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AI art "Test V4" featuring #Tsubaki.3
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Test V4

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
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Brandon Cox

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A ruffle-trimmed, open-sided high-cut bodysuit with a narrow fitted front panel, combined with a continuous off-shoulder sheer overlay whose long sleeves are joined by an underbust connecting band, plus slim thigh straps with openwork floral connectors. 【Character Design】 There is only one female character in the image, explicitly defined as an adult, utilizing mature adult anime proportions; facial features are soft but not infantilized, and body proportions are close to the reference image without exaggerated physique. The hair is primarily silver-white to light lavender-grey purple, voluminous, and extends below the waist and hips. Behind the ears, it is gathered into two ultra-long curled bundles, forming a low twin-tail silhouette; each side is decorated with a large black bow-shaped hair tie. The long hair flows downward along both sides of the body, with the ends forming broad arcs, S-shapes, and curling contours. There is a natural parting and a few stray hairs on top of the head. The forehead features thick, rounded-edged parted bangs with narrow gaps between them; side-locks cling to the cheeks and curve inward near the lower cheeks. The hair is rendered using large silver-white highlights, light grey-purple shadows, and a few fine strands, avoiding a realistic photo-style of dense individual hairs. The main hair color remains silver-white grey-purple. Small colored highlights are reserved only on both sides of the chest: one ice-blue thin strand on the left side of the image and one pale pink thin strand on the right side of the image, both with gently curling ends. Do not dye all the ends in a blue-pink gradient. A slender butterfly-wing hair ornament is worn on the upper right side: the upper wing is translucent ice-blue, and the lower small wing is pale purple-pink, with fine line textures and soft glowing edges, pinned into the hair with a thin silver stem. Below it is another small silver hollow heart-shaped hair clip; the two ornaments are independent. The large black bows behind the ears have thick, full wings made of opaque black satin. Between the side-locks and the black bows, a set of small white feather ornaments spreads outward on each side, composed of overlapping short feather segments. The eyes have pink-purple to rose-red irises with small white light dots and fine floral-patterned highlights; deep grey-brown upper eyeliner, slightly long eyelashes at the outer corners, and a slight pink tint on the lower eyelids. The eyelids are slightly lowered, with the gaze directed at the viewer. There is a soft pink blush