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AI art "賭け麻雀で大ピンチな胡桃のあ・VSPO!"
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賭け麻雀で大ピンチな胡桃のあ・VSPO!

VSPO!の胡桃のあちゃんが麻雀で大変なことに……！照れながらも健気に牌を握る姿がもう可愛くて、思わず応援したくなっちゃいます。彼女の一生懸命な表情にドキドキしながら描きました。気に入ってもらえたらいいねとフォローお願いします！今後も色んなイラストを投稿予定なので、感想をコメントで教えてくださいね。

#blush#Bra#Embarrassed#Hand bra#Mahjong#Nose Blush#Mahjong Tile#Mahjong table#Virtual YouTuber#Crowd#Kurumi Noah#Iris Black Games#Virtual eSports Project
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ぶいすぽっのVtuberの「胡桃のあ」が、椅子に座って脱衣麻雀を打っている。おっぱいの大きさはとても小さい。 麻雀卓に4人で座っている。自分が手前、自分の対面に「胡桃のあ」、自分の右隣（下家）に男性、左隣（上家）に男性が座っている。男性の表情は楽しそうだ。 自分以外の3人が見える構図になっている。 「胡桃のあ」は上半身下着姿になっていて、左腕と左手で胸を隠し、右手で麻雀を打っている。ブラジャーはほとんど見えている。 女の子の表情は嫌がっていて、赤面していて、とても恥ずかしそうにしている。こちらを睨んでいる。
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ぶいすぽっのVtuberの「胡桃のあ」が、椅子に座って脱衣麻雀を打っている。おっぱいの大きさはとても小さい。 麻雀卓に4人で座っている。自分が手前、自分の対面に「胡桃のあ」、自分の右隣（下家）に男性、左隣（上家）に男性が座っている。男性の表情は楽しそうだ。 自分以外の3人が見える構図になっている。 「胡桃のあ」は上半身下着姿になっていて、左腕と左手で胸を隠し、右手で麻雀を打っている。ブラジャーはほとんど見えている。 女の子の表情は嫌がっていて、赤面していて、とても恥ずかしそうにしている。こちらを睨んでいる。
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pro
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1104 x 1824
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lowres, worst quality, low quality, bad anatomy, explicit
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Avatar image of 勇者系魔王アマッカス
character: kurumi_noah. A medium-close dynamic shot in a vertical composition, featuring kurumi_noah positioned in the lower 70% of the frame standing at a casino card table. She has multicolored blonde hair and green eyes, wearing a hybrid reverse-bunnysuit maid uniform consisting of a glossy black high-leg leotard that exposes her hips, paired with a short white frilled maid apron, lace wrist cuffs, and a tiny maid headdress with bunny ears. She wears sheer black thigh-high stockings and black heels, her face showing a gentle, composed smile. Her hands are neatly arranging a deck of cards on the table, fingertips lightly touching the card edges. The background is a blurred, luxurious casino setting with warm gold chandelier glow and hanging lights. The lighting is cinematic with dramatic rim lighting, creating a sophisticated atmosphere, while the upper 30% of the frame remains empty and plain.
勇者系魔王アマッカス
#Kemonomimi#Apron#Bow

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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2#Attack on Titan#Mikasa Ackerman
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