Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "アイヌ風クロキツネちゃんの暇" featuring #Original, #Kemonomimi, #Ainu People and #Fox-Eared Girl Contest
Generate New ArtworkGenerate for FreeGenerate for Free

アイヌ風クロキツネちゃんの暇

テレビぐらいあるよ

Contest Entry
I Want to See Everyone’s Fox-Eared Girls#Fox-Eared Girl Contest
#Original#Kemonomimi#Ainu People
Avatar image of がらくたろう

がらくたろう

More to See

Comments

sharp lines, vivid colors, high contrast, ink strokes, beautiful light, best shadow, color blink, anime girl, solo, masterpiece, best quality, a young-looking petite girl, young-looking, short stature, (long straight dark blonde hair:1.3), big fox ears, a big fox tail, the tip of the tail is white, light red eyes, ainu_girl_v1, pale white skin, long straight black hair, blue ribbon, cute rounded face, big gentle eyes, small nose, extremely voluptuous hourglass figure, massive bust, impossibly narrow waist, wide hips, thick thighs, ultra detailed, dramatic lighting, glowing highlights, ORIGINAL CHARACTER ONLY. CHARACTER — KUROKITSUNE-CHAN An original 16-year-old black fox-inspired girl, 160 cm tall, with a slim, delicate human build and warm dark-tan skin. She has a completely human face and human anatomy. Her animal features are limited to black fox ears with vivid purple inner fur and a black fox tail. No animal muzzle or beast-like anatomy. She has long, straight black hair with vivid purple inner layers. Her asymmetric bangs cover one eye, leaving one golden eye visible. She has large, round, slightly upturned eyes, thick eyebrows, and a small downturned mouth. Her expression is relaxed, lazy, and shamelessly unconcerned, as though she has casually invited herself into someone else's home and intends to stay as long as she likes. CLOTHING — MAEKAKE-STYLE TOP AND MINI HAKAMA She wears a black traditional Japanese-inspired outfit consisting of a maekake-style front panel and a separate short mini hakama. The upper garment resembles a traditional apron worn across the front of her torso. Its broad black front panel features bold crimson and dark-purple geometric embroidery inspired by Ainu textile patterns. The garment has a dramatically open-back design, leaving most of her back exposed. The front apron panel and the open-back construction should be clearly distinguishable. Do not turn it into an ordinary closed-back shirt. She wears a separate, short black mini hakama beneath the apron-style front panel. The mini hakama has a compact, clearly recognizable pleated silhouette. The apron panel and mini hakama remain visually distinct garments. Preserve the established black, crimson, and dark-purple color scheme. REMOVED OUTER JACKET — SPREAD ON THE FLOOR Her original outer jacket has been removed and spread out on the floor beneath part of her body, serving as an improvised mat. The jacket has black outer fabric, vivid purple lining, and crimson geometric embroidery. Preserve its original design, colors, and decorative details. Portions of the vivid purple lining are visible along the opened and folded fabric. The jacket is a separate garment lying flat on the floor. She is not wearing it, holding it, or draping it over her shoulders. POSE — LAZY SIDE-LYING ELBOW-PILLOW POSITION She is lying horizontally on her side on the floor in a relaxed, elongated lounging pose. Her torso and hips rest on one side. One elbow is firmly planted on the floor, with the forearm bent upward to support her head. Her cheek rests lazily against the palm of that hand. The elbow-pillow gesture is clearly visible and anatomically natural. Her upper body is slightly raised by the supporting arm, while her waist and legs extend sideways along the floor. Her legs are relaxed and loosely extended, following the same side-lying orientation. Her free arm rests casually beside her body. Her entire posture reads as a person lying on her side and propping up her head with one elbow, lounging carelessly on the floor. She is not sitting, kneeling, crawling, lying flat on her back, or lying face-down. Her body language conveys extreme laziness and shameless comfort, as though the floor were her personal sofa. ACTION — GOMA SENBEI IN HER MOUTH She casually watches television while eating a Japanese sesame rice cracker. One flat, round or slightly oval goma senbei is held directly between her lips and teeth. The cracker protrudes visibly from her mouth, and its sesame-covered surface is clearly recognizable. Neither hand holds the cracker. One arm supports her head in the elbow-pillow pose, while the other rests lazily beside her body. Her mouth is slightly open around the cracker. Her expression is relaxed and indifferent, showing no embarrassment about making herself at home in someone else's house. No other food or snacks. BACKGROUND — MODEST RURAL JAPANESE HOUSE The scene takes place inside a modest, old-fashioned Japanese countryside home. Include a simple traditional floor, understated furnishings, and a lived-in rural atmosphere. Keep the room relatively sparse, with very few modern appliances or electronic devices. The television is the main electronic appliance in the room. CAMERA AND COMPOSITION — TELEVISION IN THE FOREGROUND Use a slightly elevated, mildly overhead camera angle looking down