on the cheeks and sides of the bridge of the nose, with fine short line strokes preserved within the blush. Small areas of light highlights are on the bridge and tip of the nose. The mouth is a very small closed smile, with the lip line slightly forming a "w" shape; the expression is gentle and slightly playful, without an open mouth or protruding tongue. The skin is a soft, light warm pink tone, with volume expressed through smooth gradients, soft bright areas, and shadows with pale rose and grey-purple tints. Do not add sweat drops, oily reflections, or realistic pores. White layered wing-shaped decorations are visible on both sides of the lower back: a more obvious section extends toward the edge on the left side, while the right side is mostly covered by long hair and the arm. The feathers are clearly layered with hidden roots, and they do not expand into giant wings covering the entire background. 【Clothing Design: Connection relationships must be prioritized】 This is a white and black two-tone outfit with a special combination of components; it is not a standard full-waist bodysuit, nor is it a bodysuit with completely independent sleeves. The overall structure consists of: A white ruffle-trimmed large side-cutout bodysuit front panel; A black underbust connecting band; Two translucent long sleeves continuously connected to this band; A white ruffled neck ornament and fine silver chain accessories; Slim leg bands with round-petaled openwork floral buckles. 1. White Main Body The white main body has a high-cut, large side-open mini-bodysuit appearance. A continuous vertical waist-cinching front panel is retained; the white fabric does not fully wrap around the sides of the waist. The upper part consists of two white cup-shaped pieces with three-dimensional curves and slight ruching, with a visual effect of pearl white, soft-glow thin satin. The pieces are opaque and provide full coverage, with soft grey-purple shadows, pale pink reflections, and a few tension wrinkles; do not use latex-style hard mirror highlights. The edges of the cup-shaped pieces have narrow wavy piping and small 3D ruffles. The ruffles on both sides of the center chest form an inward-tapering petal-like, nearly slender heart-shaped silhouette, leaving only a narrow laced window in the middle. White thin straps crisscross within the window, tied into a small white bow at the bottom, with two thin straps naturally hanging down. Do not change this into a pasted heart decoration or enlarge the center opening. The white front panel extends continuously downward from under the chest, narrowing at the waist and tapering into a narrower V-shape at the bottom. The front panel has a few thin, restrained vertical seams and dart-like lines, with small 3D ruffle folds arranged along the sides. The white front panel remains continuous; the volume of the abdomen is presented through subtle light