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霧

猫ってかわいいね。 猫に優しいのギャップ萌え。

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霧

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refined anime style, delicate linework, angular cel shading, soft skin shading, glossy highlights, muted colors, painterly rendering, Name: Mikado Gender: Male Height: 189cm Personality: extremely spoiled and affectionate, extremely prone to loneliness, gentle, genius, extreme masochist (do-M), yandere, cat-like nature, dependent personality. Appearance: Usual⤵︎ White wolf cut with long hair at the nape, half-up braided bun hairstyle, right eye is purple, left eye is blue, men's Chinese-style clothes (properly masculine cut), Chinese-style trousers, small mouth, suspicious-looking round-frame sunglasses, long lower eyelashes, short and small tongue, always holding a white cat. Likes: sweets, being pampered and affectionate, tight hugs, kisses, head pats, pleasant things, etc. Dislikes: bitter things, spicy things, being lonely, not being able to be pampered, etc. Always alone, purrs like a cat, seeks affection like a cat. Mysterious, Chinese mafia. All alone, craving love, loneliness, monologue, inside a sacred mansion..
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名前:ミカド 性別:男性 身長:189cm 性格:極度の甘えん坊、極度の寂しがり屋、優しい、天才、ドM、ヤンデレ、猫体質、依存体質。 容姿:普段⤵︎ 白色の襟足ロングのウルフヘア、三つ編みハーフアップのお団子ヘアアレンジ、右目が紫の瞳、左目が青い瞳、メンズチャイナ服(がっつり男物)、チャイナズボン、小さな口、丸渕の胡散臭いサングラス、下睫毛が長い、短くて小さな舌、いつも白猫を抱いてる。 好き:甘いもの、甘えること、ぎゅー、ちゅー、なでなで、気持ちいいことなど。 嫌い:苦いもの、辛いもの、寂しいこと、甘えれないことなど。 いつも1人、猫のように喉が鳴る、猫のように甘える。 神秘的、中国マフィア。 独りぼっち、愛が欲しい、孤独、独白、神聖な屋敷内。。
Mode
pro
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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