Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork
Generate New ArtworkGenerate for FreeGenerate for Free

夕暮

Avatar image of 夕暮

夕暮

More to See

Comments

Divinity & Scenery Prompt An enormous caterpillar deity that has been worshipped by humans since ancient times. A divine, lamia-like half-human, half-insect being, with the upper body of a human and the lower body of a gigantic caterpillar fused into one. His upper body resembles that of a slender, androgynous young man with pale skin, long muted gray-green hair, and sleepy yellow-green eyes. His expression is calm and serene, yet faintly languid, conveying the quiet composure of a being who has lived through eons of time far beyond human understanding. Two long, slender antennae extend from either side of his head, curving gently like trailing plant vines. Below the waist, he has no human legs. Instead, his body transitions seamlessly into the enormous, pale gray-green body of a giant caterpillar. The human and insect portions are completely fused into a single organism, with no seams, gaps, or cut surfaces. His gigantic caterpillar body is his true lower half, an extraordinarily long and massive form that crawls across the ground and extends deep into the forest. Numerous soft, overlapping body segments cover his immense body. His moist, pale green outer skin bears many circular eye-like markings, symbolizing the divine eyes through which he watches over all living things. Countless short, tiny legs are arranged in orderly rows along the underside of his body. Moss and small wildflowers grow where his enormous form meets the earth. His clothing consists of an old, hooded, gray-green robe that has endured countless ages. Although the fabric shows signs of wear, it is not merely a collection of rags. It is a sacred vestment passed down through ancient generations. The hems and sleeves are frayed in places, reflecting the passage of time and his coexistence with nature. Several golden chains, circular talismans, and antique metal ornaments hang in layers across his chest and waist, reminiscent of ancient ritual implements. Engraved upon them are ancient motifs symbolizing life, molting, rebirth, plants, the sun, and the eternal cycle of nature. The gold is subdued rather than ostentatious, dulled by age and marked with scratches and patches of green patina. The deity rests quietly within the grounds of an ancient shrine deep in the heart of the forest. Surrounded by enormous, centuries-old trees, the shrine has become one with the natural world. The grounds contain an old wooden sanctuary, moss-covered stone steps, weathered stone monuments buried beneath tree roots, and a decaying yet carefully maintained altar. White shide paper streamers, ancient ritual implements, golden disc-shaped talismans, and small vessels containing plant seeds hang throughout the shrine grounds. Worship has continued uninterrupted for countless generations, and old ritual objects stand alongside fresh offerings, conveying that this sacred place has been lovingly preserved by successive generations of worshippers. Wherever the deity's immense body has crawled, rich black soil emerges, and wildflowers, grasses, and young trees begin to sprout. Fallen leaves become fertile humus, fresh moss grows upon decaying wood, and flowering plants take root in the earth. Death and decomposition are portrayed not as something frightening, but as natural stages in the transformation of life. Withered vegetation, damp soil, moss, fresh shoots, and blooming flowers coexist around the deity, creating a landscape in which death and rebirth circulate together within a single place. The deity reclines languidly upon the ground, his enormous body stretched out across the forest floor, while he raises only his human upper body. He bends one arm casually and rests his cheek or chin upon his hand, gazing down quietly at those who visit the shrine. His posture is neither threatening nor imposing. Instead, he appears entirely at ease, like a god who has existed in this place for thousands of years and continues to pass his days in the same unhurried rhythm as ever. Soft morning light filters through the surrounding forest. Golden and pale green shafts of sunlight stream through gaps in the leaves of towering trees. Dappled sunlight reflects gently across the deity's enormous body, illuminating his moist outer skin and the subdued gleam of his golden ritual ornaments. Tiny motes of light, drifting pollen, and fragments of young leaves float through the air, while a thin veil of mist lingers in the distance. The atmosphere feels alive with the distant calls of birds and the gentle rustling of leaves, creating a tranquil space filled with vitality. The overall image should strongly convey the impression of an ancient god who returns the dead to the soil and allows new life to emerge from it, rather than a terrifying monster. His enormous caterpillar form possesses an unmistakable sense of otherworldliness and mystery, yet his integration with