and shadow, body-hugging fold lines, and soft fabric textures. Do not add abdominal cutouts, navel jewelry, or a transparent plastic feel. The sides of the white front panel are large, actually open side-waist areas where the natural side-waist and hip contours are visible. There is no skin-colored mesh, no transparent white gauze inserts, and no complete white side panels. Maintain the side-open area of the original image; do not shrink it into a few ordinary small cutouts. Only the dark grey-black V-shaped edges and fabric folds visible in the original image are retained around the bottom edge of the white front panel, which is obstructed by the foreground sleeves, forearms, and hands. Do not expand this part into a black short skirt, puffy skirt, or additional hem. 2. Underbust Connected Black Sheer Long Sleeve Overlay The black part is a set of low-positioned off-shoulder connected sleeves. The sleeve heads on both sides are continuously connected to the black underbust connecting band, forming a single visible structure rather than completely separate independent sleeves. The shoulders and upper arm sections remain open. Each sheer sleeve begins near the mid-upper arm, with the sleeve head featuring loose, undulating black ruffles. The black sheer connecting band passes along the lower edge of the white cup-shaped pieces: on the left side of the image, it is closer to horizontal, and toward the right side, it naturally slants downward following the pieces and pose, connecting to the other sleeve head. The black sheer band and the sleeve heads maintain visual continuity without any completely separated gaps. At the front edge of the black connecting band on the left side of the image, two small black bows are fixed vertically. Each bow spreads horizontally; the knot is deeper and more opaque than the surrounding sheer fabric, made of black satin ribbon. The two small bows are located under the chest, not at the waist, and are not merged into one giant bow. The two long sleeves are made of smoke-black fine-weave translucent sheer fabric; the sleeves are loose, creating large arched folds where the arms bend. The skin tone and volume of the arms are visible under a single layer of gauze, while overlapping layers are significantly darker, with clear and thin edge lines. Do not draw them as coarse fishnets, latex, leather, or tight gloves. The sleeves extend to the wrists, where they are gathered and cinched, and then flare out beyond the cinch line to form large wavy, petal-like ruffle cuffs. The sheer fabric of the cuffs curves and overlaps, being locally translucent; the palms and fingers remain bare, with no gloves. 