過去作焼き直し
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- Original Prompt
- 彼女は金髪でオオカミの耳と尻尾の生えた美女で巨乳です。彼女は青を基調としたサラファンと言うロシアの民族衣装を着ています。彼女の服には幻想的な刺繍が施されています。彼女は服の上から分厚い毛皮のコートを羽織っています。彼女は雪の平原に居ます。彼女はスエードの手袋を着けています。彼女は笑顔です。彼女は腕を広げて喜んでいます。彼女はココシニクと言う帽子を被っています。全身を描いてください。, , pny_style,masterpiece, ultra detailed, extremely intricate details, delicate rendering, fine lineart, artistic composition, sophisticated color design, cinematic lighting, extreme dynamic action, ultra dynamic composition, extreme wide-angle perspective,beautiful light, best shadow, color blink,big eyes,finely detailed lighting,rough sketch anime, soft rough lines, kawaii sketchy style,cel shading style, hard shadow, flat colors, clean lineart, sharp lines, vector art, crisp lines, flat colors, vibrant color palette, rim lighting, soft glowing light, smooth shading, flawless, intricate, very aesthetic, intricate details, high resolution, newest, flawless, beautiful face, (beautiful detailed eyes:1.2),((Information-overloaded illustration style),High-density illustration, high-density lines, information overload, strong lines,Intricate decorations, ultimate details.),digital painting, detailed illustration, elaborate background, japanese anime art style, extremely detailed cg, detailed eyes, detailed skin,ultra detailed, intricate details, micro details, highly detailed texture, detailed hair strands, glass-like reflection, transparent highlights, detailed fabric folds, luxury fabric, delicate rendering, cinematic lighting, volumetric lighting, high-end ani,vibrant colors, highly saturated,popart_style,
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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PixAI DiT.3
Tsubaki.3
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Beautiful colors V2
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ディテール強化LoRA イラスト風 【detail enhance】
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YamiNabe
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popart風style
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情報量過多なイラストスタイル
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Yuu_Cel shading style
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Come, let us go—to the story you weave with your own hands.
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more kawaii
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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