Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

霊能刑事課の本部に戻った安倍太一は、変わり果てた上司の姿に驚きを隠せない

うちのボスまで、縦ロールのお嬢様になって、優雅にすまし顔でお紅茶などを嗜んでいたのであった。 ボス「報告は、お茶の後でね。」 ボスは、部下がカマイタチ相手に敗北女装して戻ってきたことなど、意も介さずに、優雅に紅茶を飲み続ける。 自らの美しい姿を、全身、鏡に映しながらナルシスティックに。 安倍太一「しっかりしてくださいボス! 全盛期には百鬼羅刹とまで呼ばれた、伝説の陰陽師のあなたが、そんな小娘みたいな恰好をして、喜ばないでください!」

#Touhou Project#Reimu Hakurei#Reiko Mikami#Crossdressing (male-to-female)
More to See

Comments

A full-color manga panel of two characters in an office, featuring panel borders and a dramatic background screentone burst. The masculine character from image1, with thick eyebrows and a red hair bow, wears a red and white shrine maiden outfit with detached sleeves, a red pleated skirt, and tall red boots. He bursts through a door, frozen in absolute shock with his mouth agape as report papers scatter from his hands. Facing him is the boss, matching the character from image2: floor-length orange drill ringlet twin-curls, a white headdress, a black gothic lolita dress with white frills, and a red tie. The boss smiles calmly, holding a teacup gracefully in one gloved hand. The background includes dramatic manga shock lines. The style is changed to a comedic, detailed colored manga with bold ink lines. overlay text: The words '「ボスまで、なってるぅぅ!?」' are written in a speech bubble next to the character from image1. The words '「報告は、お茶の後でね」' are written in a speech bubble next to the character from image2.
Show Parameters
Mode
flash
Size
1024 x 1536

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