3. Neck and Chain Accessories A white close-fitting ruffled neck ring is worn around the neck, having a certain height with fine wavy and lace-like contours on the upper and lower edges, and a small light-colored bow in the center. The center of the neck ornament is adorned with short strings of tiny blue, pale purple, and light pink diamond- or teardrop-shaped pendants. A silver hollow heart-shaped ornament is retained near the center. There are a few fine silver long-link chains between the side of the neck and the upper chest; the lines are slender, with no new thick shoulder straps, thick leather straps, or giant gemstones. Only the front-visible path of the chains is presented; do not invent cross-straps or fixing mechanisms on the back. 4. Leg Bands Narrow black slim leg bands are retained on the upper thighs on both sides; the bands form a slanted arc following the volume of the legs, not thick horizontal leather belts. On the front of the slim bands are small round-petaled hollow ornaments, resembling a four-petaled flower or a four-leaf clover silhouette; the flower-shaped ornaments are enclosed by a thin dark border and retain a hollow feel. The thin bands connect to the ornaments; they are not patterns printed on the skin. The leg bands and floral ornaments are partially obstructed by the sheer sleeve cuffs. Maintain this obstruction relationship, but do not add a sewn connection between the sleeve cuffs and leg bands. Do not add wide leather leg bands, large metal square buckles, rivets, multi-layer criss-cross bindings, or stocking structures not proven by the reference image. 【Pose and Composition】 Generate a 2:3
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A ruffle-trimmed, open-sided high-cut bodysuit with a narrow fitted front panel, combined with a continuous off-shoulder sheer overlay whose long sleeves are joined by an underbust connecting band, plus slim thigh straps with openwork floral connectors. 【角色设定】 画面中只有一位明确设定为成年人的女性角色，采用成熟的成年动漫人物比例，五官柔和但不幼化，身体比例与参考图接近，不额外夸张体型。 头发主体为银白至浅薰衣草灰紫色，发量丰富，长度延伸至腰臀以下。耳后两侧收束为超长双束卷发，形成低双马尾式轮廓；两侧各有黑色大蝴蝶结式发束固定装饰。长发沿身体两边向下流动，发梢形成宽大的弧形、S形与回卷轮廓。 头顶有自然分缝与少量翘起的发丝。额前是较厚、边缘圆润的分束刘海，刘海之间有细窄缝隙；两侧鬓发贴近脸颊，在下颊附近向内弯曲。头发使用大片银白高光、浅灰紫阴影与少量细发丝结合的画法，不画成写实照片式的密集单根头发。 主体发色保持银白灰紫。仅在胸前两侧保留细小彩色挑染：画面左侧一束冰蓝色细发束，画面右侧一束淡粉色细发束，两束发梢均轻轻回卷。不要把全部发尾都染成蓝粉渐变。 画面右上方佩戴一枚纤长蝶翼形发饰，上侧翼片为半透明冰蓝，下侧小翼片为淡紫粉，翼片带细线状纹理和柔亮边缘，通过细银色夹杆别入头发。其下另有一枚小型银色空心爱心发夹，两枚发饰彼此独立。 耳后两侧的黑色大蝴蝶结具有厚实饱满的结翼，材质偏不透明黑缎。在鬓发与黑色发结之间，各露出一组向外展开的小型白羽翼饰，由层层重叠的短羽片构成。 眼睛为粉紫至玫红色虹膜，带白色小光点与细碎花点状高光；深灰棕色上眼线，眼尾睫毛略长，下眼睑有轻微粉色。眼睑略低，视线看向观者。 面颊与鼻梁两侧带柔和粉红晕，红晕中保留细短线条笔触。鼻梁与鼻尖有小面积浅色高光。嘴部是很小的闭口微笑，嘴线略呈轻微的w形，表情温柔、略带俏皮，不张大嘴，不伸舌。 皮肤为柔和的浅暖粉肤色，以平滑渐变表现体积，亮部柔和，阴影带淡玫瑰色和灰紫色。不要添加汗珠、油亮反光或写实毛孔。 腰后两侧可见白色层叠羽翼形装饰：画面左侧向边缘伸出较明显的一段，画面右侧更多被长发和手臂遮住。羽片清晰分层，根部隐藏，不扩大成覆盖整个背景的巨大翅膀。 【服装设定：必须优先保证连接关系】 这是一套具有特殊部件组合的白黑双色服装，不是普通完整包腰连体衣，也不是连体衣加完全独立的袖套。 整体由以下可见结构组成： 白色荷叶边大侧镂空连体装前片； 黑色胸下连接横带； 与该横带连续相接的两只半透明长袖； 白色褶边颈饰和细银链饰； 圆瓣镂空花扣细腿环。 一、白色主体 白色主体为高开衩、侧面大幅开放的迷你连体装外观。正面保留连续的纵向收腰前片，白色面料不完整包住两侧腰身。 上部是两个具有立体弧面和轻微抽褶的白色杯形衣片，材质呈珍珠白、柔光薄缎的视觉效果。衣片保持不透明和完整覆盖，表面有柔和灰紫阴影、淡粉反光和少量受力褶皱，不使用乳胶式硬镜面高光。 杯形衣片边缘有细窄波浪滚边与立体小荷叶边。胸前中央的两侧褶边形成向内收拢的花瓣状、近似细长心形的轮廓，中间仅留窄小系带窗口。白色细带在窗口内交叉穿接，下方扎成一个小白色蝴蝶结，两根细带自然向下垂落。