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폭포 아래의 고요한 순간
맑은 폭포수 아래를 거니는 사슴들의 모습이 너무 평화롭고 아름다워서 한참을 바라보게 되네요. 이 고요한 자연의 풍경이 마음에 드셨다면 좋아요와 팔로우 부탁드려요! 댓글로 여러분의 감상도 들려주세요.
Show Parameters
- Original Prompt
- beautiful light, best shadow, color blink, art layout, geometric collage, editorial layout, ink, florals, negative space, asymmetry, geometric division, vertical columns, circular layout, ink collage, hand-drawn graffiti, bold ink lines, 안개가 낀 숲, 거대한 폭포가 물을 쏟아내고 있습니다. 폭포 뒤에는 동굴이 숨어져 있고, 폭포 밑에는 커다란 계곡이 형성되어 있습니다. 사슴들이 모여 계곡의 물을 마시고 있습니다. 폭포 위에는 학들이 모여있습니다.
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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character: rino_(princess_connect!)
Rino, smooth texture, matte skin, flat shading, fine texture, low contrast, soft focus, thick impasto, rough paint strokes, opaque colors, muted colors, semi-realistic, soft rendering, blurred lines, painterly rendering, soft texture, cinematic lighting, rembrandt lighting, Volumetric lighting, The lighting is harsh and directional, emphasizing texture and contrast., detail illustration, -2::simple illustration, cool lighting, pale color, semi-realistic anime style, detailed face, beautiful eyes, classical oil painting, baroque chiaroscuro, volumetric lighting, surreal, conceptual art, mixed media, oil painting dissolving into a lavish joseon court painting of the ten symbols of longevity, masterpiece, best quality, highres, upper body, three-quarter view, the woman placed on the right third of the frame, head slightly tilted, looking at the viewer, gentle demure expression, faint soft smile, serene, sweet, graceful, her face, neck, shoulders and upper body rendered in rich detailed oil paint, sharp and solid, 1.6::her long sheer shawl and skirt flowing leftward and turning into the clouds and sea waves of a vast sipjangsaeng painting::, the painting filling the left two thirds of the frame, 1.6::drawn in fine ink outlines and gold lines, filled with flat bright mineral pigments, flat, no shading, like a joseon royal folding screen painting on dark silk::, layered azurite blue and malachite green rocky peaks, twisted red-barked pine trees, a red sun disk in the sky, curling stylized sea waves with white foam, swirling ruyi clouds in white and pale pink, lingzhi mushrooms on the rocks, bamboo, 1.5::white cranes with red crowns flying over the pines and resting on the branches::, 1.5::a tiny pair of deer drinking from a mountain stream::, 1girl, solo, 1.5::young woman, youthful face, early twenties::, soft youthful features, slender, elegant shoulders, graceful neck, fair skin with a warm clear tone, 1.6::soft deep espresso black hair in a low bun at the nape::, 1.5::forehead fully exposed, hair swept back cleanly::, a few soft strands near the ears, hair glowing as if holding dawn light, thin gently arched soft brown eyebrows, 1.6::muted olive green eyes::, 1.5::large round clear luminous eyes::, 1.4::long eyelashes::, softly relaxed eyelids, calm gentle gaze, oval face, soft rounded jawline, small straight nose, faint soft smile, closed soft pink lips, pure and lovely, serene beauty, a white crane feather hairpin, a small red crest ornament on her bun, gold hairpins with jade beads, layered hanfu, ivory and pale celadon green silk, gold and white crane embroidery, long sheer shawl, wide flowing sleeves, 1.5::a single shaft of pale clear dawn light falling from the upper right onto her::, volumetric light beam, glowing dust motes in the beam, strong rim light outlining her hair, neck and shoulders, her hair glowing as if holding dawn light, soft luminous halo around her head, the rest of her sinking into deep shadow, the gold lines and bright pigments of the painting glowing in the darkness, deep black palette, azurite blue, malachite green, red sun, white cranes, gold lines, her espresso hair and muted olive green eyes, lavish, auspicious, serene, elegant, majestic, horizontal 16:9 composition
건강
A breathtaking traditional Chinese ink-and-watercolor painting (gongbi style meets shuimo) of a graceful young woman in layered, flowing hanfu robes of pale rose, jade green, and ivory silk, with delicate embroidered peonies on the sleeves. Long black hair adorned with gold hairpins, pearl tassels, and a small blossom. She stands on a curved stone bridge over a misty lotus pond, holding a paper parasol painted with cranes. Behind her: soft layered mountains fading into morning fog, weeping willows, drifting cherry blossom petals, and a red-crowned crane taking flight. Warm golden light, aged rice-paper texture, fine brush linework, soft gradients, ornate cloud motifs in the borders. Vertical scroll composition with a vermilion red seal stamp in the corner and elegant vertical calligraphy running down the right side, reading "春风十里" (Spring breeze for ten miles). Highly detailed, serene, dreamlike, museum-quality, 8K, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", Luminous, pastel, high-key, vibrant, iridescent, gradient, glowing, soft-shaded, sun-drenched, saturated, semi-realistic anime style, spiky eyelashes, glossy eyes, textured digital painting, fine cross-hatching, scratchy pencil-like linework, visible canvas grain, detailed screen tones, chromatic aberration, intense under-lighting, glowing rim light, high-contrast values, luminous skin
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古風仙氣少女・漢服唯美插畫
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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