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Empty Olympic Pool

Contest Entry

PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3

Published on Oct 12, 2026

𓂃 ࣪˖ ☽ 𝑳𝒚𝒓𝒂 ✦ ˚₊

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expressive brushstrokes, digital art, dry bristle brush texture, high-contrast glow, airbrushed soft shading, gritty canvas texture, loose semi-realistic rendering technique, soft iridescent gradient, glare and light particles, semi-realistic, textured paint layering, delicate lines, impasto brushwork, smooth shading, glowing highlights, muted chromatic tones, subtle vivid accents, cinematic grain, sparkling irises, dreamlike atmosphere, beautiful light, best shadow, color blink, A dreamy semi-realistic anime painterly illustration of a young woman perched at the end of a high-dive board in an empty Olympic swimming pool filled thick with white fog instead of water. She wears an elegant gothic ensemble with an unconventional silhouette: a bone-white ribbed one-piece bathing costume structured like vintage knitwear, layered under a translucent black chiffon robe with elongated trailing sleeves that drift in the still air, a wide-brimmed straw hat hung with a black ribbon, and dark ribbon lacing winding up one bare calf. Her hair is oversized and impossibly voluminous, moonlight-white with a pale platinum sheen, lifting upward and outward in great soft waves from the humidity, dissolving slightly into the fog at the tips so the boundary between her hair and the mist almost disappears. Her pose is slightly turned and off-center in the composition, seated sideways at the very tip of the diving board with her legs dangling over the fog's surface, body angled three-quarters away from the viewer, one hand resting on the board behind her for balance, the other arm cradling the pool noodle in her lap, her expression calm and faintly amused, like she is waiting for something enormous to wake up. The hero prop is the pool noodle: a single tangerine-orange foam pool noodle coiled loosely in her arms and trailing off her lap into the fog below — but its far end is lost in the mist and impossibly thick, the coil's hidden length suggesting the shape of a sleeping leviathan, with faint slow ripples moving through the fog's surface where the unseen end rests, as if the noodle and the creature beneath it are one and the same. Its saturated orange is the only warm color in the entire scene. Around her, the pool hall is a drowned cathedral of mist: tiled walls and tall arched windows fading into white depth, a scoreboard with dead displays, lane flags sagging overhead, a single lifeguard chair dissolving into the fog across the empty pool deck, and the fog's surface below lying smooth and milky, disturbed by those faint slow ripples radiating outward. Color palette is muted and restrained: bone-white, cool grey, and faded tile-blue dominate, with a single tangerine-orange accent carried by the pool noodle alone. Lighting is dramatic rim lighting — soft diffuse light from the arched windows rims her shoulders, hat brim, and lifting hair in a luminous white edge, while the fog below bounces a faint cool glow up onto her face, with painterly bloom haloing the window light, the fog's surface, and the orange noodle's edges where it enters the mist. Atmosphere is weightless, hushed, and gently absurd, like a nap interrupted between a myth and a swim lesson. Painterly textured brushwork, soft focus edges, cinematic composition with the fog filling the lower third of the frame, generous negative space, subtle film grain.

Empty Olympic Pool

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