Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

さつまいもの日らしいです

More to See

Comments

An adult Japanese woman in her early 20s, the same person as the attached reference image. Prioritize character consistency above all else. Maintain the facial bone structure, vertical facial proportions, small rounded oval face shape, plump cheeks, natural chin, gentle dark brown eyes that are slightly downturned, eye width, bridge of the nose, and mouth. Dark brown semi-long hair with see-through bangs. A youthful, charming, and approachable face. Do not change the impression of her age, do not make the face look too mature, and do not make her look like a different person. A bright and clean Japanese home kitchen with soft autumn sunlight streaming through a large window. White walls, a wood-grain kitchen counter, and subtle houseplants. On the wide wooden counter in the foreground, 10 types of handmade sweet potato dishes made by the woman are lined up in a natural, edible presentation. The dishes are: split roasted sweet potatoes with skin, glossy daigaku-imo (candied sweet potatoes), golden-brown baked sweet potato cakes, sweet potato rice sprinkled with black sesame, lightly battered sweet potato tempura, lemon-simmered sweet potatoes, sweet potato potage, sweet potato salad, sweet potato gratin, and a sweet potato tart. Small plates, small bowls, soup cups, and baking dishes are used separately, arranged so they do not overlap. Reddish-purple skins and golden interiors are visible here and there in the dishes, and modest steam is rising from the roasted potatoes and potage. The woman is wearing a pale blue long-sleeved blouse and an off-white apron, standing directly behind the counter where the food is lined up. She has both hands on her hips, elbows slightly flared outward, her back straight, and her chest slightly puffed out. With her chin lifted just a bit, she has a charming, proud smile that looks as if she is saying "Ta-da, I made all of these!", with a playful and cute "smug face." Her eyes are gentle, her plump cheeks are lifted, and her teeth are slightly visible. A realistic lifestyle photograph as if taken with a real camera. Carefully depict natural skin texture, the specific textures and browning of each dish, and the gloss of the syrup on the daigaku-imo. A landscape composition from a diagonal front angle that fits the woman's face, her hands on her hips, and the entire spread of food in the foreground within the frame. The camera is positioned slightly high, allowing the contents of the plates to be clearly seen. 50mm lens, moderate depth of field to clearly capture both the woman and the food. Bright and warm colors.
Show Parameters
Original Prompt
添付された人物参照画像と同一人物の、20代前半の成人日本人女性。人物の一貫性を最優先する。顔の骨格、顔の縦比率、小さめの丸みのある卵型輪郭、ふっくらした頬、自然な顎先、ややタレ目の優しいダークブラウンの瞳、目幅、鼻筋、口元を維持する。ダークブラウンのセミロングヘアとシースルーバング。若々しく愛嬌があり、親しみやすい顔立ち。年齢の印象を変えず、顔を大人びさせすぎず、別人化しない。 秋の柔らかな日差しが大きな窓から差し込む、明るく清潔な日本の家庭のキッチン。白い壁と木目のキッチンカウンター、さりげない観葉植物。手前の広い木製カウンターには、女性が手作りしたサツマイモ料理が10種類、実際に食べられる自然な盛り付けで並んでいる。 料理は、割った皮付き焼き芋、つややかな大学芋、こんがり焼いたスイートポテト、黒ごまを散らしたサツマイモご飯、薄衣のサツマイモの天ぷら、サツマイモのレモン煮、サツマイモのポタージュ、サツマイモのサラダ、サツマイモのグラタン、サツマイモのタルト。小皿、小鉢、スープカップ、焼き皿を使い分け、互いに重ならないように整えている。赤紫色の皮と黄金色の中身が料理のところどころに見え、焼き芋とポタージュからは控えめな湯気が立っている。 女性は淡いブルーの長袖ブラウスに生成りのエプロンを着て、料理が並んだカウンターのすぐ後ろに立っている。両手を腰に当て、肘を軽く外側へ開き、背筋を伸ばして胸を少し張っている。顎をほんの少し上げ、カメラに向かって「えっへん、全部私が作りました!」と言いたげな、愛嬌たっぷりの得意げな笑顔。目元は優しく、頬がふっくら上がり、歯が少し見える。大げさすぎない、遊び心のある可愛らしいドヤ顔。 実際のカメラで撮影したような写実的な生活写真。自然な肌の質感、料理ごとの食感、焼き色、大学芋の蜜のつやを丁寧に描写する。女性の顔と腰に当てた両手、手前の料理全体が画面に収まる、斜め正面からの横長構図。カメラは少し高めの位置で、皿の中身もよく見える。50mmレンズ、適度な被写界深度で女性と料理の両方を明瞭に写す。明るく温かい色彩。
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