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PixAI DiT.3
Tsubaki.3
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Beautiful colors V2
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SEMI REALISTIC OUTSIDE BACKGROUNDS - MIDJOURNEY
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❅Ultimate Detailer❅
658
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gold_dark_style
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線、カラー補助
29
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(WKEK) - Warrior, Knight, Executioner, Assassin
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Grimcore ＊Dark Aesthetics＊
226
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─ ⟡ 𝚜𝚑𝚊𝚍𝚘𝚠𝚌𝚑𝚛𝚘𝚖𝚎˙🌀 ̟
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Dark style
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•Ink Stroke2•
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終末世界４
流歌
wide shot, from below, city, cityscape, tokyo, cyberpunk, night, neon lights, futuristic, rainy weather, puddles, wet surfaces, high-tech, skyscrapers, holographic billboards, crowded street, cables, wires, glowing accents, blue and magenta palette
A wide shot from a low angle looking up from a rain-slicked street in a futuristic Tokyo. The perspective is dominated by towering skyscrapers that lean inward, their obsidian surfaces reflecting the saturated magenta and electric blue neon of colossal holographic billboards that wrap around the buildings. Dense clusters of glowing cables and humming power lines crisscross the narrow gaps between structures, dripping with rainwater. In the midground, the street is a river of wet asphalt and shimmering puddles, mirroring the chaos of neon signage above. A few distant, anonymous figures with glowing optic implants are blurred silhouettes, walking away from the camera into the haze. The primary light sources are the flickering neon signs and massive holograms, casting sharp, coloured highlights on the edges of metallic pipes and wet concrete, while deep, ink-black shadows pool in the alleys. A thin, luminous mist clings to the ground, catching the blue light of a distant hovering vehicle. Cyberpunk, oppressive yet electric.
ニニモモ（ニュモ）
cinematic low-angle shot, worm's-eye view, extreme vertical perspective, dark art, techno-horror, apocalypse, colossal biomechanical entity, machine-god, towering colossus, shattered cathedral face, cracked display screens, camera lenses, mechanical servo-mouths, thousands of glowing red eyes, dense biomechanical cables, glowing fiber-optic tendrils burrowing into architecture, entangled human silhouettes, ruined megacity, crumbling skyscrapers, dead streets, cracked asphalt, glowing circuit sigils carved into pavement, tombstone-like server towers, scattered flickering CRT monitors, distorted screaming faces on screens, creeping ground fog, drifting ash flakes, video static, glitch artifacts, scanlines, dying cyan neon signs, kneeling humans, paralyzed terror, prostrated postures, marching empty robotic exoskeletons, disciplined silent rows, locust-like drone swarms, blood-red sky, deep chiaroscuro, heavy shadows, desaturated blacks, cold grays, muted steel blues, sharp sickly red accents, gritty charcoal texture, dense ink wash linework, shallow depth of field, 35mm film grain
A cinematic low-angle shot gazes steeply upward from street level, pitching the horizon near the floor to magnify titanic vertical scale. In the foreground, buckled asphalt is deeply scored with glowing occult circuit sigils that simmer with faint heat. Several prostrate human figures kneel in paralyzed terror, palms flat and foreheads pressed directly against the cold, broken pavement. Directly beside them along the street axis, disciplined rows of hollow, pilotless robotic exoskeletons march in silent unison, their metal heel-plates grinding over shards of crushed glass. Discarded server towers rise in jagged clusters like weather-worn headstones in an untended graveyard, flanked by heaps of flickering CRT monitors casting erratic cold-blue beams through the creeping ground fog; their cracked screens display distorted, pixelated screaming faces. Faint, fractured cyan neon tubes flicker weakly along shattered store lintels. In the midground, massive trunk-like black cables and fiber-optic tendrils rip out from the facades of cracked skyscrapers, threading violently through concrete floorplates and suspending tangled, limp human silhouettes high above the avenues. Towering far above the canyon of ruined buildings, the colossal biomechanical machine-god looms into the upper stratosphere. Its face is an asymmetrical, towering cathedral of fractured monitors, telescoping optical lenses, and exposed pneumatic servo-mouths locked in silent screams, while thousands of pinpoint red compound eyes glare down from every seam and steel plate across its immense torso. Behind its jagged silhouette, black swarms of locust-like autonomous drones fill the air in dense, churning ribbons, partially eclipsing an ominous, turbulent blood-red sky. Gritty charcoal shading and dense crosshatched ink strokes define the architecture in high-contrast chiaroscuro, drowning the urban depths in pitch-black shadow punctuated only by eerie screen flicker and the harsh, sickly crimson glow of the machine's red optical arrays. Fine grey ash drifts downward through visible static and horizontal scanline glitches, settling exclusively on upward-facing surfaces of server racks and metallic shoulders, while low fog curls in tight vortices around the marching automaton ankles. Cosmic dread.
C9I
zombie apocalypse, post-apocalyptic, scenery, wide shot, from below, dutch angle, ruined city, overgrown city, abandoned buildings, crumbling skyscrapers, collapsed highway, cracked asphalt, rubble, overgrown with moss, ivy, rusted cars, abandoned vehicles, multiple zombies, horde of zombies, shambling, lurching, dragging feet, tattered clothes, frayed fabric, sunken eyes, slack jaw, overcast sky, heavy clouds, gloomy, atmospheric fog, haze, dust particles, murky puddle, water ripples, desaturated palette, A wide shot from a low camera angle with a slight dutch tilt looks down the length of a devastated, silent urban boulevard in the grip of a zombie apocalypse. In the foreground, fractured asphalt buckles into deep crevices where wild weeds and dark moss burst through the stone. A rusted, paint-stripped sedan sits canted at an angle across the lane, its shattered windshield framing the jagged pavement below. At the immediate left, a shambling zombie in a frayed, oil-streaked grey coat drags its left foot heavily along the road, torso hunched forward with its head tilted slack toward its shoulder, unblinking milky eyes fixed down the street and jaw hanging slightly agape; its dragging boot heel clips the edge of a shallow puddle of murky rainwater pooled in an asphalt fissure, sending crisp concentric ripples outward across the sky's dull reflection. Further right, another emaciated infected figure in a shredded flannel shirt lurches past the rusted vehicle door, its stiff arm outstretched with splayed fingers reaching toward the empty air ahead. In the midground, the wide canyon between decaying skyscrapers is choked with abandoned vehicles, collapsed overhead transit tracks, and tangled dead power cables. Thick curtains of ivy and wild climbing vegetation carpet the hollow lower stories of concrete towers, whose upper windows are blown out into dark, gaping voids. Scattered through the drifting ground mist, dozens of silhouetted zombies shamble in ragged, irregular procession, their staggering postures receding into the haze. In the far background, the skeletal silhouettes of crumbling high-rises disappear into a heavy, ash-grey overcast sky where faint plumes of dark smoke linger motionless. The lighting is cold, diffuse daylight filtered through dense cloud cover, casting soft, pervasive shadows underneath rusted chassis and rubble piles, with faint pale highlights catching the damp pavement and shards of broken glass. The palette is strictly desaturated and weathered, dominated by slate grey, rust ochre, moss green, and decayed asphalt charcoal, devoid of warm vitality. Desolate dread.
ゴリリン
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