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夕暮れの誓い・ウエディングドレス

ピンク色の髪と瞳が印象的な彼女の、純白のウエディングドレス姿に心を奪われました。夕暮れの街並みを背景に、隣で微笑む彼との幸せな空気感がとても素敵ですよね。二人の門出を祝福したい気持ちでいっぱいです!素敵だと思ったら、いいねとフォローで応援よろしくお願いします。感想もぜひコメントで聞かせてくださいね。

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high-quality anime illustration, modern anime art style, highly detailed rendering, expressive facial rendering, detailed eyes rendering, professional illustration, visually appealing composition, polished finish, ultra-detailed, masterpiece quality, boy, girl, Draw one vertical 3:4 wedding poster-style illustration like a scene from a movie. [Use of reference images] Aohitsugi Samatoku Image 1 is used as reference for the two people, a man and a woman. Match the hair color, hairstyle, facial features, skin tone, eye impression, and build to image 1, so it is clear they are the same two people. Image 2 is used as reference for the pose, the positional relationship of the two people, the wedding outfits, the cityscape, the evening color tone, and the poster-like screen composition. Do not use the hair color or facial features of the man and woman in image 2. Do not replace the people in image 1 with the people in image 2; draw the two people from image 1 in the scene from image 2. [The woman's appearance] An adult woman, the same as in image 1. Pale pink long hair, pink eyes, white skin. The bangs flow softly along the eyes, and the long hair keeps a fluffy wave and curl. Give the hair volume as in image 1, with the pink hair visible under the bride's veil. Do not make it brown or blonde hair. Her features are gentle and lovely, with a bright and natural smile. The small earrings and necklace she wears in image 1 may be kept in a form that suits the wedding dress. [The man's appearance] An adult man, the same as in image 1. Silvery-white hair with dimensional, tousled strands, keeping the bangs falling over the forehead and eyes. Reddish eyes, white skin, clean-cut features. Slim and tall, with a calm, mature air. Do not make him black-haired or brown-haired. Do not draw the cigarette or smoke from image 1. Make the man's face and hair features recognizable. [Outfits] The woman wears a luxurious white wedding dress referencing image 2. The bodice has elegant lace and frills, and from the waist down, a large skirt layered in multiple tiers. She wears a long, sheer veil, and the veil and the dress's long train are blown by the wind, fluttering greatly toward the left of the frame. The skirt fabric is soft and light, with fine folds and a translucent quality rendered. White-based, with very faint ivory and light gray shading. The woman holds a bouquet centered on pink and red flowers in front of her waist. The bouquet is arranged with large lily-like flowers and leaves, without hiding her face or the shape of the dress. The man wears a well-tailored black formal suit referencing image 2. Black jacket and slacks, white shirt, black tie. Shoes are also black leather shoes. Keep the sharp, composed impression of the man from image 1, without adding too many decorations. Both may wear black sunglasses like in image 2. However, keep the hairstyle and facial features visible, and do not hide the entire face with the sunglasses. [Poses and placement] Draw the figures full-body. The woman is on the left of the frame, the man on the right. The man stands as if walking slightly ahead, his body facing the right side of the frame. His posture is a natural standing pose with a straight back, his face facing the direction of travel, to the right. His expression is cool and composed. The woman nestles just behind and to the left of the man. Her face and upper body are turned slightly toward the viewer, smiling brightly at the camera. The woman's hair, veil, and the dress's long train catch a strong wind and flow greatly toward the left side of the frame. Their hands are naturally joined behind the waist or between their bodies. Do not interlace the fingers too much; draw the hands so their shape is recognizable. The woman holds the bouquet in her other hand. Keep the arm positions clear so the man's and woman's arms and hands do not blend together. The hem of the woman's dress spreads from the lower left of the frame toward the lower center, without completely covering the man's legs or the car. Show both the man's and woman's feet, in a composition where the shoes are not cut off by the frame. [Background and camera] A street in a Japanese