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A Unique Wedding for a Virtual Vtuber!
I've always been captivated by the unique charm of this virtual vtuber, and seeing her in such a heartwarming wedding scene really moves me. The contrast between her elegant white dress and the goblin's green skin creates such an unforgettable story. If you enjoy this piece, please give it a like and follow me for more creative works!
Show Parameters
- Original Prompt
- 1girl, original character with multi colored hair (half red, half white), twin tail, blue eyes, blue twin ribbon, mature female, sleeveless clothes, heart shape pupil, blush, heavy breathing, pregnantt, happy face, marriage dress. 1 goblin, fat goblin, bald head, heavy breathing, marriage suit. romantic moment, marriage, married, marriage proposal, hug from behind, goblin touch girl belly, full body,
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
Similar Images
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fl
character: eris_greyrat, copyright: mushoku_tensei
2girls, 1girl, 1boy, orc, red hair, very long red hair, ahoge, black hairband, hair between eyes, red eyes, heart-shaped pupils, half-closed eyes, empty eyes, thick eyebrows, huge breasts, tiara, colossal earrings, colossal engagement ring, silver and white wedding dress, ugly wedding dress, tacky wedding dress, overly ornate wedding dress, overdecorated, too much lace, excessive ruffles, too many bows, glitter fabric, sequins, gigantic sleeves, ridiculous sleeves, ridiculous ornaments, puffy skirt, huge skirt, long skirt, oversized dress, rococo style, sad, crying, tears, crying with eyes open, tears streaming down cheeks, docile posture, arms down, hands resting on own belly, standing, facing viewer, frontal view, hug from beside, orc grabbing girl's shoulders, orc behind, tall muscular orc, green skin, tusks, from front, cowboy shot, dutch angle, heavy shadow, ballroom backdrop, spoken_heart, trembling, blush, heavy_breathing, dramatic_lighting, wide_shot
The camera looks slightly upward from just below eye level and a few degrees off-axis, tilted a notch into a dutch angle, keeping the young woman squarely facing the viewer while the orc looms in from her left side. She stands rooted, weight sunk into her right hip with one knee bent inward, both arms hanging low so her cupped hands rest lightly on her belly, fingers laced over the swollen front of the gown. From her hairline a single thin ahoge curls upward above a black hairband binding very long red hair that spills over the gigantic sleeves; a circlet of a tiara sits pressed into the crown, its small points catching light, and two colossal earrings drag her lobes downward as pendants wider than her jaw. Her red eyes are half-lidded and flat, gaze aimed at a point just past the lens, yet embedded deep in each iris a tiny heart-shaped highlight glows; tears well along the lower lids, break, and run two clean tracks through the powder on her cheeks, one drop hanging at her jaw. Her mouth is set in a small trembling line.
The orc's massive left arm crosses behind her back and his broad hand clamps her right shoulder, fingers sinking into the puffed fabric, while his right paw grips her other shoulder from the front so the sleeve deforms under it; his tusk-jawed head tilts down beside her tiara, breath stirring the loose red strands at her temple. Between her face and his shoulder hangs a small hand-drawn heart in a rounded speech bubble. Everything she wears is deliberately wrecked grandeur: silver and white satin layered with lace tiers, ruffles stacked in flounces at the hem, bows knotted at every seam, sequins and glitter fabric flaking light across the whole mass, absurd ornament clusters and trailing beaded swags. The skirt billows out in a huge puffy bell far past her hips, its long train crushed and folded on the floor behind her feet, and the oversized dress leaves folds of fabric pooling at her shoes.
Behind them a rococo ballroom recedes: pastel gilded panelling, intricate gold filigree scrolling along cornices and mirror frames, lavishly ornamented wallpaper in soft mint and rose, a marble floor whose polish carries a dim reflection of the silver hem. A single warm light from high on the right washes the gold trim into honeyed pastel and lays the couple's doubled shadow long across the floor to the lower left; the corners fall into blues and grays so the pastel ornament stays bright and the two bodies stay the darkest shapes. The dress and the filigree carry the detail budget: every ruffle edge, sequin glint, lace scallop and gold leaf curl rendered crisply. Lavish and cruel.
