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月うさぎと秋夜の縁側
◆青髪ボブ子ちゃん(青髪、青い目、ボブカット、19歳、大学生、スレンダー体型の女の子、学生モデル、主人公)が、「お月見」がテーマのモデル撮影をしました。 1. 月見うさぎの白紺浴衣 お月見撮影の最初の衣装は、白地に紺と青の月・すすき模様を散らした清楚な浴衣。青髪ボブ子ちゃんは、古民家の縁側に腰掛け、月見団子をそっと手にしながら夜空を見上げる。撮影の合間、雲の切れ間から満月が姿を見せた瞬間、彼女は思わず柔らかな笑顔を浮かべた。その自然な表情をカメラマンが逃さず切り取った一枚。
Show Parameters
- Size
- 1024 x 1024
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5.5
- Negative
- worst quality, low quality, normal quality, lowres, blurry, pixelated, bad anatomy, bad proportions, deformed, disfigured, malformed limbs, extra arms, extra legs, extra fingers, missing fingers, fused fingers, bad hands, poorly drawn hands, twisted fingers, long neck, cross-eyed, asymmetrical eyes, poorly drawn face, duplicate, multiple girls, clone, crowd, old woman, child, loli, mature woman, long hair, black hair, blonde hair, red hair, green hair, red eyes, brown eyes, daytime, sunrise, sunset, bright daylight, indoor studio background, no moon, cloudy sky hiding moon, text, watermark, logo, signature, username, nsfw, nude, underwear, cleavage focus, fetish
Model & LoRA used
1 private models used
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兎田ぺこら
ぺこ
Nekotarou
digital art style, detailed skin, detailed body, light effect, atmospheric, intricate details, (high contrast:0.1), 1girl, cute anime style, masterpiece, off shoulder, miniskirt length, floral pattern kimono, frills on sleeves and hem, holder neck sleeveless bodysuit as inner wear, lace-up long boots, ultra detailed, highly detailed clothing, highly detailed background, red and light blue odd eyes. light blue side ponytail. night.
Jirai-kei fashion. Japanese clothes. Moon viewing. Moon. Sanshoku dango. Teacup. Tea. Night. Yukata. Autumn. Maple leaves.
リュウカ
お月見
lalala7979
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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