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Aizeth Lomardi
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- Original Prompt
- Blanchefreidkin,black hair,long hair, blunt bangs,skyblue eyes,flat chest,loli,petite,short stature, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,pink and white dress,sad,cru,tears,la chica esta de frente,la chica esta en una postura docil con los brazos al frente,tiara,1 monster,ugly monster,female monster,hug from behind,monster grab woman chin,kiss cheek,barroco style
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used
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character: blanchet_(trickcal)
1girl, 1monster, long hair, black hair, blunt bangs, sky blue eyes, flat chest, petite, short stature, tiara, pink and white dress, oversized dress, puffy skirt, long skirt, lace, ruffles, bows, sequins, glitter, facing viewer, arms in front, sad, tears, hugging from behind, hand on chin, kiss on cheek, female monster, ugly monster, church, baroque style, dramatic chiaroscuro, rich deep contrasts, ornate detailed textures, blush, half-closed eyes
A front view captures a petite girl with long black hair, blunt bangs, and sky-blue eyes brimming with tears. She stands in a docile posture, arms held stiffly in front of her, wearing a tiara and a tacky, overly ornate pink and white dress. The garment is an excessive explosion of lace, ruffles, and countless bows, crafted from glittering fabric and sequins with ridiculous, overdecorated ornaments; her huge, oversized long skirt billows out to fill the lower frame. Behind her, a large, ugly female monster looms, hugging the girl tightly from behind. One of the monster's rough hands grips the girl's chin, tilting her head slightly as the monster presses a kiss against her cheek. They are positioned in the center of a baroque church, where dramatic chiaroscuro lighting casts deep, heavy shadows across the ornate stone architecture. High-contrast light strikes the sequins and glitter of the dress, creating sharp specular highlights against the enveloping darkness of the nave. The atmosphere is one of suffocating opulence and quiet dread.
Brago bloodfallen
eb
1girl, 1monster, female monster, front view, hug from behind, from front, black hair, long hair, blunt bangs, sky blue eyes, flat chest, loli, petite, short stature, tiara, colossal earrings, colossal engagement ring, pink dress, white dress, puffy skirt, huge skirt, long skirt, oversized dress, lace, ruffles, bows, glitter, sequins, sad, tears, crying, docile, arms in front, grabbing chin, kiss on cheek, ugly, baroque style, blush, heavy breathing, half-closed eyes
A front view composition. A petite girl with long black hair, blunt bangs, and sky-blue eyes stands facing forward, her expression heartbroken with tears streaming down her cheeks and her lids half-closed. She is held in a docile posture, her small arms held passively in front of her chest. She wears a tiara and colossal, heavy earrings, and a ridiculously oversized engagement ring on her finger. Her attire is a tacky, over-decorated pink and white dress of excessive opulence, smothered in too much lace, excessive ruffles, and a proliferation of bows; the fabric is a gaudy glitter material encrusted with sequins and ridiculous ornaments, flowing into a huge, oversized puffy long skirt that swallows her small frame.
Behind her, a large, ugly female monster hugs her tightly from behind, its rough arms encircling her. The monster's hand firmly grips the girl's chin, tilting her face slightly as the monster presses a kiss against her cheek. The scene is set against a seamless dark void, illuminated by dramatic, high-contrast lighting that casts deep shadows and makes the sequins and glitter on the tacky dress sparkle harshly. The rendering features lavishly detailed textures and a sense of oppressive grandeur. Quietly tragic.