into the room. The television is positioned in the immediate foreground, between the camera and the character. The back of the television faces the viewer, prominently showing its rear casing and silhouette. Its screen faces away from the camera and toward the character. The character lies on her side on the floor farther away, directly behind the television, watching its screen. The spatial order must be unmistakable: camera → back of television in the foreground → reclining character in the background. The television occupies the lower foreground. The character remains clearly visible beyond it, with her face, supporting elbow, and sesame rice cracker unobstructed. Show enough of the floor to establish the distance between the television and the character. The slightly elevated view should reveal both the television's rear casing and the character's sideways lounging pose. VISUAL STYLE Polished modern Japanese anime illustration. Detailed black hair with vivid purple inner layers, warm dark-tan skin, crisp crimson and dark-purple geometric embroidery, natural garment folds, and believable contact between her body, the removed jacket, and the floor. Preserve the established character design and color palette. The overall atmosphere is humorous, lazy, casual, and shamelessly comfortable. NEGATIVE PROMPT Buddha, Buddha statue, reclining Buddha, Buddhist statue, Buddhist sculpture, religious statue, religious iconography, religious imagery, religious sculpture, religious figurine, idol, sacred objects, Buddhist altar, temple, shrine, pagoda, prayer hall, religious decorations, stone statue, golden statue, additional statues, sculptures, figurines. Standing pose, sitting pose, kneeling, crawling, lying flat on her back, lying on her stomach, face-down pose, sleeping pose with both arms beneath her head, both elbows supporting the head, head unsupported, incorrect arm placement, upright torso, crossed legs in a seated pose. Outer jacket worn on the body, jacket draped over shoulders, jacket worn as a cape, jacket held in hands. Ordinary closed-back shirt, fully covered back, long hakama, full-length skirt, one-piece dress merging the apron and hakama. Rice cracker held in either hand, rice cracker on a plate, rice cracker on the floor, cookies, potato chips, sandwiches, additional snacks, extra food. Television behind the character, television screen facing the viewer, camera behind the character, reversed spatial arrangement, television blocking the character's face, television blocking the elbow-pillow pose. Pale skin, changed skin tone, changed outfit colors, white outfit, missing purple hair accents, missing crimson embroidery, animal muzzle, beast-like anatomy, extra characters, excessive household appliances, fire effects, swords, weapons, text, captions, speech bubbles, watermark.
Show Parameters
Original Prompt
ORIGINAL CHARACTER ONLY. CHARACTER — KUROKITSUNE-CHAN An original 16-year-old black fox-inspired girl, 160 cm tall, with a slim, delicate human build and warm dark-tan skin. She has a completely human face and human anatomy. Her animal features are limited to black fox ears with vivid purple inner fur and a black fox tail. No animal muzzle or beast-like anatomy. She has long, straight black hair with vivid purple inner layers. Her asymmetric bangs cover one eye, leaving one golden eye visible. She has large, round, slightly upturned eyes, thick eyebrows, and a small downturned mouth. Her expression is relaxed, lazy, and shamelessly unconcerned, as though she has casually invited herself into someone else's home and intends to stay as long as she likes. CLOTHING — MAEKAKE-STYLE TOP AND MINI HAKAMA She wears a black traditional Japanese-inspired outfit consisting of a maekake-style front panel and a separate short mini hakama. The upper garment resembles a traditional apron worn across the front of her torso. Its broad black front panel features bold crimson and dark-purple geometric embroidery inspired by Ainu textile patterns. The garment has a dramatically open-back design, leaving most of her back exposed. The front apron panel and the open-back construction should be clearly distinguishable. Do not turn it into an ordinary closed-back shirt. She wears a separate, short black mini hakama beneath the apron-style front panel. The mini hakama has a compact, clearly recognizable pleated silhouette. The apron panel and mini hakama remain visually distinct garments. Preserve the established black, crimson, and dark-purple color scheme. REMOVED OUTER JACKET — SPREAD ON THE FLOOR Her original outer jacket has been removed and spread out on the floor beneath part of her body, serving as an improvised mat. The jacket has black outer fabric, vivid purple lining, and crimson geometric embroidery. Preserve its original design, colors, and decorative details. Portions of the vivid purple lining are visible along the opened and folded fabric. The jacket is a separate garment lying flat on the floor. She is not wearing it, holding it, or draping it over her shoulders. POSE — LAZY SIDE-LYING ELBOW-PILLOW POSITION She is lying horizontally on her side on the floor in a relaxed, elongated lounging pose. Her torso and hips rest on one side. One elbow is firmly