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AI artwork featuring #Fixed Camera
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Emmanuel Ngoma

Contest Entry
Watching Time Pass By... Fixed Camera Art Contest📹️
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Emmanuel Ngoma

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1girl, 1boy, hetero, long shot, wide shot, 4koma, 3koma, comic style, (((story development on same angle))), ((fixed point view)), ((the characters are moving within the same angle for each panels)), the story progress, multiple sex positions, Beaut1e_c1nema3tyle2, artist:monaka\(monaka\)
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Original Prompt
Watching Time Pass By... Fixed Camera Art Contest📹️ Oct 11, 2026 – Oct 31, 2026 About This Contest Entries 14 Among the LoRAs I own, the one I use the most is the LoRA "Fixed Camera". Even with the same background, by using different expressive techniques, you can create works that feel as if you are watching a story. Therefore, this time, I hope everyone can use this LoRA to create a wide variety of works. This LoRA intentionally leaves the prompts in an unfinished format, allowing you to freely add your own creativity and create works that are uniquely your own. In addition, to maintain the purpose and ethics of the contest, we have established several rules. [Rules] Although some versions may contain prompts with sensitive expressions, this contest does not accept such submissions. If a submission is confirmed to be sensitive, it will be reported to the operations team immediately upon discovery. I am really looking forward to everyone's rich creativity and wonderful works ( ≧∀≦)ノ Expand Prizes No. 1 · 1 Winner 40,000Credits No. 2 · 1 Winner 20,000Credits No. 3 · 1 Winner 10,000Credits No. 4 · 1 Winner 7,000Credits No. 5 · 1 Winner 3,000Credits Total Prize Pool: 80,000Credits Requirements Use this LoRA 定点カメラ視点(Fixed Point View) LoRA strength must be at least 0.5 Participants can use either one to enter. Contest Rules Generate your artwork on PixAI and submit it to enter You can submit multiple entries. Your final ranking is based on your highest-liked artwork Your entry must include the contest tag to be counted. Submissions must be artworks published after the contest start date Entry Tag #Fixed Camera Tag your artwork to enter this contest. Submit here to auto-add the tag, or add it manually when publishing. View Entries Hosted by Avatar image of もなか(MONAKA) もなか(MONAKA) Community Contest Ongoing Follow 80,000 Total Prize Pool 5 prize tiers · 5 winners Ends In 19d · 22h · 57m 3% complete Enter Now Add #Fixed Camera when you publish to enter this contest. Enter Now
Size
608 x 1024
Sampling Steps
5
Sampling Method
DPM++ SDE Karras
CFG Scale
3
Negative
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)

Model & LoRA used

VXP_illustrious (low cost version) - AI Model cover image

SDXL

VXP_illustrious (low cost version)
12.95k
[Style/XL] Cinematic Shot ✨ - AI Model cover image

User LoRA

[Style/XL] Cinematic Shot ✨
9
Beautiful cinematic style v2 - AI Model cover image

User LoRA

Beautiful cinematic style v2
3
定点カメラ視点(Fixed Point View) - AI Model cover image

User LoRA

定点カメラ視点(Fixed Point View)
17

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Avatar image of TT
monochrome, greyscale, high contrast, chiaroscuro, screentone shading, deep shadow, dark atmosphere, dramatic lighting, single light source, light and shadow interplay, empty off-white field, tall narrow vertical composition, dutch angle, from below, no characters, no text, still life of architecture, deep one-point perspective The frame is seen from a low dutch angle, tilted a few degrees off vertical, looking up the length of a narrow empty corridor of bare concrete that recedes to a single vanishing point high in the upper third of a tall vertical frame. The walls are flat unadorned planes in three values: pale bone-white where the light rakes them, a mid gray where they turn away, and near-black in the recessed joints and the deep end of the passage. A hard rectangular shaft of white light enters from a high unseen opening on the right and falls diagonally across the floor, its edges razor-straight where they meet the wall, throwing a long parallelogram of pure darkness behind it; beyond the far edge of that light the corridor's darkness is absolute and swallows the vanishing point entirely. Halftone screentone texture sits in the middle grays of the shaded walls, dense dot screens pooling into near-solid black at the corners, while the lit surfaces hold clean white with no tone at all, the dot pattern breaking only along the light's hard boundary — evidence of the single beam's angle laid flat on the floor and climbing the opposite wall in a shorter, softer secondary patch. The only other light is a faint cold blue-gray ambient that barely separates the darkest plane from absolute black. Palette is confined to white, black, and a deep midnight-blue undertone that tints the deepest shadows; nothing warmer is admitted anywhere. Composition is almost entirely negative space, the corridor's edges converging as hard leading lines, with the floor seam running like a plumb line through the whole height of the image. Silent, austere, and severe.
TT
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