📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

夏の日和・和室の風景

畳の香りと風鈴の音が聞こえてきそうな、懐かしい日本の夏の風景です。窓の向こうに広がる緑の山々と青空を見ていると、心がとても穏やかになりますね。気に入っていただけたら、いいねとフォローをよろしくお願いします!

#Scenery#Flower#No humans#Architecture#Mountain#House#Blue sky#Wind chime
More to See

Comments

The room's walls feature a distinctive yellow-green plaster finish. On the right, there is a *tokonoma* (alcove) displaying a vase of flowers, on the left side it is finished with yellow-green plaster up to hip height, and at exactly hip height there is a threshold made of a thick square timber. Above the yellow-green plaster, which is finished to "1/2 the height from the tatami to the lintel," from the threshold up to the lintel area there is a wooden lattice shoji window, behind which white Japanese washi paper is installed throughout. This shoji window is open toward the front. Behind that shoji window is a sliding-type metal exterior sash glass window, which is slid fully open toward the front. The area directly above the nageshi (decorative beam) above the lintel is also finished with yellow-green plaster. On the nageshi slightly further back, a glass wind chime with a goldfish illustration is hanging and swaying via a metal fitting inserted into the side of the nageshi. Through the window, the sky on a hot day, lush green mountains, and houses with different colored roofs at the foot of the mountains are visible.
Show Parameters
Original Prompt
The room's walls feature a distinctive yellow-green plaster finish. On the right, there is a *tokonoma* (alcove) displaying a vase of flowers, 左側には人の腰の高さまでyellow-green plasterで仕上げられ、ちょうど人の腰の高さのところに太い角棒による敷居がある。「畳から鴨居までの高さの1/2の比率」まで仕上げられた yellow-green plasterの真上の敷居の上から鴨居の部分まで木の格子状の障子窓があってその裏には全面的に白い和紙が仕込まれている。その障子窓は手前側に開かれている。その障子窓の裏には引き違い窓タイプの金属製の外付サッシのガラス窓があり、手前側にスライドする形で全開されている。鴨居の上の長押の真上もa yellow-green plasterで仕上げられいる。やや奥側の真上の長押には金魚のイラストのガラス細工の風鈴が長押の側面に差し込まれた金具を介して吊り下げられてあり揺れている。窓越しには暑い日の空模様、緑が生い茂る山と麓のそれぞれ違った屋根の色の家々が見えている。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1888 x 1056
Negative
これらはすべて生成禁止 他キャラの生成 大きな障子扉、閉まっているガラス窓。手前側の障子に仕込まれた窓ガラス。敷居下の木柱 large sliding door, A shoji panel fitted with a glass window. People who are sleeping, fusuma, large door, partition, wind chime on the closed side, multiple wind chimes, engawa, veranda, garden, glass window, cracked wall, dirty wall, ruined,[wooden floor track], [wooden floor rail], old, damaged, mold, worst quality, low quality, bad anatomy, blurry, photorealistic, blur,
Prompt Helper

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