不要把它改成贴上去的心形装饰，也不要扩大中央开口。 白色前片从胸下连续向下延伸，在腰部收窄，下端向较窄的V形轮廓收束。前片具有几条细而克制的纵向拼缝与省道式线条，两侧沿边排列小幅度立体荷叶褶。 白色前片保持连续，腹部的体积主要通过细微明暗、贴体折线和柔和织物表现呈现。不要增加腹部开洞、肚脐饰品或透明塑料感。 白色前片两侧是大面积实际开放的侧腰区域，能够看见自然的侧腰与髋侧轮廓。这里没有肉色网布，没有透明白纱填片，也没有完整白色侧片。保持原图的侧面开放面积，不将其缩成几个普通小镂空。 白色前片下端外围仅保留原图可见的深灰黑色V形边缘和布褶，下部与前景袖子、前臂及双手发生遮挡。不要把这一部分扩展成黑色短裙、蓬裙或额外裙摆。 二、胸下连通式黑纱长袖覆层 黑色部分是一组位置较低的露肩连袖覆层。两侧袖头与胸下黑色连接横带连续相接，形成同一套可见结构，不是完全分离的独立袖套。 肩头和上臂上段保持开放。每侧薄纱袖子从上臂中段附近开始，袖头带宽松起伏的黑色荷叶边。 黑纱连接横带沿白色杯形衣片的下缘经过：画面左侧较接近横向，向画面右侧随着衣片和姿态自然倾斜下行，连接到另一侧袖头。黑纱横带与袖头之间保持视觉连续，不留出完全分离的空隙。 黑色连接带前缘、画面左侧位置，固定两个上下排列的小型黑色蝴蝶结。每个结横向展开，结体比周围薄纱更深、更不透明，材质偏黑色缎带。两个小结位于胸下，不位于腰部，也不合并成一个巨大领结。 两只长袖为烟黑色细织纹半透明薄纱，袖筒宽松，手臂弯曲处产生较大弧形折褶。单层纱下能看到手臂的肤色与体积，多层叠压处明显加深，边缘线清楚而轻薄。不要画成粗渔网、乳胶、皮革或紧身手套。 袖子延伸至手腕，在手腕附近抽褶收束，收束线之外继续外翻，形成大幅度波浪状、花瓣状荷叶袖口。袖口薄纱弯曲、重叠，局部透光，手掌与手指保持裸露，没有手套。 三、颈饰与链饰 颈部佩戴白色贴颈褶边颈环，具有一定高度，上下边缘有细碎波浪和蕾丝式轮廓，中央带浅色小结。 颈饰中央点缀短串细小的蓝、淡紫、浅粉色菱形或水滴形坠饰。中央附近保留一枚银色空心爱心形饰件。颈侧到上胸之间有少量细银色长节链条，线条纤细，不新增粗肩带、粗皮带或巨型宝石。 只呈现正面可见的链饰走向，不凭空展示背后的交叉带或固定机构。 四、腿环 两侧大腿上方保留窄黑色细腿带，带线沿腿部体积形成倾斜弧线，不画成粗厚的水平皮带。 细腿带前侧连接小型圆瓣花形空心饰件，近似四瓣花或四叶草轮廓；花形饰件以细深色边框围合，内部保留镂空感。细带与饰件相接，不是印在皮肤上的花纹。 腿带和花形饰件局部受到黑纱袖口遮挡。保持这种遮挡关系，但不要因此把袖口与腿环新增缝合连接。 不添加宽皮革腿环、金属大方扣、铆钉、多层交叉绑腿或未经参考图证实的吊袜结构。 【姿态与构图】 生成一张2:3竖幅人物插画，采用近距离、正面略带侧偏的构图，画面具有轻微斜向动势。不要使用鱼眼、极端广角、极端俯拍或极端仰拍。 人物坐在窗边，座面隐藏在身体后方或画外，不添加抢眼的椅背。上身轻微前倾，并有自然的小幅侧转。肩线不水平：画面左肩较高、较靠近镜头，画面右肩较低。头部轻微偏斜，面部转向观者，眼神与镜头接触。 双臂从身体两侧向身前下方汇合，前臂自然交叠，双手在画面下部中央靠拢。一只手自然位于另一只手或手腕前方，前方手背朝向观者，手指放松向下延伸。没有握持道具，没有抓住或提拉衣服。 构图包含完整头部、上身、腰部和大腿上段，膝盖与鞋子不入镜。双手接近画面下边缘，少量指尖可以被画框自然裁切，但手部解剖和遮挡关系必须正确。 人物占据画面主要面积。头顶和头饰保留少量安全边距，脸位于画面上方约四分之一至三分之一高度附近，躯干位于中央，双腕位于下部中央。 整体不是完全对称立绘。利用倾斜肩线、自然交叠的前臂、衣袖折线和后方窗框形成有节奏的斜向构图。保持面部为首要视觉焦点，其次是服装结构，再次是双手与配饰。 角色轮廓、手部和衣服前景边缘清晰；背景适度柔化，但保留可辨认的建筑和窗框结构。 【环境与空间】 场景位于高层建筑的玻璃窗内侧或贴近玻璃幕墙的位置，窗外是夜晚的密集都市高楼。 画面左侧有一根较粗的深灰金属窗框，斜向贯穿画面边缘，内侧带浅灰反光和少量紫色霓虹映光。画面右侧也有较窄的深色竖向窗框。 人物身后、画面中下部有一条斜向经过的深色金属横框，从画面左侧较高处延伸至右侧较低处。横框必须位于人物后方，被人物、头发和服装正确遮挡，不能穿过身体。 窗外高楼由大量矩形窗格、成排灯带和几何建筑面组成。建筑主体为深灰紫、冷灰和暗蓝紫色。部分窗格发出白色、淡粉紫色光，明暗交错形成城市节奏。 画面右上方有一组较明亮的青蓝色横向霓虹灯条，形成局部冷色亮点。画面左上方有被画框裁切的粉紫与青蓝色霓虹招牌，仅显示部分大写字母，下方有小号手写体装饰文字。右上背景可保留一条窄小竖向霓虹字牌，文字不必成为视觉焦点。 玻璃上带轻微霓虹反射、少量柔化圆形光斑，以及稀疏的灰白、粉紫色小光屑。不要把这些光屑夸张成暴雪、密集亮片或星空。 背景并非完全虚化的色块。保持楼体轮廓、灯带方向和窗格排列可辨认，但对比度与边缘清晰度低于角色。 不加入直播间、麦克风、电脑桌、电竞椅或额外人物。 【画风与渲染】 高完成度日系二次元商业插画，采用干净细致的线稿、明确的色块结构和柔和渐变结合的上色方式。不是写实照片，不是3D塑料渲染，也不是服装技术线稿。 线条根据材质变化：头发与浅色织物使用偏灰紫的细线，皮肤轮廓使用柔和暖灰或浅棕线，深色织物外轮廓适当加深。避免所有边缘都使用同样粗重的纯黑描边。 头发以大束体积、明确转折和宽幅高光为主，辅以少量细发丝。白羽以清楚的羽片叠压和冷灰紫阴影表现。皮肤使用平滑、柔和的体积渐变，保留适量二次元简化，不添加写实毛孔或油亮感。 主光为来自前上方、略偏画面左侧的大面积柔和浅白光，使脸部、肩部与浅色服装保持清楚。夜景霓虹作为辅助环境色，不把人物完全染成蓝色或紫色。 暗部带灰紫和柔粉色环境反射；轮廓局部接受淡青蓝或淡粉紫映光。头发顶部、浅色织物边缘和羽片边缘可以出现柔亮的浅白轮廓光，但不过曝、不吞掉线条。 整体配色以银白、灰紫、烟黑与柔粉肤色为主。高饱和青蓝和粉紫集中在背景霓虹、眼睛和少量角色点缀，不做全画面高饱和染色。 严格区分材质： 白色主体是柔光薄缎或弹性缎面外观，具有宽而柔和的高光； 黑色薄纱具有细织纹、单层透光和多层叠压加深； 黑色蝴蝶结较厚、较不透明，缎带折面清楚； 白色荷叶边依靠折叠形成起伏，而不是到处布满花纹； 金属发夹与细链具有小面积清晰反光； 半透明蝶翼饰具有冷色边缘与细线纹理； 皮肤保持柔和的漫反射与少量自然亮部。 特效保持克制：局部霓虹柔光、少量玻璃反射、稀疏微光颗粒、背景轻微颗粒质感。不要添加大面积漫画网点、强色散、镜头污渍、大量星芒或遮住人物的浓雾。
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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