📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

Alsace, Azur Lane

#Azur Lane#Alsace
More to See

Comments

character: alsace_(azur_lane), copyright: azur_lane mature female, curvy, adult woman, <Fafi_手>, limeyourmommystylesoftanimerendering2026, Alsace(Azur Lane) steam coming off the body, sweaty, matte skin Her hair is neatly combed without a single strand out of place, swept back along her cheeks and gathered into a low, full round bun at the back of her head. A few loose strands of hair that weren't tied up fall naturally by her ears and the nape of her neck, trembling slightly with her breath. A warm wooden hairpin is slanted through the bun, steadily freezing that sense of dignity and composure belonging to old times. She is wearing a well-tailored plain knit cardigan, with a soft cotton inner layer layered at the neckline, and the front of the garment is lightly pinned with a small pearl brooch. On her lower body is an ankle-length skirt with excellent drape. extremely large breasts, breasts larger than head front view scene is in a garden full of flowers
Show Parameters
Original Prompt
Alsace(Azur Lane) 体から湯気が出ている、汗だく、光沢のない肌 她的头发被妥帖地梳理得一丝不乱,顺着脸颊向后拢起,在脑后挽成一个低垂而饱满的圆髻。几缕未及绾起的碎发自然地垂落在耳际与后颈,随着她的呼吸微微轻颤。一枚温润的木簪斜斜地横穿过发髻,将那份属于旧时光的端庄与从容稳稳地定格。 她身上穿着一件剪裁得体的素色针织开衫,领口处叠搭着柔软的棉质内搭,衣襟处用一枚小巧的珍珠胸针轻轻别住。下身是一条垂坠感极好的及踝长裙 胸部極之大 胸部比頭部大 正面 場景在充滿花的花園裏
Mode
pro
Style
Modern Glam Anime
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit,bad hands, error, missing fingers,Extra fingers,six fingers
Style: Modern Glam Anime
Prompt Helper

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