms and collarbones are entirely bare, no straps and nothing at her throat. Sweat sits in a fine film across her chest above the wrap and beads along her raised arm — one drop sliding down the inner line of her upper arm toward the armpit, another tracked down her temple into her hairline, the sarashi clinging damp at the small of her back and darkening slightly where it crosses under the arms. The only light comes from the shoji behind and slightly to her right: cool diffuse daylight, filtering through the paper, rimming the curve of her raised elbow, her shoulder and the edge of her ponytail in a soft white line while her front — face, chest, stomach — falls into gentle warm shadow, so that the sweat on her arm catches the backlight and glitters in tiny points against the darker skin behind it. Her cast shadow falls forward and left across the floorboards, and the tatami-flat planks alternate pale and shadowed in rhythm toward the bottom of the frame. Palette: warm brown skin, bleached white cotton, honey-brown hair, the paper's cold blue-white, nothing else. Quiet, flustered, close.
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