plants, soil, and the earth establishes him as an embodiment of the cycle of life itself. His divinity should not be expressed through dazzling radiance or extravagant ornamentation, but through a quiet, profound sacredness, as though the forest itself welcomes his presence and the plants and soil breathe in harmony with his body. The composition is vertical, with a wide field of view that conveys the extraordinary length of his gigantic body and his overwhelming scale. Use a low-angle perspective looking upward toward the deity. Show not only his human upper body, but also clearly depict his enormous caterpillar form extending from the foreground deep into the forest. Arrange the ancient shrine, towering trees, moss, soil, vegetation, and ritual objects throughout the background to create a strong sense of depth, making the deity appear inseparable from the forest and the earth. Place his face and human upper body near the center of the composition, allowing the viewer's gaze to flow naturally from his face along his colossal body, toward the shrine, through the forest, and finally into the distant fresh greenery. The overall atmosphere resembles a quiet, ethereal scene from an ancient myth. Use a natural color palette dominated by pale green, gray-green, earthy brown, white, and muted gold. Render the soft dappled sunlight, delicate mist, humid atmosphere, and rich textures of the surrounding vegetation with exquisite detail. A delicate and beautiful anime-style fantasy illustration, combining the overwhelming presence of an immense divine being with the profound mystery of life itself. Visually express the idea that death is not the end, but a return to the earth, from which life continues its eternal cycle. The final image should portray an ancient deity of the cycle of life, death, and rebirth.
Show Parameters
Original Prompt
Divinity & Scenery Prompt An enormous caterpillar deity that has been worshipped by humans since ancient times. A divine, lamia-like half-human, half-insect being, with the upper body of a human and the lower body of a gigantic caterpillar fused into one. His upper body resembles that of a slender, androgynous young man with pale skin, long muted gray-green hair, and sleepy yellow-green eyes. His expression is calm and serene, yet faintly languid, conveying the quiet composure of a being who has lived through eons of time far beyond human understanding. Two long, slender antennae extend from either side of his head, curving gently like trailing plant vines. Below the waist, he has no human legs. Instead, his body transitions seamlessly into the enormous, pale gray-green body of a giant caterpillar. The human and insect portions are completely fused into a single organism, with no seams, gaps, or cut surfaces. His gigantic caterpillar body is his true lower half, an extraordinarily long and massive form that crawls across the ground and extends deep into the forest. Numerous soft, overlapping body segments cover his immense body. His moist, pale green outer skin bears many circular eye-like markings, symbolizing the divine eyes through which he watches over all living things. Countless short, tiny legs are arranged in orderly rows along the underside of his body. Moss and small wildflowers grow where his enormous form meets the earth. His clothing consists of an old, hooded, gray-green robe that has endured countless ages. Although the fabric shows signs of wear, it is not merely a collection of rags. It is a sacred vestment passed down through ancient generations. The hems and sleeves are frayed in places, reflecting the passage of time and his coexistence with nature. Several golden chains, circular talismans, and antique metal ornaments hang in layers across his chest and waist, reminiscent of ancient ritual implements. Engraved upon them are ancient motifs symbolizing life, molting, rebirth, plants, the sun, and the eternal cycle of nature. The gold is subdued rather than ostentatious, dulled by age and marked with scratches and patches of green patina. The deity rests quietly within the grounds of an ancient shrine deep in the heart of the forest. Surrounded by enormous, centuries-old trees, the shrine has become one with the natural world. The grounds contain an old wooden sanctuary, moss-covered stone steps, weathered stone monuments buried beneath tree roots, and a decaying yet carefully maintained altar. White shide paper streamers, ancient ritual implements, golden disc-shaped talismans, and small vessels containing plant seeds hang throughout the shrine grounds. Worship has continued uninterrupted for countless generations, and old ritual objects stand alongside fresh offerings, conveying that this sacred place has been lovingly preserved by successive generations of worshippers. Wherever the deity's immense body has crawled, rich black soil emerges, and wildflowers, grasses, and young trees begin to sprout. Fallen leaves become fertile humus, fresh moss grows upon decaying wood, and flowering plants take root in the