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新山聡美(フルートコンサート)

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3

#MILF #Dress #Concert #Musical Instrument #Earrings #Flute #Piano #Grand piano #Multiple Girls #Necklace #Bare shoulders #Sleeveless #Half-closed eyes #Wavy Hair #Sound! Euphonium #Sleeveless dress #Playing Instrument #Satomi Niiyama #Parted hair

Published on Oct 13, 2026

北

北宇治高校仙台分校

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, center part starting high on the crown, middle-aged women, 33 years old, medium breasts. Please depict a scene in a small, brightly lit indoor performance venue where a woman standing in the foreground is playing a silver flute, while another woman behind her accompanies her on a black grand piano. The composition should look as if it were photographed from the audience's perspective, capturing the moment they are performing classical music. Ensure the positioning of the people and instruments is natural, like a documentary photograph of an actual concert, conveying the atmosphere of a performance. Do not overly deform the people or instruments; express natural human proportions, standard colors, textures, and shading. The image is a horizontal 4:3 composition. Place the flutist prominently in the foreground on the right side and the pianist in the background on the left. The flutist, as the main subject on the right, should be visible from the head, shoulders, upper body, both arms, the flute, and from the waist to the skirt of the dress. The pianist should be positioned further back than the flutist, and it should be clear that she is playing the keys of a black grand piano. Do not place them at the same distance; create a clear sense of perspective between the flutist in the foreground and the pianist in the background. For the character design of the woman playing the flute in the foreground, please use the aforementioned LoRA. The woman is a married person in her early 30s with a neat and elegant atmosphere and long hair. The LoRA handles the facial features, hairstyle, hair color, and physical character design. For the costume, accessories, playing posture, and expression, please follow the specifications below. Naturally express the refined femininity of an adult woman and the atmosphere of a musician concentrating on her performance. The woman stands in the foreground on the right side of the screen, holding a silver flute horizontally with both hands and playing it. Her body is turned slightly toward the left of the screen, naturally twisting her upper body and bringing her face close to the mouthpiece of the flute. The mouthpiece is in contact with her lips, and she is actually blowing air into it to play. The instrument should extend long from her mouth toward the left of the screen, positioned almost horizontally within the frame. Both arms extend naturally in front of her chest with elbows moderately bent. Her left and right hands should support the flute appropriately, with fingers resting naturally on the keys. Ensure the hands are gathered near the instrument and that wrists or fingers are not unnaturally bent. There should be only one flute, a long, thin silver tube with small, orderly keys. Do not hold it vertically like a vertical flute or recorder, or hold it away from the mouth. The woman's expression is calm and concentrated on the performance. Her eyes are slightly narrowed or lightly closed, focusing on the music. Her mouth is naturally in contact with the flute's mouthpiece; avoid smiles or exaggerated expressions. Do not face the camera completely head-on; instead, have her face slightly toward the direction of play while keeping her expression somewhat visible. Prioritize a natural playing posture and a calm, serious demeanor. The costume should be a formal dress in a pale sage green or soft young-grass green, suitable for a classical music concert. The upper body is sleeveless, with an elegant design that makes the lines of the shoulders and arms look clean. It fits naturally from the chest to the waist, with small decorations or thin belt-like details at the waist. The skirt part is an elegant, softly spreading silhouette made of layered soft tulle or thin fabric. Add modest luster, natural wrinkles, and delicate shading to the fabric. Do not make it an overly flashy stage costume; it should be a dress with a subdued elegance that a neat and refined woman in her early 30s would wear to a concert. Accessories should be modest, such as small earrings or a delicate necklace. The woman's long hair is naturally swept back so as not to interfere with the performance, with some hair falling over her shoulders and chest. Her bangs fall naturally near her forehead and eyes, with strands of hair creating soft shadows. The hair should gather naturally according to her body movement and not completely hide her face or the flute. Prioritize the LoRA for the hairstyle and finish it elegantly to match the impression of the costume. In the background on the left side of the screen, another female pianist is seated. Do not apply the flutist's LoRA to this person; depict her as a different person. The pianist has black hair tied back and is wearing a simple red top. Her upper body is facing the piano keys, and both hands are on the keys playing. Her face should be turned slightly to the right—toward the flutist in the foreground—with a natural expression of concentration on the performance. The pianist should appear smaller than the woman in the foreground, and her head, shoulders, arms, and posture toward the keys should be visible. In the background from the center to the right, place a large black grand piano. The keyboard is in front of the player on the far left, and the black body extends from the center toward the back right. The piano lid is wide open, lifted diagonally upward. The underside of the open lid and the support prop should be visible, creating a large diagonal shape at the top of the screen. It must be a grand piano with the lid open, not an upright piano. Ensure the glossy black paint, curved body, keys, and shape of the lid are naturally rendered. The black surface should have soft reflections from the indoor lighting, expressing a deep luster. Place a music stand in front of the piano with several sheets of music open. The music stand should be in front of the pianist and positioned so as not to hide the flutist's body or arms. The sheet music should have natural paper colors and fine lines typical of musical scores, but there is no need to emphasize readable text. The presence of the music stand should make it clear that the two are performing together while looking at the music. On the background wall, place large pale blue curtains. The curtains hang from near the ceiling to near the floor, with natural vertical folds. Along the top of the curtains, a string of small red triangular garland decorations is attached. In the upper right of the screen, a pale cream-colored wall is visible, naturally connecting to the blue curtains. At the bottom of the stage, place dark brown wall panels or a stage wainscot to create the atmosphere of a performance venue. The camera is positioned from the audience's side, looking diagonally forward at the stage, capturing the flutist in the foreground right and the pianist in the background left. The eye level should be at a natural position close to the characters' upper bodies; avoid extreme low angles or bird's-eye views. Ensure the flutist's both arms and the flute fit within the frame, showing her playing posture. Simultaneously, the pianist in the back, the music stand, and the open grand piano should be naturally visible. Do not make this a portrait with a single woman placed large in the center; depict the entire scene to convey the ensemble performance. The lighting should center on warm indoor light, creating soft highlights and shadows on the women's skin, hair, pale green dress, and silver flute. Add thin, bright metallic reflections to the flute and a smooth gloss to the black grand piano. The background blue curtains, red garlands, cream walls, and dark stage wainscot should be drawn in natural colors, ensuring the entire screen exists within the same lighting environment. Ensure the costumes and skin are not blown out and the details of the black parts of the piano are visible, maintaining soft shading. Although the two are playing different instruments, it should be conveyed that they are performing the same piece together. The woman in the foreground has the flute to her lips and is playing, while the woman in the back is accompanying her while playing the keys. The positions of their bodies and hands should connect naturally to their respective instruments, with no awkwardness in the shape of fingers, joints, or the shape of the instruments. Overall, depict this as a scene from a concert: against a background of blue curtains and red garlands, an elegant woman in a pale green dress plays a silver flute in the foreground right, and a woman in red plays a black grand piano in the background left. Give particular importance to the foreground-background relationship between the flutist's position and costume, the horizontally held silver flute, the pianist in the back, the open grand piano, the music stand, and the blue curtains.

新山聡美(フルートコンサート)

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