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サイド寄りツインテール × モードストリート
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- Original Prompt
- Masterpiece, ultra detailed, extremely detailed, 8k resolution, photorealistic. intricate textures, sharp focus, cinematic lighting, professional composition. highly detailed character design. intricate eyes, detailed iris,. 人体描写を正確に。手と指を正確に描く。衣装を丁寧に緻密に描く。主線を濃い色のインクのなめらかな線で細密描写。極端なデフォルメをしない。fine cloth texture, intricate embroidery, elaborate lace patterns, realistic fabric folds, detailed metallic buckles, subtle seam lines. intricate clothes.intricate accessory ,crisp clean lineart, sharp delicate linework, dramatic contrast,fantasy photography,ethereal expressive facial features. コントラストを強くする。 ダイナミックでドラマチックなポーズ。微笑。特徴的ハンドサイン。ダッチアングル。細身で小柄な少女。平たい胸。幼児体系。 鮮烈なビビットカラーのバックグラウンド、太いソリッドな垂直の線、水平の線。 キャラを白のソリッドな線で縁取る。 サイド寄りツインテール × モードストリート 前髪：薄めのうざバング 帽子：キャスケット 衣装：オーバーサイズジャケット、ショートパンツ、編み上げブーツ 小物：チェーンベルト、片耳イヤリング 配色：黒×チャコール×紫
- Mode
- flash
- Size
- 768 x 1280
Model & LoRA used
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あ
Girl, brownish silver hair, low twin tails with long side-locks, purple eyes, round and large eyes, black hat with a brim, hooded black jacket with tight sleeves and closed in the front, frilly horizontal striped mini skirt, baggy black loose socks reaching below the knees, mischievous expression, kawaii, Tsuyakage, glossy, delicate anime, clean thin lineart, soft cel shading, subtle gradient shading, vivid accents, strong contrast, delicate highlights, babyface, ultra moe style, glossy hair.
あましろ
ロングツインテール × ゴシック令嬢
花と羽と帽子
Kno
y
yayamei
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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