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ultra photorealistic food photography, massive mountain of stir-fried bean sprouts, crispy fresh bean sprouts, thinly sliced pork belly, garlic chives, savory soy sauce glaze, black pepper seasoning, steaming hot food, enormous portion, rustic Japanese ceramic plate, traditional Japanese Chinese restaurant, warm ambient lighting, extreme food detail, delicious glossy texture, cinematic food photography, shallow depth of field, low angle close-up, 50mm lens, professional restaurant photography, 8K resolution, appetizing composition, large black ceramic plate, bean sprouts piled high, translucent white stems, yellow bean parts, stir-fried in a wok, charred pork belly slices, green garlic chives, soy sauce, garlic, black pepper, sesame oil, glossy surface, charred spots, rising steam, bean sprouts main ingredient, 80% of dish, overflowing plate, Fuji mountain-like presentation, Chinese restaurant interior, wooden table, white rice bowl, miso soup in background, dynamic composition
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Original Prompt
画像生成プロンプト 山のように豪快に盛り付けられた、熱々の「豚肉入りもやし炒め」を描いた、食欲をそそる超高画質のリアルな料理写真。 料理の描写： 大きな黒い陶器の皿に、炒めたもやしが山のように高く積み上げられている。 もやしは太くみずみずしく、白く半透明な茎と黄色い豆の部分が美しく見える。 強火の中華鍋で一気に炒めたような、シャキシャキした食感が伝わる仕上がり。 もやしの間には、香ばしく焼き色のついた薄切りの豚バラ肉と、鮮やかな緑色のニラが混ざっている。 醤油、ニンニク、黒胡椒、ごま油で味付けされ、表面には食欲をそそる艶がある。 ところどころに香ばしい焦げ目が付き、炒めたての湯気が勢いよく立ち上っている。 盛り付け： * もやしが主役で、全体の約80%を占める * 皿から溢れそうなほどの超大盛り * 富士山のように高く積み上げた立体的な盛り付け * 豚肉とニラは適度に混ざっている * 余計な飾り付けはせず、豪快な町中華の料理らしさを重視 * 油っぽすぎず、シャキッとした新鮮な質感 背景・構図： 昔ながらの日本の町中華の店内。 木製のテーブルの中央に、山盛りのもやし炒めが置かれている。 背景には白いご飯の茶碗と味噌汁がぼんやりと見える。 低いカメラアングルから撮影し、もやしの山の高さと圧倒的なボリュームを強調する。 料理に鮮明なピントを合わせ、背景は柔らかくぼかす。 暖かな店内照明が料理を照らし、立ち上る湯気や油の艶を美しく表現。 画風・品質： Ultra photorealistic food photography, massive mountain of stir-fried bean sprouts, crispy fresh bean sprouts, thinly sliced pork belly, garlic chives, savory soy sauce glaze, black pepper seasoning, steaming hot food, enormous portion, rustic Japanese ceramic plate, traditional Japanese Chinese restaurant, warm ambient lighting, extreme food detail, delicious glossy texture, cinematic food photography, shallow depth of field, low angle close-up, 50mm lens, professional restaurant photography, 8K resolution, appetizing composition. ネガティブプロンプト： Anime, illustration, cartoon, CGI, plastic-looking food, raw bean sprouts, excessive oil, burnt vegetables, soggy texture, small portions, excessive meat, noodles, ramen, pasta, unnatural colors, floating ingredients, messy background, text, watermark, logo, blurry food, low resolution. 最も重視するポイント： 「こんなに食べられるの！？」と思うほどの、圧倒的なもやしの山盛り感。 シャキシャキした食感、香ばしい豚肉、立ち上る湯気まで伝わる、思わず箸を伸ばしたくなる一皿に仕上げる。
Quality Tag
masterpiece, best quality, ﹝Prompts﹞
Size
1024 x 772
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
6
Negative
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked

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Anything V5/Ink - AI Model cover image

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Anything V5/Ink
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A low-angle, close-up shot of a massive, mountain-like pile of stir-fried bean sprouts served on a large black ceramic plate, centered on a rustic wooden table. The bean sprouts are thick, translucent white, and crisp, mixed with thinly sliced, browned pork belly and vibrant green garlic chives. The dish is glistening with a savory soy sauce and sesame oil glaze, with visible black pepper and aromatic steam billowing intensely from the hot food. In the softly blurred background, a bowl of white rice and a bowl of miso soup are partially visible, evoking the atmosphere of a traditional Japanese neighborhood Chinese restaurant. The scene is illuminated by warm ambient lighting that emphasizes the glossy textures and the towering volume of the food. The image has a shallow depth of field, creating a cinematic, ultra-photorealistic food photography style with extreme detail on the textures of the vegetables and meat.
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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