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Tsubaki.3のベース演奏

#Tsubaki.3
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Silvery-white hair; complex yet tousled high twin-bun hairstyle; two small compact buns positioned high on both sides of the upper head; all hair from the crown, sides, and back is completely gathered into the two buns; the buns are irregular and loosely tied, with short spiky ends sticking outward in multiple directions; no long hair hanging from the buns; no loose hair falling down the back; no hair covering the shoulders or back; fully pinned-up hairstyle with an exposed nape; center-parted long curtain bangs; long soft bangs naturally framing the forehead; exactly two long, slender face-framing locks, one on each side of the face, extending vertically down past the chest; these two side locks are the only long hair outside the buns; clean distinction between the pinned-up hair and the two long face-framing locks; intentionally tousled twin-bun hairstyle; handsome young man; distinctly masculine facial features; sharp jawline; defined masculine eyes; slightly strong eyebrows; refined attractive male face; mature handsome appearance; subtle masculine presence while retaining an elegant aesthetic; musician (band member); holding a bass guitar; Y2K-style outfit; early-2000s fashion; hooded sweatshirt; sleeveless; layered look with a red and black T-shirt underneath; patterned clothing; stylish; piercings including chain and lip piercings; square glasses; accessories; light blue eyes; a single boy; fair skin; Korean-style aesthetic; playing bass; handsome; good-looking; white background., anime, sharp lineart, high contrast, deep shadows, high-gloss texture, sketch, messy sketch, creamy rendering, messy render, semi-realistic
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Original Prompt
Silvery-white hair; complex yet tousled high twin-bun hairstyle; two small compact buns positioned high on both sides of the upper head; all hair from the crown, sides, and back is completely gathered into the two buns; the buns are irregular and loosely tied, with short spiky ends sticking outward in multiple directions; no long hair hanging from the buns; no loose hair falling down the back; no hair covering the shoulders or back; fully pinned-up hairstyle with an exposed nape; center-parted long curtain bangs; long soft bangs naturally framing the forehead; exactly two long, slender face-framing locks, one on each side of the face, extending vertically down past the chest; these two side locks are the only long hair outside the buns; clean distinction between the pinned-up hair and the two long face-framing locks; intentionally tousled twin-bun hairstyle; handsome young man; distinctly masculine facial features; sharp jawline; defined masculine eyes; slightly strong eyebrows; refined attractive male face; mature handsome appearance; subtle masculine presence while retaining an elegant aesthetic; musician (band member); holding a bass guitar; Y2K-style outfit; early-2000s fashion; hooded sweatshirt; sleeveless; layered look with a red and black T-shirt underneath; patterned clothing; stylish; piercings including chain and lip piercings; square glasses; accessories; light blue eyes; a single boy; fair skin; Korean-style aesthetic; playing bass; handsome; good-looking; white background., anime, sharp lineart, high contrast, deep shadows, high-gloss texture, sketch, messy sketch, creamy rendering, messy render, semi-realistic
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flash
Size
1152 x 1744
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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