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AI artwork featuring #A Certain Magical Index, #A Certain Scientific Railgun and #Kantai Collection
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A Certain Magical Index, A Certain Scientific Railgun

#A Certain Magical Index#A Certain Scientific Railgun#Kantai Collection
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character: shokuhou_misaki, last_order_(toaru_majutsu_no_index) 3koma, comic, multiple panels, black-and-white manga page, screentone, 2girls, vore, swallowing, whole-body vore, size difference, tall female with very long wavy hair and star-shaped pupils, white elbow gloves, skirt, thighhighs, small girl with short hair, ahoge, hair bow, dress, pantyhose, jacket, sitting on shoulders, walking, cheerfulness, tossing girl into air, mouth open extremely wide, looking up, landing inside mouth, swallowing, x-ray view, visible through belly, bulging stomach, sunlit park, trees, path, comedy, exaggerated expression Panel 1 — a wide establishing panel, eye-level. A sunlit park path runs across the panel, trees with spotted screentone foliage, dappled light falling in irregular bright patches on the path — the shadows sit under the trees while the open path burns white, sunlight filtering through leaves as the only light source. A tall young woman with very long wavy hair (light-toned in grayscale), star-shaped pupils and a cheerful closed-eye grin walks along the path mid-stride, one arm swinging, gloved hand raised in a little wave; she wears elbow gloves, a skirt and thighhighs, her long hair trailing behind her in the walking motion. Sitting cross-legged on her shoulders, gripping the top of her head for balance, is a much smaller girl with short hair, an ahoge, a hair bow, a dress, pantyhose and a jacket, mouth open in an excited shout, one arm pointing forward as if choosing the route. Panel 2 — the turn. Vertical composition, low angle from beside the woman: the small girl has been tossed straight up, roughly three meters above, drawn small with distance at the top of the panel, limbs flailing comically, motion lines and a few speed lines around her spin; the woman stands below, head thrown fully back, looking straight upward, her mouth open impossibly wide — an exaggerated comic maw filling the lower half of the panel, tongue flattened out, eyes turned up, stars still visible in the pupils, her gloved hands still raised in the follow-through of the throw. Her long hair swings backward with the snap of the toss. Panel 3 — the punchline, eye-level front view. The woman stands on the path with a satisfied smile, cheeks giving one last gulp, gloved hand patted flat against her now-round, taut belly; a comedic cutaway/x-ray window over her stomach shows the small girl curled up whole inside — ahoge, hair bow, dress and all — blinking in the dark with a small wavy distress scribble above her head. The woman's expression is smug and delighted, one eyebrow raised. No hue words anywhere: all tone is value and screentone — white gloves, midtone foliage, spotting blacks in the trees, halftone belly shading. Mood: absurd, sunny slapstick.
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Original Prompt
Sunlight, a park. A 3-panel comic. Misaki Shokuhou walks cheerfully through the park, with Last Order sitting on her shoulders. Misaki Shokuhou tosses Last Order three meters into the air and opens her mouth incredibly wide, looking upward. Last Order lands perfectly inside Misaki Shokuhou’s mouth, and Misaki swallows her. (Vore) Last Order is now inside Misaki Shokuhou’s stomach.
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: shokuhou_misaki, last_order_(toaru_majutsu_no_index) 3koma, comic, multiple panels, black-and-white manga page, screentone, 2girls, vore, swallowing, whole-body vore, size difference, tall female with very long wavy hair and star-shaped pupils, white elbow gloves, skirt, thighhighs, small girl with short hair, ahoge, hair bow, dress, pantyhose, jacket, sitting on shoulders, walking, cheerfulness, tossing girl into air, mouth open extremely wide, looking up, landing inside mouth, swallowing, x-ray view, visible through belly, bulging stomach, sunlit park, trees, path, comedy, exaggerated expression Panel 1 — a wide establishing panel, eye-level. A sunlit park path runs across the panel, trees with spotted screentone foliage, dappled light falling in irregular bright patches on the path — the shadows sit under the trees while the open path burns white, sunlight filtering through leaves as the only light source. A tall young woman with very long wavy hair (light-toned in grayscale), star-shaped pupils and a cheerful closed-eye grin walks along the path mid-stride, one arm swinging, gloved hand raised in a little wave; she wears elbow gloves, a skirt and thighhighs, her long hair trailing behind her in the walking motion. Sitting cross-legged on her shoulders, gripping the top of her head for balance, is a much smaller girl with short hair, an ahoge, a hair bow, a dress, pantyhose and a jacket, mouth open in an excited shout, one arm pointing forward as if choosing the route. Panel 2 — the turn. Vertical composition, low angle from beside the woman: the small girl has been tossed straight up, roughly three meters above, drawn small with distance at the top of the panel, limbs flailing comically, motion lines and a few speed lines around her spin; the woman stands below, head thrown fully back, looking straight upward, her mouth open impossibly wide — an exaggerated comic maw filling the lower half of the panel, tongue flattened out, eyes turned up, stars still visible in the pupils, her gloved hands still raised in the follow-through of the throw. Her long hair swings backward with the snap of the toss. Panel 3 — the punchline, eye-level front view. The woman stands on the path with a satisfied smile, cheeks giving one last gulp, gloved hand patted flat against her now-round, taut belly; a comedic cutaway/x-ray window over her stomach shows the small girl curled up whole inside — ahoge, hair bow, dress and all — blinking in the dark with a small wavy distress scribble above her head. The woman's expression is smug and delighted, one eyebrow raised. No hue words anywhere: all tone is value and screentone — white gloves, midtone foliage, spotting blacks in the trees, halftone belly shading. Mood: absurd, sunny slapstick.
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