planted on the floor, with the forearm bent upward to support her head. Her cheek rests lazily against the palm of that hand. The elbow-pillow gesture is clearly visible and anatomically natural. Her upper body is slightly raised by the supporting arm, while her waist and legs extend sideways along the floor. Her legs are relaxed and loosely extended, following the same side-lying orientation. Her free arm rests casually beside her body. Her entire posture reads as a person lying on her side and propping up her head with one elbow, lounging carelessly on the floor. She is not sitting, kneeling, crawling, lying flat on her back, or lying face-down. Her body language conveys extreme laziness and shameless comfort, as though the floor were her personal sofa. ACTION — GOMA SENBEI IN HER MOUTH She casually watches television while eating a Japanese sesame rice cracker. One flat, round or slightly oval goma senbei is held directly between her lips and teeth. The cracker protrudes visibly from her mouth, and its sesame-covered surface is clearly recognizable. Neither hand holds the cracker. One arm supports her head in the elbow-pillow pose, while the other rests lazily beside her body. Her mouth is slightly open around the cracker. Her expression is relaxed and indifferent, showing no embarrassment about making herself at home in someone else's house. No other food or snacks. BACKGROUND — MODEST RURAL JAPANESE HOUSE The scene takes place inside a modest, old-fashioned Japanese countryside home. Include a simple traditional floor, understated furnishings, and a lived-in rural atmosphere. Keep the room relatively sparse, with very few modern appliances or electronic devices. The television is the main electronic appliance in the room. CAMERA AND COMPOSITION — TELEVISION IN THE FOREGROUND Use a slightly elevated, mildly overhead camera angle looking down into the room. The television is positioned in the immediate foreground, between the camera and the character. The back of the television faces the viewer, prominently showing its rear casing and silhouette. Its screen faces away from the camera and toward the character. The character lies on her side on the floor farther away, directly behind the television, watching its screen. The spatial order must be unmistakable: camera → back of television in the foreground → reclining character in the background. The television occupies the lower foreground. The character remains clearly visible beyond it, with her face, supporting elbow, and sesame rice cracker unobstructed. Show enough of the floor to establish the distance between the television and the character. The slightly elevated view should reveal both the television's rear casing and the character's sideways lounging pose. VISUAL STYLE Polished modern Japanese anime illustration. Detailed black hair with vivid purple inner layers, warm dark-tan skin, crisp crimson and dark-purple geometric embroidery, natural garment folds, and believable contact between her body, the removed jacket, and the floor. Preserve the established character design and color palette. The overall atmosphere is humorous, lazy, casual, and shamelessly comfortable. NEGATIVE PROMPT Buddha, Buddha statue, reclining Buddha, Buddhist statue, Buddhist sculpture, religious statue, religious iconography, religious imagery, religious sculpture, religious figurine, idol, sacred objects, Buddhist altar, temple, shrine, pagoda, prayer hall, religious decorations, stone statue, golden statue, additional statues, sculptures, figurines. Standing pose, sitting pose, kneeling, crawling, lying flat on her back, lying on her stomach, face-down pose, sleeping pose with both arms beneath her head, both elbows supporting the head, head unsupported, incorrect arm placement, upright torso, crossed legs in a seated pose. Outer jacket worn on the body, jacket draped over shoulders, jacket worn as a cape, jacket held in hands. Ordinary closed-back shirt, fully covered back, long hakama, full-length skirt, one-piece dress merging the apron and hakama. Rice cracker held in either hand, rice cracker on a plate, rice cracker on the floor, cookies, potato chips, sandwiches, additional snacks, extra food. Television behind the character, television screen facing the viewer, camera behind the character, reversed spatial arrangement, television blocking the character's face, television blocking the elbow-pillow pose. Pale skin, changed skin tone, changed outfit colors, white outfit, missing purple hair accents, missing crimson embroidery, animal muzzle, beast-like anatomy, extra characters, excessive household appliances, fire effects, swords, weapons, text, captions, speech bubbles, watermark.
Mode
pro
Size
1584 x 944
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.95k
anime girl - AI Model cover image

User LoRA

anime girl
969
Sharp Ink Style - AI Model cover image

User LoRA

Sharp Ink Style
1.49k
Beautiful colors V2 - AI Model cover image

User LoRA

Beautiful colors V2
9.30k
キツネ耳の少女 - AI Model cover image

User LoRA

キツネ耳の少女
30
アイヌ娘 - AI Model cover image

User LoRA

アイヌ娘
23
Quality Booster：DiT.3 - AI Model cover image

User LoRA

Quality Booster：DiT.3
56

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile