Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

あいいいよよよ

More to See

Comments

character: morino_rinze 1girl, solo, short hair, black hair, hair between eyes, red eyes, waitress, waitress apron, collared black dress, white apron, apron strings, holding tray, round tray, underground parking lot, concrete pillars, ceiling pipes, parking lines, suibokuga, ink wash painting, sumi-e, traditional media, monochrome, ink splatter, wet-on-wet, dry brush, brush strokes, from below, cowboy shot, looking at viewer, calm expression From below in a dramatic cowboy shot, a slender young woman stands paused mid-stride in the vast expanse of a cavernous underground parking garage, rendered entirely in dynamic suibokuga ink wash painting. She balances a polished round serving tray flat across the fingertips of her right hand at waist level, her left hand hanging loosely beside the crisp hem of her white apron. Her short black hair, parted with delicate strands falling between her calm tareme eyes, is drawn with soft calligraphic brushstrokes, with the irises brushed in a subtle wash of cinnabar red amid the surrounding carbon-ink tones. She wears a neat, retro waitress uniform consisting of a dark flared dress beneath a starched white apron tied firmly around her waist, its ribbon knot visible at her side. Thick concrete support pillars frame the space, their angular mass defined by textured dry-brush linework, while complex networks of overhead conduits and ventilation ducts crisscross the vaulted ceiling in decisive strokes of dark ink. The only illumination stems from rectangular overhead strip lights left as luminous, unpainted negative paper white, casting long, diluted grey reflections vertically along the slick surface of the sealed concrete floor. Atmospheric ink bleed dissolves the distant empty parking bays into velvety shadow. Eerie tranquility.
Show Parameters
Original Prompt
地下駐車場、水墨画、杜野凛世、ウェイトレス
Mode
flash
Size
1104 x 1824

Model & LoRA used

Similar Images

Show more
AI artwork
あ
character: morino_rinze 1girl, solo, short hair, black hair, hair between eyes, red eyes, waitress, waitress apron, collared black dress, white apron, apron strings, holding tray, round tray, underground parking lot, concrete pillars, ceiling pipes, parking lines, suibokuga, ink wash painting, sumi-e, traditional media, monochrome, ink splatter, wet-on-wet, dry brush, brush strokes, from below, cowboy shot, looking at viewer, calm expression From below in a dramatic cowboy shot, a slender young woman stands paused mid-stride in the vast expanse of a cavernous underground parking garage, rendered entirely in dynamic suibokuga ink wash painting. She balances a polished round serving tray flat across the fingertips of her right hand at waist level, her left hand hanging loosely beside the crisp hem of her white apron. Her short black hair, parted with delicate strands falling between her calm tareme eyes, is drawn with soft calligraphic brushstrokes, with the irises brushed in a subtle wash of cinnabar red amid the surrounding carbon-ink tones. She wears a neat, retro waitress uniform consisting of a dark flared dress beneath a starched white apron tied firmly around her waist, its ribbon knot visible at her side. Thick concrete support pillars frame the space, their angular mass defined by textured dry-brush linework, while complex networks of overhead conduits and ventilation ducts crisscross the vaulted ceiling in decisive strokes of dark ink. The only illumination stems from rectangular overhead strip lights left as luminous, unpainted negative paper white, casting long, diluted grey reflections vertically along the slick surface of the sealed concrete floor. Atmospheric ink bleed dissolves the distant empty parking bays into velvety shadow. Eerie tranquility.
あいいいよよよ
AI artwork
あ
character: morino_rinze 1girl, solo, short hair, black hair, hair between eyes, red eyes, waitress, waitress apron, collared black dress, white apron, apron strings, holding tray, round tray, underground parking lot, concrete pillars, ceiling pipes, parking lines, suibokuga, ink wash painting, sumi-e, traditional media, monochrome, ink splatter, wet-on-wet, dry brush, brush strokes, from below, cowboy shot, looking at viewer, calm expression From below in a dramatic cowboy shot, a slender young woman stands paused mid-stride in the vast expanse of a cavernous underground parking garage, rendered entirely in dynamic suibokuga ink wash painting. She balances a polished round serving tray flat across the fingertips of her right hand at waist level, her left hand hanging loosely beside the crisp hem of her white apron. Her short black hair, parted with delicate strands falling between her calm tareme eyes, is drawn with soft calligraphic brushstrokes, with the irises brushed in a subtle wash of cinnabar red amid the surrounding carbon-ink tones. She wears a neat, retro waitress uniform consisting of a dark flared dress beneath a starched white apron tied firmly around her waist, its ribbon knot visible at her side. Thick concrete support pillars frame the space, their angular mass defined by textured dry-brush linework, while complex networks of overhead conduits and ventilation ducts crisscross the vaulted ceiling in decisive strokes of dark ink. The only illumination stems from rectangular overhead strip lights left as luminous, unpainted negative paper white, casting long, diluted grey reflections vertically along the slick surface of the sealed concrete floor. Atmospheric ink bleed dissolves the distant empty parking bays into velvety shadow. Eerie tranquility.
あいいいよよよ
AI artwork
あ
character: morino_rinze 1girl, solo, short hair, black hair, hair between eyes, red eyes, waitress, waitress apron, collared black dress, white apron, apron strings, holding tray, round tray, underground parking lot, concrete pillars, ceiling pipes, parking lines, suibokuga, ink wash painting, sumi-e, traditional media, monochrome, ink splatter, wet-on-wet, dry brush, brush strokes, from below, cowboy shot, looking at viewer, calm expression From below in a dramatic cowboy shot, a slender young woman stands paused mid-stride in the vast expanse of a cavernous underground parking garage, rendered entirely in dynamic suibokuga ink wash painting. She balances a polished round serving tray flat across the fingertips of her right hand at waist level, her left hand hanging loosely beside the crisp hem of her white apron. Her short black hair, parted with delicate strands falling between her calm tareme eyes, is drawn with soft calligraphic brushstrokes, with the irises brushed in a subtle wash of cinnabar red amid the surrounding carbon-ink tones. She wears a neat, retro waitress uniform consisting of a dark flared dress beneath a starched white apron tied firmly around her waist, its ribbon knot visible at her side. Thick concrete support pillars frame the space, their angular mass defined by textured dry-brush linework, while complex networks of overhead conduits and ventilation ducts crisscross the vaulted ceiling in decisive strokes of dark ink. The only illumination stems from rectangular overhead strip lights left as luminous, unpainted negative paper white, casting long, diluted grey reflections vertically along the slick surface of the sealed concrete floor. Atmospheric ink bleed dissolves the distant empty parking bays into velvety shadow. Eerie tranquility.
あいいいよよよ

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