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View detailsゴシックロリータな少女
深紅の薔薇が散りばめられた黒いドレスがとても魅力的な、ゴシックロリータスタイルの女の子です。赤い瞳とリボンが織りなす美しくもどこかミステリアスな雰囲気に、思わず目を奪われてしまいました。気に入っていただけたら、いいねやフォローをしていただけると嬉しいです!
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- Original Prompt
- downer、cool、handsome guy、dark atmosphere, clean thin anime lineart, soft airbrush gradient shading, hybrid cel and digital painting, subtle painterly soft blending, layered illustration eyes, faint controlled glow, narrow selective glossy specular, puffy tear bags, prominent aegyo sal, yandere eyes, yami-kawaii eyes, obsessive stare, jitome / dead eyes, masterpiece, highly detailed, exquisite details, sharp focus, high resolution, 女性、お姉さん、大人、色白、黒髪、重めの額が見えないぱっつん前髪、顎までのショートヘア縦ロール、大きめな縦ロール、下ろしたショート縦ロールヘア、顎までの髪の長さ、赤の瞳、微笑み、口紅、黒をメインカラーで深い赤をサブカラーにしたゴシック風ワンピース、膝下丈のフレアスカート、スカートに赤の薔薇の模様、控えめな黒レースの裾飾り、胸元の赤いリボン、ウエストの黒い2個のベルト、赤い細いウエストリボン、シンプルな長袖、袖口の大きな何層かの黒と白のフリル、袖に黒のベルト、クラシックなゴスロリ、派手なゴスロリ、赤のタイツ、黒い生地に深紅の差し色、クラシカルで少しダークな雰囲気。頭に赤の大きなリボンカチューシャ、スカートの裾に白の大きなフリル、黒のリボンとベルトのついたヒールのブーツ、真紅のクラシックな上品な椅子、足を組んで座ってる、上品なポーズ、俯瞰構図、上からの構図、足まで見える俯瞰構図、クラシックな部屋、背景に絵画、銀の指輪、黒のネイル、こちらを見上げてる、顔メイン、顔アップ、斜めの画角、真紅の薔薇の花びら
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- flash
- Style
- Luminous Impasto
- Quality Tag
- ﹝Prompts﹞
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- 944 x 1584
Style: Luminous Impasto
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Similar Images
Show more京極正宗
スナギモ
black hair, red eyes, red rose, black dress, lolita fashion, red bow, frilled, miniskirt, knee socks, sitting, cute, 1girl, cute girl, highly detailed, clean composition, extremely cute, soft shading, light blush, boots, painterly style, thick oil paint texture, impasto, soft ambient lighting, cinematic atmospheric perspective, layered brushstrokes, sketch-like quality, visible texture, expressive brushwork, rough textures, stylized forms, artistic brushstrokes, textured
莉都
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𝒓𝒐𝒔𝒆 .*・゚
𝓷𝓲𝓼𝓲𝓶𝓾𝓻𝓪 .*・゚
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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