Fitentia Lombardy
el
character: meroune_lorelei, orc_(monster_girl_encyclopedia)
2girls, interracial, size difference, male orc, female mermaid, monster girl, pink hair, very long hair, drill hair, twin drills, hair between eyes, blue eyes, pointy ears, head fins, gills, scales, enormous breasts, wedding dress, bridal veil, white lace gown, pet collar, black leather collar, metal ring, bare shoulders, bare arms, bare earlobes, no earrings, no hair ornaments other than the veil, ugly orc, one orc, hunched massive build, mottled grey-green skin, tusks, broad flat nose, small deep-set eyes, bald mottled scalp, ragged hide loincloth, orc carrying princess, bridal style carry, princess carry, arms under her back and knees, lips pressed to lips, kiss, kissing, forced kiss, eyes wide open, shocked expression, humiliated expression, distressed, not enjoying it, tears welling, brow drawn up, trembling, stiff body, clenched hands, from below, dutch angle, foreshortening, close-up on faces, two-figure composition
The camera sits low and tilted, looking up from below at a steep dutch angle: the orc fills the foreground, his arms thrust across the frame carrying the mermaid bridal style, and the two faces meet high in the upper third at a foreshortened close-up. He is hunched and enormous — mottled grey-green skin, a bald mottled scalp, a broad flat nose, small deep-set eyes, two blunt tusks jutting from a heavy underbite, and a ragged hide loincloth at his waist; his left forearm passes under her back and his right under her knees, his thick fingers spread wide and pressing dents into the white lace of her gown, his shoulder hunched up so his jaw can reach hers. His mouth is mashed flat over her lips, nose crushed against her cheek, eyes shut in brutish contentment, and his weight shifts onto his forward foot so his whole mass leans into the kiss. She is bent backward across his forearms, spine arched, head forced back and up; her enormous breasts press against his chest and strain the boned bodice of the wedding dress, the skirt of white lace and tulle spilling down over his arm. Her blue eyes are wide open and unfocused, staring past his ear into nothing, both brows drawn up in the middle, tears standing at the lower lids without falling, nostrils flared, and her mouth is slack and squashed under his — she is not kissing back. Her hands are rigid: the left fist clenched hard against his collarbone, the right hanging half-curled in the air with the fingers splayed and trembling. Her long pointed ears are pressed back flat, the head fins above them flared stiff with alarm and the gill slits at her neck fluttering open and shut, and fine iridescent scales climb the sides of her throat and shoulders, catching the light in a scatter of small hard highlights. Her very long pink hair falls in two huge drilled coils, one crushed against the orc's forearm and one swinging free below her shoulders, long strands of it falling between her eyes and dragged across her cheek by the tilt of her head; a short bridal veil is pinned at the crown of the coils. A black leather pet collar is buckled tight around her throat with a metal ring at the front, riding up under her jaw as her head is forced back, and both her earlobes are bare and unobstructed. The scene behind them is a shallow, out-of-focus stone hall: a single cold torch flames at frame left and is the only light, raking across the orc's knuckles and the mermaid's wet lower lids while deep shadow swallows the wall behind them and their joined silhouette throws one long shadow down the stones to the right. Palette of ash grey, hide brown and orc green against the white of the gown and the hot pink of her hair, the only clean colours in the frame. Quiet dread.
eter lumine
bb
character: eris_greyrat, copyright: mushoku_tensei
2girls, 1girl, 1monster, eris greyrat, red hair, long hair, very long hair, ahoge, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, red and white dress, silver and white dress, overly ornate dress, tacky dress, excessive lace, excessive ruffles, many bows, overdecorated, ridiculous dress ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, tiara, slave collar, hearts in eyes, heart-shaped pupils, blush, reluctant expression, unhappy, clenched teeth, furrowed brow, front view, facing viewer, docile posture, arms down, hands on own belly, hug from behind, monster, ugly monster, long tongue, tongue out, licking cheek, hand on belly, monster hand on pregnant belly, rococo style, from front, cowboy shot, heavy_breathing, sweat, trembling, spoken_heart
She stands square to the camera in a full front view, a red-haired young woman whose very long hair spills over her shoulders with one ahoge curling up and a black hairband holding the mass back; her red eyes are transformed into two glossy heart-shaped pupils that pulse pink at their cores, and the blush across her nose and cheeks is deep and feverish. Her mouth is pulled into a small, strained line, the lower lip caught between her teeth, brows knitted — the face of someone enduring a thing she does not want, and the hearts in her eyes sit there like an ornament she cannot remove. Her arms hang low and docile, both hands folded and resting flat on the swell of her visibly pregnant belly under the dress, fingers splayed and still.
The dress is an oversize confection of red and white and silver-white satin, puffed at the shoulders, huge and long so its skirt balloons out at her sides and pools where it meets the floor; lace erupts at every hem and cuff, ruffles stack in tier after tier, bows cluster at the bodice, the waist and each puff, and sequins and glitter fabric scatter pinpoint gleams across the cloth among a clutter of ridiculous little ornaments — ribbons, ribbon rosettes, tiny enamelled charms sewn on so thickly they almost hide the fabric. A tiara of white filigree and pearls sits in her hair; colossal hoop earrings hang almost to her collarbones, swinging slightly; on her left ring finger a colossal engagement ring with a huge glittering stone sits prominent and heavy, tilting her hand. Around her throat is a plain metal slave collar, tight and unornamented — a cold, brutal band against all that lace.
The monster is behind her: a hunched grey-green shapeless brute, sagging folds of skin, a wide lumpy jaw with a few crooked teeth, small dull eyes, no visible clothing; its long thick tongue is a wet purple rope laid flat along her right cheek from jaw to cheekbone, and its drool runs a slick line down her jaw to her chin. One of its big knuckled hands is pushed under the front of her belly, the palm flat beneath the swell, the fabric of the dress bunched around its wrist — its other arm locks across her chest, pinning her back against its torso. The dress's oversize bulk presses and deforms against the monster's bulk behind her, fabric stretched into creases where the two bodies meet.
Camera at chest height, slightly below eye level, framed from mid-thigh up so the whole skirt fills the lower frame and the tiara clears the top edge. Light comes from one high soft source in front of her — a warm gilt key that makes the sequins flare in tiny specular starbursts and catches the wet of the tongue and the drool on her cheek; the monster behind stays in a cooler shadow so its ugliness recedes. Palette is a rococo confection: ivory, rose, powder blue and warm gilt, ornament everywhere, with the red of her hair the single saturated anchor. Ornate decorative elements crowd every surface, elaborate curls and flourishes wind through the lace and the gilt frame behind her, highly ornamental textures on silk and wallpaper alike, the whole hall around her a pastel salon of cartouches, acanthus scrolls and gilded moulding in soft focus. The glitter and the tears of saliva on her cheek share one specular highlight, so the dress and her distress catch the light the same way. Sumptuously miserable.
Brago bloodfallen
七草 ナズナ / Nazuna Nanakusa - よふかしのうた - コンテスト用 002
Nicholas
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