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- Original Prompt
- 男がポケットに手を入れて歩いてる 男の見た目 : ダボッとした黒のパーカー。茶髪で前髪が長く、メカクレになってる。ニコニコしてる。体型は筋肉の上に脂肪が着いて少しムチッとしてる 誰からも愛される性格でうるさい
- Mode
- lite
- Style
- Neon Poster
- Size
- 768 x 1280
Style: Neon Poster
Model & LoRA used
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ミ
可愛い
ミルノ
masterpiece, best quality, ultra detailed, refined art, delicate rendering, cinematic soft volumetric lighting, subtle rim light. realistic fabric and hair texture, detailed eyes, subtle skin texture, beautiful illustration., ...boy...girl...darkanime...heavily painted style illustration..., clearly defined eye contours, soft blush that accentuates the eyes, delicate eyelashes, meticulously drawn hands, hair rendered in exquisite detail through flowing, overlapping strands, delicate line work, a sense of sublime translucence, and soft shading., shiny floor, colorful light, futuristic setting, a mellow boy, a cute-type boy, but his eyes are not smiling.
MeiMei
ミ
A medium shot from a front-facing camera angle shows a young man sitting across a wooden izakaya table, leaning in toward the viewer. He has brown hair with long bangs that completely cover his eyes (mekakure) and short hair at the back; he wears a loose, oversized black hoodie and has a slightly chubby build with underlying muscle. He is smiling warmly and looks intoxicated, reaching out one hand toward the viewer in a spoiled, affectionate gesture. The background is a blurred izakaya setting with traditional lanterns and drinks on the table. The image features a high-contrast anime style with bold halftone dots, graffiti marks, and punchy neon colors. Thick outlines and a chaotic pop-graphic composition evoke street art and digital noise aesthetics, creating an energetic and vibrant atmosphere.
ミルノ
お前も食べる？
睡眠不足
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yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
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❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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