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新山聡美(フルートリサイタル)

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3

#MILF #Dress #Concert #Musical Instrument #Earrings #Parted bangs #Flute #Multiple Girls #Necklace #Bare shoulders #Sound! Euphonium #Playing Instrument #Satomi Niiyama

Published on Oct 14, 2026

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, closed eyes, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, Please depict a scene of a concert hall stage where a classical music orchestra is performing. In the center foreground, a woman wearing a pale lavender dress is playing a silver flute. Around her, violinists in black formal attire are seated, and further back, players performing wind instruments such as clarinets are lined up. Multiple music stands overlap in the front and back, creating a realistic stage scene where it is immediately clear that the orchestra is in the middle of a performance. The image is a wide 16:9 composition. The camera is positioned from the audience side, providing a medium-distance perspective where the performers' faces, instruments, and music stands are visible simultaneously. Place the flute player prominently in the center foreground, with violinists on the left and right sides of the screen, and wind instrument players in the background. The lead woman should be visible from her head to her upper body, waist, and part of her skirt, ensuring the flute and both hands are within the frame. This should not be a wide shot taken from a distance of the entire stage, but a composition where the expressions and playing postures of the woman in the foreground and the surrounding performers are visible. For the character design of the woman playing the flute in the center foreground, please use the aforementioned LoRA. Reflect the LoRA in the facial features, hairstyle, hair color, and physical character design, while following the text below for clothing, accessories, playing posture, and expression. The woman is playing seriously as a member of the orchestra, possessing the composure of a mature woman and a natural atmosphere of concentration on the music. The woman stands in the center foreground, holding and playing a silver transverse flute with both hands. Her body is turned slightly toward the left of the screen, her upper body is slightly angled, and her face is naturally close to the mouthpiece of the flute. Her lips should be lightly touching the mouthpiece. Her expression should be serious and calm; rather than smiling at the camera, capture a moment of intense focus on the piece. The flute is a slender silver metal instrument with small keys arranged neatly along the tube. Position the instrument so it extends diagonally from the woman's mouth toward the bottom left of the screen, with the opposite end of the tube extending toward the top right. Both arms should be naturally extended in front of her body, elbows moderately bent, with her left and right hands supporting the tube and fingers placed on the keys. The angles of the fingers, wrists, and arms should be natural to show she is actually playing a transverse flute. The flute must be held to her mouth and maintained in a horizontal position. Do not place the instrument vertically, move it away from the mouth, or replace it with another instrument. The woman is wearing a pale lavender sleeveless dress suitable for a classical music concert. The dress follows her body elegantly from the upper body to the waist, with a skirt of soft layered tulle spreading from the waist down. The fabric has a subtle sheen and natural creases, creating highlights and shadows of pale purple under the stage lighting. Decorations on the chest and waist should be delicate and understated; do not use costumes that emphasize exposure or overly flashy decorations. It should be a dress with a subdued elegance worn by a neat and refined woman in her early 30s at a concert. Accessories should be limited to small earrings or a thin necklace. Immediately behind the woman, slightly to the left of center, another female violinist is seated wearing a formal dress with black lace sleeves. This woman is a different person from the lead; she has tidy dark hair and holds the violin between her chin and shoulder. She is playing, pressing the strings with her left hand on the neck while holding the bow with her right hand. She should have a serious expression, leaning slightly forward and focusing on the instrument or the score. The black lace sleeves have fine patterns, reflecting the subdued attire of a concert. Position her so that her face and arms do not unnaturally overlap with the lead woman. In the foreground on the left side of the screen, place another female violinist seated in a black formal dress. This woman has brownish hair, holds the violin on her shoulder, and is playing with the bow against the strings. Her face is turned slightly to the right, with her gaze naturally directed toward the score or the fingerboard. The violin should be brown with visible wood grain, and the shapes of the instrument and bow should be clear. Depict her as a separate performer with different facial features and hairstyle from the lead woman. On the right side of the screen, a male violinist is seated wearing a black suit, white shirt, and black bow tie. The man holds the violin on his shoulder, pressing the strings with his left hand while moving the bow with his right hand. His gaze is directed toward the score or the instrument, with an expression concentrated on the performance. The man's body is positioned on the right side of the screen, ensuring the violin and bow are naturally visible. He is a different person from the female flute player, and his hands and bow should not overlap with the lead woman's body or instrument. In the background, several more wind instrument players are seated. Performers in black concert attire hold clarinets and other instruments to their mouths, playing while looking at their scores. In the far upper part of the screen, another wind instrument player is present, and a large golden horn is visible nearby. Place the background figures at a distance where they appear smaller than the lead, and ensure it is clear that they are playing different instruments. Do not create multiple people with the same facial features as the lead woman; depict each surrounding performer as a distinct individual. Place numerous dark brown music stands with reddish-brown or dark crimson edges on the stage. The plates of the music stands have regularly aligned round holes, with thin metal supports below. There is one music stand in front of the lead woman in the center foreground, positioned so it overlaps part of her skirt or waist. However, do not hide the lead's face, flute, or hands with the music stand. Place other music stands overlapping in the front and back on the left, right, and background to create the density characteristic of an orchestra. Do not align them all in a neat row, but give each performer natural differences in position and angle. Draw the backs and supports of the music stands naturally so there is no awkwardness in their positional relationship with instruments and people. The stage floor consists of light-colored wooden planks with a natural grain. The performers' chairs are black, and the metal supports of the music stands and the legs of the chairs are firmly in contact with the floor. The background side is slightly dark, while stage lighting hits the foreground floor. Avoid making the audience seating or excessive stage decorations prominent, keeping the orchestra performers, instruments, and music stands as the center of the image. The lighting should center on the warm stage lighting of a concert hall. Natural light and shadow fall on the woman's skin, long hair, lavender dress, silver flute, the wood grain of the violins, the black suits, and the music stands. Put thin, bright metallic reflections on the flute and a warm woody luster on the violins. Do not let the black costumes lose detail in shadows (crush the blacks); ensure that fabric creases and lace patterns are visible to some extent. Ensure the entire stage is in the same lighting environment so that the people do not look as if they are floating away from the background. The camera is a medium-distance perspective, shooting from the audience side a bit away from the stage. Do not use an extreme low angle or bird's-eye view; keep it at a natural height where the performers' faces, instruments, music stands, and stage floor are all visible simultaneously. Make the flute player in the center foreground the protagonist, with the violinists on the left and right and the wind instrument players in the background surrounding her. The composition should not have performers lined up in a single row, but overlapping front-to-back according to the seating positions on stage. Maintain the visibility of the lead's face and flute while ensuring that the surrounding performers and music stands are also sufficiently visible. Overall, make it a realistic scene that captures a moment of an orchestra performing in an actual concert hall. In the center foreground is a refined female flute player in a light purple dress, with violinists in black formal attire to the left and right, and wind instrument players and a golden horn in the back. Reddish-brown perforated music stands are lined up front and back, and the natural textures of the wooden stage floor and instruments can be felt. Emphasize especially that the central woman is holding and playing the flute correctly, that the woman is in the foreground relative to the surrounding players, that the other performers are playing different instruments, and a screen composition characteristic of an orchestra with multiple overlapping music stands.

新山聡美(フルートリサイタル)

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