Eris Boreas greyrat
al
character: blanchet_(trickcal)
1girl, 1monster, female monster, black hair, long hair, blunt bangs, sky-blue eyes, flat chest, petite, short stature, tiara, pink and white dress, rococo dress, oversized dress, puffy skirt, long skirt, frills, lace, bows, sequins, glitter, facing forward, hug from behind, chin grab, kiss on cheek, tears, sad, docile, from below, blush, half-closed eyes, seductive_smile
A low-angle shot looks up at a petite girl with long black hair, blunt bangs, and sky-blue eyes, who faces forward with a sad, docile expression and tears clinging to her lashes. She stands with her arms held passively in front of her, her small frame swallowed by an absurdly ornate, tacky rococo dress of pink and white. The garment is a chaotic excess of ruffles, thick layers of lace, dozens of oversized bows, and ridiculous gold ornaments, with sequins and glitter fabric shimmering under the light. A small tiara sits atop her head. Behind her, a large, ugly female monster with coarse, textured skin and distorted features wraps a heavy arm around the girl's waist in a tight hug from behind. The monster's other hand firmly grips the girl's chin, tilting her face slightly as the monster presses a kiss against her cheek. The scene is bathed in a soft, pastel glow with heavy gold accents, the light catching the coarse grain of the monster's skin against the shimmering, synthetic glitter of the dress. A single tear tracks down the girl's cheek, glistening against her pale skin. Melancholic yet extravagant.
Aizeth Lomardi
fl
1girl, 1monster, 2girls, black hair, long hair, blunt bangs, sky blue eyes, flat chest, petite, short stature, loli, overly ornate dress, tacky dress, pink and white dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, tiara, sad, crying, tears, tears streaming down face, docile posture, arms in front, arms held out front, facing forward, from front, embracing from behind, hug from behind, monster grab woman's belly, kiss on cheek, ugly monster, female monster, one monster, church interior, baroque, chiaroscuro, high contrast lighting, ornate, opulent, trembling, half-closed eyes, from below, dutch angle,
A dutch-tilted camera looks up from low in the nave of a baroque church, so the vaulted ceiling and gilded altarpiece lean over the two figures that hold the exact center of the frame. The girl is small — a petite, short-statured loli build with a flat chest that the enormous dress nearly swallows — and she faces forward, toward the lens, her whole body locked into a docile posture: both forearms held straight out in front of her, wrists slack, hands hanging open one above the other like a marionette's, elbows close together in front of her stomach. Her black hair is long, falling past her waist behind the dress's back, cut into a heavy, dead-straight blunt bang that sits level across her brows and shadows her eyes. Those eyes are sky blue, wide and brimming, and two wet tracks cut down her cheeks with tears beaded at her jaw; her lips press together and pull down at the corners, chin trembling, the expression of someone crying silently and carefully. A small tiara sits on top of her head, its points pricked with glitter.
The dress is a disaster of wealth in pink and white: the bodice so encrusted with sequins and glitter-thread embroidery that it throws back every candle in the room as pinpricks of pink light, its edges lost under tiers of stiff lace; ruffles heaped in loops so excessive that they sit a centimeter off the fabric; bows everywhere, larger than her hands, tied in dozens of doubled satin loops at the waist, the cuffs, the shoulders and down the back of the skirt. Ridiculous ornaments bristle from it — lacquered rosettes, dangling glass drops, a pieced-together filigree panel, gold-painted tin florets sticking out at odd angles like a chandelier's scrap heap. The skirt is huge, puffy, oversized and long — its hem pooled and fanned out across the marble floor, flares of lace and sequined netting scooping up the candlelight.
Behind her looms one ugly female monster. Its body is tall and hunched, green-gray skin slick with a wet sheen, sagging folds and a fanged undershot jaw, one milky eye clouded; it stands pressed to her back so its bulk eclipses the altar behind. A thick, long-fingered hand reaches around her side and grips flat on her belly, the fingers spread wide against the sequined bodice, pulling the girl back against it. The monster's face is lowered beside her cheek, its jaw slack and working, its mouth pressed to her right cheek in a kiss, saliva wetting a streak against her skin; the girl's jaw lifts slightly at the touch, her tear-wet lashes fluttering, her head not turning away.
Lighting is high-contrast, dramatic chiaroscuro: candles on the altar rail and the chandeliers overhead throw a hot gold key from the upper left, ripping highlights across the sequins, glitter and filigree and lighting the monster's wet skin green-gold, while the deep nave on the right falls into real darkness — only rim light there, on the girl's hair, her cheek, the monster's shoulder. Cast shadows bend with the dutch angle so the joints between the floor's marble slabs tilt against the frame. The palette is pink, white, sequined gold and candle-gold with the monster's sick green as the lone discordance; beyond the candle glow the church is absolute. Baroque, oppressive, tenderly cruel.
Fitentia Lombardy
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