earth. Death and decomposition are portrayed not as something frightening, but as natural stages in the transformation of life. Withered vegetation, damp soil, moss, fresh shoots, and blooming flowers coexist around the deity, creating a landscape in which death and rebirth circulate together within a single place. The deity reclines languidly upon the ground, his enormous body stretched out across the forest floor, while he raises only his human upper body. He bends one arm casually and rests his cheek or chin upon his hand, gazing down quietly at those who visit the shrine. His posture is neither threatening nor imposing. Instead, he appears entirely at ease, like a god who has existed in this place for thousands of years and continues to pass his days in the same unhurried rhythm as ever. Soft morning light filters through the surrounding forest. Golden and pale green shafts of sunlight stream through gaps in the leaves of towering trees. Dappled sunlight reflects gently across the deity's enormous body, illuminating his moist outer skin and the subdued gleam of his golden ritual ornaments. Tiny motes of light, drifting pollen, and fragments of young leaves float through the air, while a thin veil of mist lingers in the distance. The atmosphere feels alive with the distant calls of birds and the gentle rustling of leaves, creating a tranquil space filled with vitality. The overall image should strongly convey the impression of an ancient god who returns the dead to the soil and allows new life to emerge from it, rather than a terrifying monster. His enormous caterpillar form possesses an unmistakable sense of otherworldliness and mystery, yet his integration with plants, soil, and the earth establishes him as an embodiment of the cycle of life itself. His divinity should not be expressed through dazzling radiance or extravagant ornamentation, but through a quiet, profound sacredness, as though the forest itself welcomes his presence and the plants and soil breathe in harmony with his body. The composition is vertical, with a wide field of view that conveys the extraordinary length of his gigantic body and his overwhelming scale. Use a low-angle perspective looking upward toward the deity. Show not only his human upper body, but also clearly depict his enormous caterpillar form extending from the foreground deep into the forest. Arrange the ancient shrine, towering trees, moss, soil, vegetation, and ritual objects throughout the background to create a strong sense of depth, making the deity appear inseparable from the forest and the earth. Place his face and human upper body near the center of the composition, allowing the viewer's gaze to flow naturally from his face along his colossal body, toward the shrine, through the forest, and finally into the distant fresh greenery. The overall atmosphere resembles a quiet, ethereal scene from an ancient myth. Use a natural color palette dominated by pale green, gray-green, earthy brown, white, and muted gold. Render the soft dappled sunlight, delicate mist, humid atmosphere, and rich textures of the surrounding vegetation with exquisite detail. A delicate and beautiful anime-style fantasy illustration, combining the overwhelming presence of an immense divine being with the profound mystery of life itself. Visually express the idea that death is not the end, but a return to the earth, from which life continues its eternal cycle. The final image should portray an ancient deity of the cycle of life, death, and rebirth.
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1232 x 1632
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.91k

Similar Images

Show more
AI artwork
Avatar image of 夕暮
A low-angle, full body shot depicts a colossal lamia-like deity in a sacred forest shrine. The deity has the upper body of a slender, androgynous youth with pale skin, dull grayish-green long hair, and sleepy yellowish-green eyes, possessing a serene yet languid expression. From his head, long thin antennae curve like vines. His lower body is a massive, pale grayish-green caterpillar's torso with segmented skin adorned with circular eye-like patterns, extending from his waist deep into the forest. He wears a weathered, grayish-green hooded robe with frayed edges, decorated with tarnished gold chains, circular amulets, and ancient metal ornaments symbolizing rebirth. He rests his chin on one hand in a relaxed, bored pose. The setting is an ancient shrine integrated with nature, featuring mossy stone steps, rotting shrines, and giant old trees. Around him, white shide paper and golden discs hang, while fresh sprouts and flowers bloom from the dark soil where his massive body rests. Soft morning sunlight filters through the canopy in golden and pale green beams, illuminating floating pollen and light particles amidst a thin mist. The color palette is dominated by muted greens, earthy browns, and dim gold, creating a mystical, tranquil atmosphere of life and decay.
夕暮

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile