PixAI Membership

📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details
AI art "King of Man-machine" featuring #Male, #solo, #muscular, #Fist of the North Star, #Looking at viewer, #Boy, #Pregnant Belly, #Closed mouth and #Tsubaki.3
Generate New ArtworkGenerate for FreeGenerate for Free

King of Man-machine

#Male#solo#muscular#Fist of the North Star#Looking at viewer#Boy#Pregnant Belly#Closed mouth#Tsubaki.3
Avatar image of Marco Iori

Marco Iori

More to See

Comments

copyright: hokuto_no_ken 1man, solo, cyborg, half-machine, burly, muscular, potbelly, bare torso, quadruped, mechanical legs, four mechanical legs, prosthetic lower body, wrist claws, weapon strapped to wrist, helmet, winged helmet, 1980s anime style, heavy ink lines, cross-hatching, low angle, from below, looking at viewer, glaring, scowl, sneer, underground base, abandoned bunker, post-apocalyptic, photo background, dramatic lighting Viewed from a dramatic low angle looking upward, a colossal cyborg leader dominates the frame, his anatomy divided sharply at the navel between weathered organic flesh and brutal industrial mechanics. His massive, burly upper body features heavy shoulders, thick muscular arms, and a prominent rounded belly that rests squarely against the reinforced rim of a mechanized waist ring. From the waist down, all human limbs are entirely absent, replaced by four thick, jointed steel insectoid mechanical legs; the two front limbs plant down on heavy pad feet with exposed hydraulic pistons bearing his massive weight, while the two rear legs angle backward against the ground for balance. Thick blackened leather bands strap long, three-pronged iron claws firmly across the back of both wrists, the sharp forged tines extending past his knuckles. His head bears a compact steel skullcap helmet adorned with sharp stylized wings flaring outward at both temples, framing a square-jawed, heavily scarred face locked in a vicious scowl. His gaze bears down relentlessly upon the viewer, one clawed fist drawn back taut against his ribs while the other angles forward in a ready stance. The character is rendered with bold hand-drawn linework, pronounced anatomical hatching, and cel shading, set against a real-world photographic background of a decayed subterranean military bunker with peeling paint, crumbling concrete pillars, rusted hanging conduits, and stained industrial flooring. A harsh overhead amber floodlight casts deep downward shadows under his heavy brow, chest, and mechanical joints, glinting off the polished edges of his wrist claws. A single bead of dark hydraulic fluid clings to the chrome sleeve of the front-left leg piston before dropping toward the cracked floor below. Oppressive menace.
Show Parameters
Original Prompt
Hokuto no Ken, leader degli uomini macchine, metà uomo metà macchina, uomo con il torso grosso, dalla vità in giù corpo meccanico, piccolo elmo in testa con ali ai lati, artigli di ferro legati ai polsi, quattro gambe meccaniche al posto di quelle normali, pancia grossa, all'interno di una antica base segreta, post-apocalittico, photo background,
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.19k

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
1#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateMio.2Profile