📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

1、「豊作祭! ―それは二人の巫女の豊かさを競わせ来年の豊作を願う儀式―」

#Saekano: How to Raise a Boring Girlfriend#Kasumigaoka Utaha#Rascal Does Not Dream Series#Mai Sakurajima
More to See

Comments6

kasumigaoka_utaha, sakurajima_mai, On a festival stage, two characters face the viewer and greet them. Kasumigaoka Utaha, from "Saenai Heroine no Sodatekata," has long black hair with white hairband, red eyes, and wears a traditional shrine maiden's attire (miko outfit) with a red obi. Sakurajima Mai, from "Seishun Buta Yarou," has long black hair with hairclip, purple eyes, and wears a traditional shrine maiden's attire with a red obi. The background features a festive stage with traditional decorations, lanterns, and banners. The lighting is bright and cheerful, highlighting the characters' detailed expressions and clothing. The style of the image is detailed anime, capturing a celebratory atmosphere.
Show Parameters
Original Prompt
祭りの舞台の上で、霞ヶ丘詩羽(冴えない彼女の育てかた)と桜島麻衣(青春ブタ野郎はバニーガール先輩の夢を見ない)は画面に向かって挨拶している。 霞ヶ丘詩羽(冴えない彼女の育てかた)は赤い色の目で、黒髪のロングヘアに白いヘアバンドをつけ、赤い帯を締めた巫女服をきている。桜島麻衣(青春ブタ野郎はバニーガール先輩の夢を見ない)は紫の目で、黒の長髪にヘアクリップをつけ、赤い帯を締めた巫女服を着ている。 
Size
614 x 1024
Sampling Steps
21
Sampling Method
Euler
CFG Scale
6
Negative
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