downtown or shopping district at dusk. In the background of the frame are low-rise buildings, storefronts, windows, signs, power lines, and road markings. The buildings look warm in the orange and salmon-pink sunset light. Use a bit of teal in the windows and signs to create contrast with the warm colors. Place a small red car in the background on the right side of the frame. The car is less prominent than the people, placed behind them. Add orange sunset reflections and road lines on the street. If passersby are drawn, make them small and blended into the background. The camera is at eye level close to the height of the street. Place the figures large in the center of the frame, leaving space at the top for the cityscape and at the bottom for the dress hem and poster text. Give the cityscape a sense of depth receding into the distance. Render background details, but do not obstruct the figures' faces or outlines. [Color, art style, and poster expression] An anime-style illustration with warm sunset colors as the main theme, like image 2. Centered on orange, terracotta, salmon pink, and reddish brown, with teal used as an accent color in windows and signs. Line art is fine and neat; buildings and power lines are drawn in fine detail. Give the fabric of the outfits soft shading, and finish the cityscape slightly like a retro poster. At the bottom of the frame, overlay a large white serif "LOVE" while keeping the figures and dress readable. Do not place the text over the figures' faces. If text generation breaks down, do not draw meaningless characters; leave only blank space for text at the bottom. [Priority] 1. Maintain the two people's hair color, hairstyle, and facial features from image 1. 2. Place the woman on the left and the man on the right, with the wedding pose and full-body composition from image 2. 3. Reproduce the dusk cityscape, the red car, the veil and dress flowing in the wind, and the poster-like color palette. anime illustration. great quality, best quality.
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boy, girl, high-quality anime illustration, modern anime art style, highly detailed rendering, expressive facial rendering, detailed eyes rendering, professional illustration, visually appealing composition, polished finish, ultra-detailed, masterpiece quality, 縦長3:4の、映画のワンシーンのようなウェディングポスター風イラストを1枚描く。 【参照画像の使い分け】 碧棺左馬刻 画像1は男女2人の人物参照。髪色、髪型、顔立ち、肌の色、目の印象、体格を画像1に合わせ、同じ2人だと分かるようにする。 画像2はポーズ、人物の位置関係、ウェディング衣装、街並み、夕方の色調、ポスターらしい画面構成の参照として使う。 画像2の男女の髪色や顔立ちは使わない。画像1の人物を画像2の人物に置き換えず、画像1の2人が画像2の場面にいるように描く。 【女性の容姿】 画像1と同じ成人女性。淡いピンク色の長い髪、ピンク色の瞳、白い肌。前髪は目元に沿って柔らかく流し、長い髪はふんわりしたウェーブとカールを保つ。画像1のように髪にボリュームを持たせ、ピンク色の髪が花嫁のベールの下から見えるようにする。茶髪や金髪にしない。顔立ちは優しく可憐で、笑顔は明るく自然。 画像1で身につけているような小ぶりのイヤリングやネックレスは、ウェディングドレスに合う形で残してよい。 【男性の容姿】 画像1と同じ成人男性。銀白色の髪、立体感のある無造作な毛束、額や目元にかかる前髪を維持する。赤みのある瞳、白い肌、すっきりした顔立ち。細身で背が高く、落ち着いた大人の雰囲気。黒髪や茶髪にしない。 画像1にあるタバコや煙は描かない。男性の顔と髪の特徴が分かるようにする。 【衣装】 女性は画像2を参考にした、豪華な白いウェディングドレス。胸元は上品なレースやフリル、ウエストから下は何層にも重なる大きなスカート。薄く透ける長いベールをつけ、ベールとドレスの長いトレーンが風に吹かれて画面左へ大きくなびく。スカートの布は柔らかく軽やかで、細かな折り目と透け感を描く。白を基調に、ごく淡いアイボリーや薄いグレーの陰影をつける。 女性はピンクや赤系の花を中心にしたブーケを腰の前で持つ。花束は百合のような大きめの花と葉でまとめ、顔やドレスの形を隠さない。 男性は画像2を参考にした、仕立てのよい黒いフォーマルスーツ。黒いジャケットとスラックス、白いシャツ、黒いネクタイ。靴も黒い革靴。画像1の男性らしいシャープで落ち着いた印象を保ち、装飾を増やしすぎない。 2人とも画像2のような黒いサングラスを着用してよい。ただし、髪型と顔立ちが分かる形にし、サングラスで顔全体を隠さない。 【ポーズと人物配置】 人物は全身が見えるように描く。女性は画面左、男性は画面右。男性が少し前を歩くように立ち、体は画面右方向を向く。男性の姿勢は背筋を伸ばした自然な立ち姿で、顔は進行方向の右を向く。表情はクールで落ち着いている。 女性は男性のすぐ左後ろに寄り添う。顔と上半身は画面を見る方向に少しひねり、こちらを向いて明るく笑う。女性の髪とベール、ドレスの長いトレーンが強い風を受け、画面左側へ大きく流れる。 2人の手は腰の後ろまたは体の間で自然につなぐ。指を絡めすぎず、手の形が分かるように描く。女性はブーケをもう一方の手で持つ。男女の腕や手が混ざらないよう、腕の位置を明確にする。 女性のドレスの裾は画面左下から中央下へ広がり、男性の脚や車を完全には覆わない。男性と女性の足元まで見せ、靴が画面から切れない構図にする。 【背景とカメラ】 夕暮れ時の日本の繁華街または商店街の道路。画面奥には低層の建物、店先、窓、看板、電線、道路標示が並ぶ。建物はオレンジやサーモンピンクの夕日を受けて暖かく見える。窓や看板には青緑色を少し使い、暖色との対比を作る。 画面右側の背景に赤い小型車を置く。車は人物より目立たせず、後方に配置する。道路上にはオレンジ色の夕日の反射や路面の線を入れる。通行人を描く場合は小さく、背景に溶け込ませる。 カメラは道路の高さに近い目線。人物を画面中央に大きく配置し、上部に街並み、下部にドレスの裾とポスター文字を入れる余白を作る。街並みは奥へ続く遠近感を出す。背景の細部は描くが、人物の顔や輪郭を邪魔しない。 【色・画風・ポスター表現】 画像2のような、暖かな夕焼け色を主役にしたアニメ風イラスト。オレンジ、テラコッタ、サーモンピンク、赤茶色を中心に、窓や看板には青緑色を差し色として使う。線画は細く整え、建物や電線は細密に描く。衣装の布には柔らかい陰影をつけ、街並みは少しレトロなポスターのように仕上げる。 画面下部には、人物やドレスを読みやすく残したうえで、大きな白いセリフ体の「LOVE」を重ねる。文字は人物の顔にかぶせない。文字生成が崩れる場合は、意味不明な文字を描かず、下部に文字用の余白だけを残す。 【優先順位】 1. 画像1の2人の髪色・髪型・顔立ちを維持する。 2. 女性を左、男性を右に置き、画像2のウェディングポーズと全身構図にする。 3. 夕暮れの街、赤い車、風になびくベールとドレス、ポスターらしい色調を再現する。
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lite
Size
768 x 1280

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