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フィッシュ竹中

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フィッシュ竹中

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A solemn historical painting: on the scaffold platform at the Place de la Révolution under a pale dawn sky, an executioner in a dark mask and tricolor sash guides the old king toward the guillotine's tilting board. The king, shoulders slumped but head high, still wears his wooden hyottoko omen mask strapped with cords — pale carved wood, the puckered tubular mouth skewed sideways, one painted eye wide, one squinted, faint painted blush — the golden crown slipping from his head, his bare neck bent toward the bascule, crimson ermine cape thrown open, white shirt collar torn away. An assistant holds a wicker basket below the angled blade rail; tricolor flags hang from the platform rails, a vast silent crowd fills the square beyond, rooftops dissolving into morning mist. Cold diffuse dawn light with a single warm shaft breaking through clouds onto the platform, dramatic depth, muted reds and greys, academic history painting technique with visible brushwork, tragic grandeur.
Show Parameters
Mode
flash
Size
1536 x 2048

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.33k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

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AI artwork
フ
A monumental historical painting in the style of a 19th-century Salon masterpiece: the moment of execution rendered without blood — the great guillotine's heavy oblique blade frozen at the top of its groove, catching a ray of light on its polished steel edge, while beneath the beam the old king's head bows at the bascule, still wearing the wooden hyottoko omen mask tied with cords, its pale carved face with the skewed puckered mouth and mismatched painted eyes facing the sky, the golden crown rolling loose across the platform planks in the lower foreground. Around the scaffold a sea of tricolor cockades and raised Phrygian caps, arms flung up in revolutionary salutes, banners catching the wind. A storm-washed sky in burnished gold and slate grey, the whole square bathed in low theatrical sunset light, deep shadows stretching across the flagstones. Rich oil impasto, dramatic Baroque chiaroscuro, historic grandeur with dark absurd comedy.
フィッシュ竹中
AI artwork
フ
A somber historical painting scene: a wooden tumbril cart rolls through cobblestone streets toward the scaffold, escorted by National Guardsmen in blue coats and tricolor sashes with fixed bayonets. In the cart sits the old king, hands loosely bound before him, his face hidden by the wooden hyottoko omen mask tied on with cords — pale carved wood, puckered tubular mouth pulled to one side, one painted eye wide and unblinking, the other narrowed — his golden crown tilted, crimson velvet cape pooling around him in the straw. Grey drizzly sky over huddled tenement rooftops, a mass of silent onlookers lining the street behind barricades, tricolor cockades on hats. Muted overcast daylight, restrained earthy palette, loose expressive oil brushwork in the manner of a 19th-century academic history painting, tragicomic solemnity.
フィッシュ竹中
AI artwork
フ
A dramatic historical oil-painting style scene of revolution: inside a pillaged palace hall with a toppled gilded chair and scattered papers, a mob of French Revolution-era sans-culottes in striped tricolor cockades and Phrygian caps seizes the old king by both arms. The king still wears his wooden hyottoko omen mask strapped with cords — a pale carved wooden face with a puckered tubular mouth skewed to one cheek, one painted eye wide, one narrowed, faint blush circles — atop it a golden crown knocked askew, his crimson ermine-trimmed royal cape half torn from his shoulders, one gold-embroidered sleeve gripped by a rough worker's fist. The revolutionaries shout with raised tricolor flags in the background haze of dust and smoke. Tallow candle and torch light flickers across the lacquered floor, casting long dramatic shadows in Baroque chiaroscuro. Painterly brushwork, 19th-century academic history painting style, solemn yet absurd.
フィッシュ竹中
AI artwork
h
character: e._honda, copyright: liberty_leading_the_people wide shot, panoramic, from below, 1boy, many men, crowd, colossal sumo wrestler, massive build, bare-chested, topknot, red phrygian cap, red facial paint, holding flag, tricolour flag, holding musket, young boy holding pistols, revolutionaries, holding sabre, military drum, stone barricade, fallen bodies, rubble, smoke, paris street, slate roofs, notre-dame in distance, morning light, romanticism, oil painting (medium), painterly, aged canvas texture, dramatic lighting, solemn A wide panoramic composition seen from a low vantage point looking up at the crest of an improvised street barricade of loose cobblestones, wooden beams, and overturned carts along a rain-slicked Parisian thoroughfare. Standing commandingly at the center is a colossal, bare-chested sumo wrestler of immense muscular girth, his dark hair gathered in a topknot enveloped by a fitted scarlet Phrygian cap, with stylized crimson facial markings accentuating his focused, resolute gaze. His raised right arm drives the tall staff of a large, wind-whipped tricolour flag high above the smoke, while his left hand holds a flintlock musket upright at his side, both bare feet planted firmly into the debris. Directly at his flank, a young boy in an open waistcoat and cloth cap presses forward, aiming a pair of flintlock pistols outward with defiant energy. Behind them, a column of over a dozen insurgent fighters—artisans and citizens in ragged coats and cocked tricolour cockades—pours across the ridge brandishing bayoneted muskets, lifted curved sabres, and a brass-bodied marching drum slung across one soldier's chest. In the immediate foreground at the barricade's base, fallen figures lie motionless amidst scattered bricks and muddy water pooling between paving stones. Plumes of thinning, warm ochre gunsmoke drift across the midground, parting to expose rows of wet slate mansard rooftops and the distant silhouette of the twin towers of Notre-Dame under a cool, silvery morning light. The palette is dominated by earthy browns, charcoal greys, and muted umbers, sharply punctuated by the vivid red, white, and blue of the hoisted standard and worn sashes. Fine droplets of moisture cling to the lacquered wood of the gunstocks and glisten against the heavy contours of the central fighter's shoulders. Rendered with the heavy impasto, rich directional brushstrokes, and fine craquelure surface of a nineteenth-century French Romantic oil painting on aged canvas. Epic and solemn.
hanagedetemasuyo
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