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- Original Prompt
- 轟はじめ Todoroki Hajime ホロライブ 最高品質、傑作、超高精細、緻密な描写、美しい陰影 小さな胸 大胆なデザインのパーティードレス 上品な露出 ノーパン ノーブラ ロンググローブ ネックレス イヤリング ブレスレット 指輪 アクセサリーを付けたまま 夜会から帰宅したばかり 高級ホテルの客室 ベッドの中央で仰向けに眠っている 身体全体がマットレスの上に乗っている 枕に頭を預けている 片腕を額の上に乗せている もう片方の腕は身体の横に自然に下ろしている 両脚を自然に伸ばしている 深く眠っている 疲れてそのまま眠ってしまった 乱れたドレス 少し乱れた髪 安心しきった寝顔 自然な表情 自然な瞳のハイライト 繊細なキャッチライト 人物が画面の主役 全身が画面いっぱいに収まる構図 人物が小さくならない構図 少し斜め上からのアングル ダイナミックな遠近感 高級ホテルのベッドルーム 白いシーツ 柔らかな羽毛布団 ベッドサイドランプ ベッドサイドテーブル サイドテーブルの上に飲みかけのシャンパングラス サイドテーブルの上にシャンパンボトル クラッチバッグ 脱ぎっぱなしのハイヒール カーテン越しに見える夜景 暖色の間接照明 静かな深夜 夜会の余韻 映画のワンシーン ライフスタイルフォト シネマティックライティング warm ambient lighting soft facial lighting soft facial shadows rim light cinematic composition editorial fashion photography natural body language focus on character storytelling movie still 35mm film ((perfect_hands:15)) ((masterpiece, best quality, ultra detailed, detailed eyes, high resolution, correct anatomy, proportional anatomy, detailed fingers, perfect hands, cute girl, dynamic angle)) ,((improve_image)),.
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 614 x 1024
- Sampling Steps
- 21
- Sampling Method
- Euler
- CFG Scale
- 6
- Negative
- bad quality, low quality, worst quality, lowres, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name, Sweat, motion lines, action lines, speed lines, dynamic lines, impact lines, shaking lines, comic lines, manga lines, expressive lines
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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